Since Prof. @[lector] pulled me into this (and given that he must be a bit downhearted due to some unfortunate cases of keyboard granfelinism...) Not having any particular or surprising ideas (I never have particular or surprising ideas, I'm often told so, alas...), I’m posting solo albums by people who have done something in a group but who, as solo artists, have achieved less than they deserved (pt. 5)
Bill Nelson's Red Noise - For Young Moderns [2012 Remaster]
 
RIVERSIDE - Reality Dream [Full Concert]
a little overlooked on DeBa, great group in my opinion.....
 
I'm copying & pasting a quick reading taken from my beloved encyclopedic Wikipedia and here it goes...:

In the notes that appear in the album Via Paolo Fabbri 43, Guccini writes: “I am a storyteller (not in the 'historical' sense of the term) and (…) I tell, through myself, what I do and what I see, and I should not be called a poet or anything else.

A bit like what I say in L’Avvelenata (…) but in a different, ironic (I hope) and grotesque way; and I hope that the friend I mention in the song doesn’t hold it against me for leaving his name.

After an afternoon of chatting and mutual clarifications, I hope to have become friendly enough with him to be able to make fun of him.

And then when we met, the song was finished; he listened to it, and it didn’t seem to me that he got angry.”

The music critic Guccini refers to is Riccardo Bertoncelli, who in a lengthy article in 1998 recounted the story in detail.

Bertoncelli, in 1975, was a very young collaborator for the magazine Gong, where he was asked to write a review of Stanze di vita quotidiana.

It was a ruthless critique, and more than twenty years later, Bertoncelli would say: “It was a vice of the time to teach artists what they should do, rather, who they should be, and I fell for it with the Leninist zeal of a Red Guard.”

A few months later, Bertoncelli learns that Guccini had sung a song in concert that mentioned him; then he reads in another music magazine that Guccini said about him, “he’s someone who doesn’t understand anything (…) one of those who still writes Amerika with a k.”

So he calls him, and they decide to meet.

They spend an evening together at Guccini's house, discover they have common interests, that perhaps Guccini hadn’t sold out to the record companies, and that perhaps Bertoncelli understood something.

During that evening, Guccini picks up the guitar and plays L’Avvelenata for him, and offers to remove the name from the song.

Bertoncelli refuses: “Now that we’ve met, it doesn’t make sense anymore.”

Guccini tells him that he has no intention of recording it anyway: it's a concert outburst, not a song to put on an album.

But it's a song that the audience loves, and a few months later it will end up on "VPF43"

L'Avvelenata (F. Guccini) - Casabase Notte Playlist
 
xin - MELTS INTO LOVE (Full Album)
let's see who might be interested in @[nes], for example? who hasn't shown signs of life for a while.
 
with Garbo, the singer, as well as with the grace that she herself puts into it, whispering more than three octaves above, here she scrapes, and well... well? appreciably compared to the beginnings which, in my opinion, were still valuable because they were different from the common... and different ENOUGH END OF THE STORY, whether or not someone likes it is another discussion, but if someone does something beautiful, why deny it? they did it. it's not that terrible. then the reprise with the final bass, nice... it's not that stupid I have to find the FOOL who called me an idiot, agreeing with a double fool like NES, because I can't find the notification and my response, beautifully detailed and error-free, got deleted because I left the site for a moment. can't things remain even if you exit??? I didn’t have the desire to rewrite so much that if he has no brains he will realize it too; more than anything, HUMAN SENSITIVITY, but go to hell, you’ll probably like it, I bet. then I had saved the draft full of errors and all I had left was that; to correct and insert everything that I had included, that’s it; to make it clear that he’s an idiot I wrote like an idiot, idiot for idiot, actually a LITERARY FINESSE NOT UNDERSTOOD NOR CAUGHT BUT IT DOESN'T MATTER I HOPE TO FIND UNDERSTANDING EXCEPT FOR SOME WHO HAVE BEEN REALLY KIND. EVERYTHING THAT HAS HAPPENED HAS LOST A PERSON AND IT HAPPENED PLEASE U MA N I T Y BEFORE THINKING ABOUT THE WAY IT SHATTERS FOR GOD'S SAKE;

LET'S THINK ABOUT PEOPLE
Valerie Dore (New Song!!!) - How Do I Get to Mars?
 
Frankie Goes To Hollywood - Relax (1984) HD all very obvious but this was also amazing! .. don’t worry, I’ll stop this little choirboy act (which doesn’t really suit me anyway..)
 
MANOWAR - Silent Night (Metal Version)

It is known that worse than Christmas are its nauseating little songs that bother us.

But this para-pseudo-cover epic-knightly goes beyond every more aberrant expectation.
 
Steppenwolf - Born To Be Wild 1968 Video Sound HQ
Today I'm dedicating it to myself. 🖤
Je m'aime à la folie!
 
Stanton Davis' Ghetto/Mysticism - Play Sleep

Stanton Davis - from "Brighter Days"
1977 (Cultures of Soul)

#jazzlegends