Tiziano Ferro - Buona (Cattiva) Sorte
#diteloallozioiside
Summer 2019. In that damn Radio Zeta, they played nothing but this crap, LITERALLY. Every 2-3 songs or so, you'd hear that “you have your father's eyes, your mother's mouth”...F*** OFF.
 
I Giorni Dello Smarrimento
These are the days of disorientation
Of love that cannot be invented
Days without destination
And without movement
When the game gets serious
And you stop playing
And it’s all uphill until evening
Until the sleep that restores
These are the days of disorientation
Days without desires
Of events against time
Without a role in reality
With eyes closed against the sun
Waiting for a glimmer
When you no longer feel warmth
And emptiness overwhelms you
Where is, where is, where is, where is, where is
The way back?
Where is, where is, where is, where is, where is
The star to follow?
These are the days of the wanderer
Of a world ugly and tightly coiled
Citizen of nothingness
A stranger everywhere
The Pacific is determined
An exercise in dissent
The days when understanding each other is complicated
The days out of time
Where is, where is, where is, where is, where is
The way back?
Where is, where is, where is, where is, where is
The star to follow?
The star to follow
These are complicated days, the days of disorientation
Where you search for yourself in one person
And lose yourself in another hundred
And the king burns the crown
And silence finds the words
The sea wants to be a hill
To contemplate itself from above
Like a mirror
As you look at the reflection of what I have never told you
Of what I have never told you
The morning is so tired of shining
That it keeps repeating goodnight endlessly
And water turns into wine
As the innocent becomes a murderer
Even a broken clock is right twice a day
So why can't I feel how I feel
Times are changing
But the only thing that matters
Is to love what’s around me
And feel the wind on my face
Where is, where is, where is, where is, where is
The way back?
Where is, where is, where is, where is, where is
The star to follow?
The star to follow
 
The Greenhornes - The End of the Night
What a sound, what tracks...
Songs on loop that should last foreverrrr
@[imasoulman] did he like/does he like these modern/ancient boys?!
 
Taking inspiration from the brilliant idea of @[Martello], I would like to pay a sort of "tribute" to a great artist like Antonello Venditti, that is, a ranking of his albums (stopping at Cuore from 1984 and also including Theorius Campus with De Gregori) from the least beautiful to the best...

N°7: "Theorius Campus" (1972)
We are in the early '70s, and a 23-year-old Antonello Venditti, alongside his friend Francesco De Gregori, released the first - and only - project of the duo Theorius Campus, formed by the aforementioned. De Gregori expresses his hermetic style with gems like Signora Aquilone, but there isn't much more that shines. On the contrary, Venditti condenses his commitment and already proves to be a mature and complete songwriter. But while the Prince has improved over the years and now boasts an impeccable discography, Antonello... we all know what he has become...
Overall rating 8

The masterpiece of the album: Sora rosa
 
Picking up the brilliant idea from @[Martello], I would like to make a sort of "tribute" to a great artist like Antonello Venditti, namely a ranking of his albums (stopping at Cuore from 1984 and including Theorius Campus with De Gregori) from the least beautiful to the best...

N°8: "Sotto La Pioggia" (1982)
We have arrived in the heart of the '80s, and Antonello offers us this new album. After the diptych "Sotto Il Segno Dei Pesci" - "Buona Domenica," Antonello attempts another change in direction, dedicating himself to "pop" sounds that might make the purists of the early days raise their eyebrows. But here we are talking about a pop of excellent quality; there are international-level nuances in the lyrics, arrangements, and music that were missing in previous albums - and will also be missing in subsequent ones. Thus, Antonello presents us with a work slightly superior to the previous one.
Overall rating 8

The masterpiece of the album: Fellini
 
Ingrandisci questa immagine

It's time to follow the advice of @[Alemarcon], we start with Fossati.
 
Killing Joke - Sanity
It's not new wave, it's not AOR, it's not synth pop... it's a lady who flatters you and then kills you.