IlConte
IlConte
6 mar 23

DeRank™: 37,34

The Cramps - Stay sick (full)

Take a woman, tell her you love her... and sing her the songs of the Cramps.

And then just wait to see what happens.

Stay Sick! brings the erotic charge of the Cramps to unreachable heights.

Lux Interior's slobbering sobs are the exacerbation of Elvisian moans from the bars of the Heartbreak Hotel, and Ivy's touch has become a fisting of the rockabilly body, a hand that digs deep towards "the center of the woman," with a sensuality that fully surrenders to the body-object pornography, the genital anatomy, the linguistic paroxysm, the orgiastic simulation of animal coitus.

The Cramps are here and they make us.

They bring their instinct-driven universe to the audience.

They know that the morally upright will turn away. And they quicken their escape.

It is on this balance between authenticity and parody that the crampsian sound stands, which Stay Sick! reaffirms as both animalistic and caricatural.

Their jungle is always the one infested with buzzing human flies (Saddle Up a Buzz Buzz), scaly creatures (The Creature from the Black Leather Lagoon), primordial sins (All Women Are Bad), glottological nonsense born from the lexicon of Richard Penniman and Trashmen (Mama Oo Pow Pow) and vulgar rewritings of the worst abominations of rock 'n' roll (Shortnin’ Bread and Bop Pills, a calypso sliced vertically using the Ramrod riff like a chainsaw).

Thank you, Cramps.

For all this Damned Rock 'n' Roll.

For all these things that do not save the soul.

Because we are all Adam and Eve when we put on your music.

The Rev
 
  •  (15)
  •  (00)
nangaparbat
nangaparbat
6 mar 23

DeRank™: 40,65

Tom Waits - "Grapefruit Moon"

Everytime I hear that melody, something breaks inside... and it's been 50 years since that piano on the cover, the start of a legendary career.
 
  •  (16)
  •  (00)
withor
withor
6 mar 23

DeRank™: 26,50

Love Man
 
  •  (10)
  •  (00)
RamirezAlHassar
RamirezAlHassar
6 mar 23

DeRank™: 0,00

Ma Guarda La Vita Che Fà - song and lyrics by Marco Luberti


@[iside] Do you know him?
Completely singer-songwriter vibe, he might not be someone extraordinary but I think he has made some nice/beautiful songs.
 
  •  (00)
  •  (00)
fedezan76
fedezan76
6 mar 23

DeRank™: 9,44

Suede - Suede - Faultlines (2013)
Bloodsports was an immense comeback album. Certainly in the podium of their best works.
 
  •  (04)
  •  (00)
SAYNEWS
SAYNEWS
6 mar 23

DeRank™: 43,25

Ingrandisci questa immagine
 
  •  (15)
  •  (00)
vibration
vibration
6 mar 23

DeRank™: 4,39

Dreamless Night - Soma #space Horrible cover. It reminds me of 90s bands that dove into Jam touching on Space rock, Dub, Reggae, Psychedelia, acid guitar solos. They lasted a couple of seasons and then disappeared; I'm thinking of Magic Mushroom Band, Soma Ozric Tentacles (who lasted). Divine Soma Experience, and I can't remember anymore.
 
  •  (02)
  •  (00)
vibration
vibration
6 mar 23

DeRank™: 3,47

Dance of the Subaltern Elder Ones
 
  •  (02)
  •  (00)
Misantropo
Misantropo
6 mar 23

DeRank™: 6,00

 
  •  (02)
  •  (00)
JonatanCoe
JonatanCoe
6 mar 23

DeRank™: 36,22

Dif Juz - Heset
#ilove4ad [A sonic journey through the catalogs that ignited my imagination]
A gift that has always been present in Dif Juz is audacity. Tireless experimenters, they guided the new wave through dreamlike territories until they brushed against the lands of jazz, long intersected and mixed even by reggae and dub. I can almost certainly sense that the afro-acid-jazz scene that exploded in London in the '90s is heavily indebted to Dif Juz.
In ethereal stretches reminiscent of the Cocteau Twins, the band of the Curtis brothers never veered into dream pop, remaining framed within an underground undergrowth of exquisite quality.
 
  •  (13)
  •  (00)
vibration
vibration
6 mar 23

DeRank™: 6,00

Do The Police Embrace?
Efrim Manuel & Kevin Doria
"Sing, Sinck, Sing" LP #2019
 
  •  (02)
  •  (00)
Dislocation
Dislocation
6 mar 23

DeRank™: 43,85

#Mandatorythegestureofapotropaic

Young dies who is dear to the gods...

John Francis Anthony "Jaco" Pastorius III (1951-1987), bassist, drummer, pianist. Let's talk about jazz, in its most fusion and free connotation.
Solely responsible for the historical transformation of the electric bass from a mere accompaniment instrument to a true solo element, on the same level as the piano, guitar, or woodwinds. At twenty-five, he was recruited into Weather Report and transformed them, immediately participating in the compositional phase, turning the innovative and very serious jazz ensemble into true rockstars, uh, jazzstars, complete with sold-out tours and crowds of young rock fans converting to jazz thanks to them, their funky verve, and their bassist, indeed, Jaco, with the appearance of a long-haired hippie, always bare-chested, extremely virtuosic and communicative like no one else.
Cause of death: Beaten to death by a nightclub manager in Fort Lauderdale after he had shown up several times at the door completely drunk. For some time he had returned to the city of his adolescence but lived there like an outcast, begging and sleeping outdoors, experiencing crises of pure bipolar nature, drinking and doing everything he could find within reach.
He is buried in the cemetery in Fort Lauderdale, and on the tombstone, he is noted as Jaco John Francis Pastorius III.

Ingrandisci questa immagine

Jaco Pastorius - Donna Lee
 
  •  (15)
  •  (00)