iside
iside
17 may 20

DeRank™: 14,08

"Perhaps the most beautiful production by Roberto Colombo… :) never published." #chianuradocet The legend says that this track was a #filler at Studio 54 in New York City Faust'o - Lipstick
 
G
G
17 may 20

DeRank™: 38,86

TRAFFIC Dear Mr.Fantasy
It will take some imagination.
 
Almotasim
Almotasim
17 may 20

DeRank™: 5,15

Down Together
#totalmentemiti Totally Mild, melancholies without sadness [3]
From "Her," the second album, 2018, by the Australians.
With greetings to @[Caspasian].
 
Battlegods
Battlegods
17 may 20

DeRank™: 9,52

Egg - The Song of McGillicudie (1970)
What a photonic punch! Forget about The Barbarian by EL&P 😆😆
 
iside
iside
17 may 20

DeRank™: 9,66

dear @[AlephZero] us old and very old folks have experienced nightclubs and #dediscoteche that opened only on Saturday nights from 9 PM to midnight and on Sunday afternoons from 3 PM to 6 PM. I invite you to join us today at 3 PM (even though your young age might prevent you from entering, but with enough money, anything is possible) for a wonderful afternoon filled with true #dancefloor fillers from the '70s and some tear-jerking slow songs. sincerely, the dediiigei. DD Sound - 1, 2, 3, 4, Gimme Some More 1978
 
sanvalentino3
sanvalentino3
17 may 20

DeRank™: 14,71

Skip James - I'm So Glad (1931)
@hellraiser
“…Returning to Skip, one day he decided to enter a competition for musicians. Singing the words “I’d rather be a devil than to be that woman’s man” he won a contract with Paramount Records and a train ticket to reach the studios in Grafton. The recording room was in the attic of a chair factory. It was in that place that he developed an absolutely innovative technique called “three-finger-picking,” which meant he played the guitar by plucking the strings with three fingers. He used melodies in open D minor and the chord progression D-A-D-F#-A-D that gave a desolate and dark tone to his compositions, contrasting with his touching but at times unsettling falsetto. He was able to mix blues and spirituals and create covers by changing lyrics and words to make them his own, personalizing them to the fullest through his virtuosic playing and his laments, like “I’m so glad,” which was originally “I’m so tired” by Art Sizemore and George A. Little. On that night in February 1931, there was a session that became legendary. More than 10 pieces were recorded, including “Devil got my woman,” “Cherry ball blues,” and “22-20 blues” (the latter would be picked up by Robert Johnson). The songs were made with voice and guitar or voice and piano, instruments he uniquely, extraordinarily, and innovatively played equally well. That session was paid just $40, but he returned home as happy as a king who had conquered the world.”
 
mrbluesky
mrbluesky
17 may 20

DeRank™: 3,93

Zlad! - Elektronik Supersonik HD BEST QUALITY Remastered Sound
#inuovimostri international
A window to the world
Curated by Mr. Blue sky
 
Bubi
Bubi
17 may 20

DeRank™: 18,80  Isola

Talking Heads - Artists Only

Piece with a ridiculous and orgiastic crescendo...
 
Bubi
Bubi
17 may 20

DeRank™: 18,96  Isola

Regiment - Brian Eno & David Byrne

An album characterized by ethnic percussion and electronic instruments...
 
zappp
zappp
17 may 20

DeRank™: 13,90

Abbey Lincoln & Kenny Dorham - 1957 - That's Him! - 01 Strong Man

Abbey Lincoln - from "That's Him"
1957 (Riverside)

#jazzlegends
 
Stanlio
Stanlio
17 may 20

DeRank™: 1,14

link rotto

Welcome to Billy Bragg's live-streamed concert in support of Sheffield Leadmill, as part of a national initiative launched by Music Venue Trust to help prevent the closure of hundreds of independent music venues across the UK.

Throughout the UK, venues are facing permanent closure because they are unable to generate enough income to cover even their reduced costs during this period of isolation. Most of their income comes from ticket sales and bar sales—both of which are at a low or nonexistent level due to the forced closure of venues.

Any money raised through this fundraising effort will be split 50/50 between The Leadmill and the national pot of Music Venue Trust to help save UK venues from closure.

So enjoy the concert and make a donation to Leadmill's Crowdfunder page—even if you're watching after the event.

On behalf of myself, Leadmill, and the Music Venue Trust, thank you for your support.

#SaveOurVenues - The Leadmill - a Music crowdfunding project in Sheffield by The Leadmill

(text translated from facebook)