@[dsalva] I think this time you went overboard! I see that there are two subscriptions active in your name. Hurry up and suspend at least one. It's time for someone to set an example! Mannagge!
 
Tuned in to #radiocapish

This morning, for “Baroque Mondays: at the court of the Capish King,” we offer you the chance to listen to some organ compositions by the Dutch musician Jan Pieterszoon Sweelinck (1562 – 1621), an important innovator of the early Baroque period, closely influenced by Albionese authors such as William Byrd, John Bull, and John Dowland, whose compositions preserved in the Fitzwilliam Virginal Book have already been featured in "Baroque Mondays."

Enjoy the listening.

Jan Pieterszoon Sweelinck - Voyage dans l'Amsterdam du 17è siècle
 
Tom Waits - "Underground"
Everything #swordfishtrombones no. 2
The swordfish-shaped trombone is still my favorite Waits album.
 
Tenor Madness

Sonny Rollins (1 of 10)
"Tenor Madness" from: Tenor Madness
1956 (Prestige)
 
@[ZiOn] LAZZA x MURDA x BENY JR x GUY2BEZBAR x ELIAS - THE EXCHANGE (prod. Keys G) SNIPES Soundbooth Cypher
"My money and I are about to get married, and they lived happily ever after with cash."
 
The Last Shadow Puppets - 'Standing Next to Me' (2008)

e riderai di te stesso ancora e ancora e brinderemo al pensiero
 
Goanna - Common Ground (1984)
I'm too fascinated by these Australian/Canadian bands... just like with the English indie scene of the 80s, you can really feel a different mood that the dimension of Music had... both for those who played it and those who listened.