LIGHT AS THE BREEZE
She stands before you naked,
you can see her, you can taste her.
And she comes toward you light as the breeze.
Now you can drink her or you can feed her,
it doesn’t matter how you worship her,
as long as you are always
on your knees.
So I knelt there at the delta,
at the alpha and the omega,
at the cradle of the river and the seas.
And like a blessing descending from heaven
for just a moment
I was healed and my heart
was lightened.
Little one, I have waited
so long for your kiss,
for something to happen,
oh something like this.
And you are weak and you are defenseless
and you sleep in your harness,
and the wind rustles
freely among the trees.
And here it isn’t quite a prison,
but you will never be forgiven
for what you’ve done
with the keys.
Little one, I have waited
so long for your kiss
and for something to happen,
oh something like this.
It’s dark now and it’s snowing,
and my love, I must go,
the river has started to freeze.
And I can’t pretend anymore,
I’m exhausted from bowing so low,
I have lived too long on my knees.
Then she dances with such grace,
and your heart is hardened and full of hate,
and she is naked,
but it’s just a provocation.
And you turn away in disgust
from your own hatred, from your own love,
and she comes toward you
light as the breeze.
Little one, I have waited
so long for your kiss
and for something to happen,
oh something like this.
There is blood on every bracelet,
you can see it, you can taste it,
and then please, little one,
please, little one, I beg you.
And she says, Drink deeply, Romeo,
but don’t forget there’s still a woman
beneath this
sumptuous slip.
So I knelt there at the delta,
at the alpha and the omega,
I knelt there like one who believes.
And the blessings descend from heaven
and for just a moment
I am healed and my heart
lightens.
 
The Beguiled - Kitten With a Whip

We also close the Beguiles…

Blue Dirge builds on the insights of Gone Away, the fantastic debut album that's now six years old, and sharpens the aggression to turn the Beguiled into a sort of garage-punk and Cramps-inspired version of the Jesus Lizard. The chords have a metallic and genuinely twisted quality, like the scene of a highway accident.

The Beguiled churn out a sequence of hellish and murky riffs, with a whole new ferocity, as if they had been without a hot meal for all these years while keeping to themselves and had literally resorted to gnawing on their private record collection just to feed themselves.

Tracks like The Bloody Soul, Fire Rock – That Nagging Voice, The Screaming Rummy, She-Devil Rock, Kitten with a Whip, and the voodoo dance of I Walk Alone are irritating flintstones on which to fry your flesh, in the absence of anything else.
 
Marsupilami - Time Shadows
2 albums of psych prog fused with jazz rock and other dark stuff.
 
Caruso a bit of pre-dinner excitement
 
@[algol] discovered yesterday: a chaotic mix between Converge, especially the torn voice of Jacob Bannon, and Isis for the continuous musical ups and downs. If I read it correctly, they are Brazilian: noteworthy, give them a listen... Chora - There Lies a Friend I Once Knew [Album] (2023)
 
Snatam Kaur ~ Mul Mantra.wmv
Yoga course, Kundalini awakening with this mantra, on grass and eyes closed,
 
Pressure Mother, that keyboard beyond space... The Nylon Curtain, 1982
 
Erroll Garner plays Misty
Fortunately, my parents listened to a lot of jazz music. I thank my father for introducing me to this "Misty," masterfully performed by a pianist like Erroll Garner, among many other pieces. A composition that still retains, even after so many years, a supreme beauty. Great music for discerning listeners.
 
I love you Maryanna - Kammamuri's In response to the wise elder @[IlConte], this is always Rino (Gaetano, of course) with the pseudonym Kammamuri's in '73, recording this piece for which on some sites you can find the noble orange 45 RPM, VERY RARE. For those with a turntable who accept the offer, they have every right to go to this other link Kammamuri’s | I Love You Maryanna (Orange Vinyl) – Serendeepity This is "I Love You Maryanna." It's in various languages, if you want, identify them in the song or look for the lyrics on Gugoool. Enjoy the listen.
 
1966 FESTIVAL DI SANREMO Caterina Caselli Nessuno mi può giudicare
Of course, it’s an artifact from the beat period in Italian music of the '60s, but there’s no denying that one of the best proposals of the time was indeed Caterina Caselli. Making her debut at the Sanremo festival in 1966, she appeared very innovative by singing about a woman who was anything but submissive and traditional. No wonder she sings that "no one can judge me, not even you," clearly distancing herself from the type of woman who, just two years earlier with Gigliola Cinquetti, was portrayed as trembling because she candidly admitted "I’m not old enough to love you." The latter was a true sexophobic, while Caterina was a spirited girl who took on the risks associated with her choices. It’s as if to say that even in Italy, a Catholic country, something was changing.