dsalva
dsalva
16 apr 21

DeRank™: 11,11

Little Miss Sweetness

#so many temptations
 
puntiniCAZpuntini
puntiniCAZpuntini
16 apr 21

DeRank™: 4,26  W_I_NEGRI

Redman - 80 Barz [Official Audio]
The great thing about Rap is that the older they get, the better they become.

All the rockers I listened to as a kid are either dead, retired, or now they suck.

But you find your Rapper, and you're set for life. Comfort, extreme comfort.
 
zappp
zappp
16 apr 21

DeRank™: 10,40

Buddy Terry Everything is Everything

Buddy Terry - from "Electric Soul!"
1967 (Prestige)

#jazzlegends
 
zappp
zappp
15 apr 21

DeRank™: 10,30

Sal Mosca "There Will Never Be Another You"

Sal Mosca - from "For You"
1979 (Choice)

#jazzlegends
 
JonatanCoe
JonatanCoe
15 apr 21

DeRank™: 26,70

Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [20 of 40]
 
zappp
zappp
15 apr 21

DeRank™: 10,30

Bag's Groove

Nunzio Rotondo - from "The Artistry of Nunzio Rotondo"
1959 (Music)

#jazzlegends
 
ALFAMA
ALFAMA
15 apr 21

DeRank™: 5,46

beautiful #folk work with enchanting passages, at least that's how I remember it, but one shouldn't pay too much attention to my memories.
Anyway, a little gem Hunt & Turner ‎– Magic Landscape (1972) - FULL ALBUM
 
JonatanCoe
JonatanCoe
15 apr 21

DeRank™: 22,33

Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [20 of 40]

Preview
The Harvesting of Corn - Achille Glisenti (1881)

The painting entered the civic collections in 1908 by donation from Giovanni Magnocavallo, the author's nephew, and is one of the best-known and most appreciated works of Achille Glisenti, as well as a unique piece in his production. It was first presented at the National Exhibition in Milan in 1881 and subsequently sent in 1882 to the Royal Academy in London, before appearing, a year later, at the Glaspalast in Munich. Often engaged in illustrating folk themes, in the form of witty tales and country festivities, the Brescia artist here engages in a splendid piece of verismo, reinterpreting the classical theme of the canefora from a perspective of clear social realism. The protagonist wears the traditional costumes of peasant women from the Brescia valleys and carries on her head a basket full of corn. The original title, Ave Maria (registered in 1881 and later replaced by the more prosaic The Harvesting of Corn), suggests that what is depicted is a silent moment of prayer at the end of a hard day of work, when at dusk the farmers prepare to leave the fields. In the same year that Giovanni Verga’s I Malavoglia was published in Milan, Glisenti completed a painting in which the language of academic painting serves not to denounce social issues but rather to rigorously and calmly represent a humble yet dignified condition, as it is ennobled by labor. Therefore, this work perfectly aligns with the Brescia tradition, from which it also takes the expressive use of cold light that shapes the volumes and the attention to the objective description of details, from the woman's tattered dress to the mud-covered feet and tortured by the toil of the man kneeling behind her, dressed in the colors of the earth itself. [source comune.brescia.it]

Associated LP of 1985
 
ALFAMA
ALFAMA
15 apr 21

DeRank™: 1,30

another album unknown to me #dasentire just because I was attracted by the cover. As always, the listening experience will be different from my daydreams.
#prog Lite Storm - Warning1972 (full album)