Stara Rzeka - Cień chmury nad ukrytym polem Full Album From Poland, a great album produced by members of the ALAMEDA collective. Listening to the works created by these gentlemen, I believe there’s a vibrant music scene in Eastern Europe just waiting to be explored.
 
#lasmaniadiscrivere Krzysztof Penderecki ā€Ž- Rękopis Znaleziony W Saragossie (The Saragossa Manuscript) (1965) FULL ALBUM a record found by sheer chance some time ago during one of the many pilgrimages in the Y T universe. Music that fills you with the urge to use words to talk about music. In the end, I preferred that the words remained tangled in the chest of my treasures that I can't speak of, where beauty or ugliness are very indefinable concepts. Luckily for us, if everything were definable it would be the end.
 
Air - Do the Joy (Official Audio)

WEEK IN THE AIR: AIR - Do the Joy..... Vintage synth and voices.... French.
 
The High Numbers - I'm The Face - In 1964, the first (and only) 45 RPM by the High Number was released, which sold just under five hundred copies!
 
PROGRESSIVE ROCK MADE IN BAVARIA.

#BUZZ

Ougenweide - Ohrenschmaus (Polydor, 1976)

An album with a very peculiar sound that, for its uniqueness, might even bring a smile to listeners, regardless of the sound quality. This is a progressive rock band from Munich, Bavaria, called Ougenweide. Formed in 1970 and active throughout the decade until the early 1980s, they released this LP titled "Ohrenschmaus" in 1976 under contract with Polydor. One must consider Bavaria's geographical location in this context, being distant from other centers in West Germany where more experimental music movements flourished. The album is indeed a progressive music record that clearly incorporates traditional Bavarian folk music elements, which at times can evoke certain Celtic traditions and Northern European sounds. This characteristic emerges in both the more progressive rock tracks and especially in the folkier ones like "Eines Freitags Im Wald," "Engelboltes Tochter Helft Mir Klagen," "Om Wie Jaemerliche," and "Pferdesegen Contra Uermes." Of course, Canterbury shades are also present, and as is often the case with groups from this period with such sounds, the vocal performances of the "prima donna" Minnie Graw should be noted. It’s worth a listen, at least to debunk some myths about Bavarian music and Bavaria in general.

Ougenweide - Ouwe wie jaemerliche

#bavaria #progressive #krauti
 
Death In June - Heaven Street Fog and destroyed anti-aircraft positions.
 
"Semplice sai" Jenny B. SANREMO 2000 (FULL VERS.)

Did they have R.E.M. or not? -5 days

The girl had (and still has) two gifts, two...
 
#hundredcities (43) Napule ĆØ - Pino Daniele (I played "Vienna" by Ultravox twice and no one noticed)
 
Air Electronic Performers Official Music Video High Quality

WEEK IN THE AIR: AIR - Electronic Performers.... More than a track, a programmatic manifesto with an introduction that no one dared to even think of since the mid Kraftwerk era, slow and mechanized, evocative and unexpectedly kraut... then everything mellows out in a more pinkfloydian way... to be listened to through headphones, at full volume, exasperating and anti-commercial just enough to introduce a "transitional" album....
 
Psychedelia from Greece on Fuzz Club.

#zot2017

Acid Baby Jesus - Lilac Days (Fuzz Club Records, September 29, 2017)

Formed in March 2009 by Noda Pappas, Markos Mazarakiz, and Tili Stronis, Acid Baby Jesus is a garage psychedelia band from Athens, Greece, which released their third LP on Fuzz Club Records last September 2017. Although the name might evoke mystical sounds and acid rock, the band actually has a typically straightforward garage sound and alternates more rock-driven tracks with what I would describe as delightful psychedelic ballads and glimpses of pop serenity. The album opens with the title track, a garage psychedelia piece with the atmosphere and flavors of the California west coast. "No Such Thing As Twice" is a kind of psychedelic rock and roll ballad featuring delightful and minimal horn arrangements, while "Me & Panormita" and "Guide Us In" are garage rock tracks with brighter tones and rougher sounds. "Faces of Janus" is a psychedelic pop ballad built on guitar arpeggios and straightforward yet effective synth arrangements, "Down The Ley Lines" is clearly inspired by the visions of Syd Barrett, "Birth" resembles a swaying lullaby, and "Vile Man" heavily recalls the sound of Avi Buffalo's first album. "Love Has Left My House Today" is the standout track of the record alongside the title track, where west coast sounds reappear in a more arranged and "complex" piece compared to the others, featuring a very evocative piano outro. Overall, it’s not a transcendental record, but truly very, very pleasant and catchy.

Acid Baby Jesus- Lilac Days (Full Album)

#psychedelia #athens #fuzzclub
 
Lennie Tristano - Turkish Mambo

Jazz Legends (74) Lennie Tristano
from "Lennie Tristano" - 1956 (Atlantic)
 
Opal - Northern Line Sleep peacefully, Kendra is with you.