I Got Rhythm

Henry "Red" Allen & Kid Ory - from "We've Got Rhythm"
1957 (Verve)

#jazzlegends
 
 
Journey - Opened the Door
The perfect album of the pre-Escape phase 👽
 
Alfredo Cohen - "Valery" #whatapiece (great surprise for those who will listen to it)
 
Osamu Kitajima - Masterless Samurai (1980) ...with this music I could kick anyone's ass (even Bruce Lee)...
 
Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [29 of 40]
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [29 of 40]

Preview
The Persistence of Memory - Salvador Dalí (1931)

"The Persistence of Memory" is a painting created in 1931 by the Catalan artist Salvador Dalí. The scene is set by the sea, on the Catalan coast. The beach appears deserted. There are no recognizable human presences, except for the strange shape lying on the ground at the center of the work, which likely reproduces the artist's silhouette. The protagonists of this painting are some soft clocks that seem to be made of fluid material. The first clock hangs from the edge of a square volume resting on the ground in the foreground to the left. The second is hung on an olive branch that rises from the parallelepiped. The third is draped over a face lying on the ground with its eye closed and long eyelashes. A fourth clock, which unlike the others is closed and retains its traditional shape, is beset by a swarm of crawling ants, insects for which the artist has a phobia dating back to his childhood. In the background of the canvas, the cliffs of the Catalan coast can be seen, where Dalí spends much of his summers. The contrast between soft forms and hard forms has always been a point of interest for Dalí. The artist claims to have created the painting after a dinner featuring camembert. After falling asleep post-dinner, caught between sleep and wakefulness, he conceived the image of the soft clocks, suggested to his mind by the texture of the cheese he had just eaten. Thus, he incorporated the soft clocks into the landscape he was painting during those days. However, the painting also lends itself to other interpretations. The image of melting clocks evokes a reflection on time. The clock, a tool that claims to measure time objectively, yields to the subjectivity of perception and the uncontrollable mechanisms of memory. For this reason, the painting has become an icon of the twentieth century: a century that began with discoveries such as relativity in physics and the unconscious in psychology, which undermine the certainties of the nineteenth century. The Persistence of Memory is located at the Museum of Modern Art in New York.
[source ovovideo.com]

Associated LP from 1973
 
The Gods demand to take Freccia, my father, my mother, my dogs Nedda 1, Nedda 2, and Spina, my brother number 1 and number 2, my aunt Assunta/unemployed, my grandmother Rrenata, my godmother Libera, my godfather Giacomo; they have taken everyone except for those two idiots of my brothers, but she, no, she must stay.
can u stop all this pain stopstop i come with you with her soul beside me and her soul inside of me and the same thing in reverse, arrivo smore arrivo dovrei correggere....
take me, I am useless, I can no longer love nor be loved, I beg you, even Antonio, you took Cristian and Pamela, also Pam, now finish it with me, leave her in a forest waiting for a human being to save her all alone in the earthly world; it will be she who will recognize him.
I beg you, but I do not pay with matter, I come to pray to You Zeus Athena Dionysus Apollo my brothers, my father ASres. Hades no, no, no... let me live, and I will sacrifice my life, my poor life, but she must stay and continue to do all the good she has done for me; my mommy girl left home after 25 years for her (ok maybe also because of Prozac, but she started taking it after her arrival), and now I can’t write; take me, leave Freccia alone.
I beg you, I have prayed all day, kali, Shivaa, Ganesh have mercy, take me and let these count; she is a Goddess, she is a direct descendant of you in a field transformed into a fairy tale; she will capture the gaze of those who will initially reject her, but she will insist until she reaches her threshold to never leave again, Lepnèè the perfect reincarnation. Do you want her back? I come with her, I am one of you too, let's go tomorrow morning; we won't open our eyes here. No, then alone, absolutely not, she's not a piece of shit, Freccia is a Goddess, she doesn’t deserve this vain, terroristic life; this mere illusion.
look, they have already discreetly deprived me of my red sari. They’ve shattered my heart (ah ah ah what a great joke); take the rest, my beauty has only brought death and pain. I have to go, a bit of imagination please. Sorry for the mistakes.
Morrissey - Life's a pigsty
 
The Smashing Pumpkins - Ava Adore
Billy Corgan looks like a cross between Nosferatu and Voldemort.
 

#canzoniakazoo let's go!!
 
No Remorse (I Wanna Die)

NO REMORSE I WANNA DIIIIEEEEEEEE!
 
Siciliano : il cornuto
@[asterisco]
Dedicated to all the Debaser
 
#MeatPuppets approximately top twenty.
N°8
Meat Puppets - Up on the Sun
 
Ingrandisci questa immagine
I'm counting on you @[Italiaamoremio], we're eagerly waiting, we all rely on you!
 
#2021 #electronics #environment #neoclassical
Ian Nyquist "Endless, Shapeless"
The Drift