L'infinita CasaPagina del DeBaser

If you think that "The Infinite" is just one of the most famous poems from Giacomo Leopardi's Canti, let me tell you that you haven't understood a thing at all.

As usual.
 
Muscolo Rosso – Ilona Staller Cicciolina …you are a group of ungrateful old folks who don't even remember the 70th birthday of our Ilona...
 
Benny Benassi - Satisfaction

I’ll say it: the heavy duty breaker is my favorite!
 
N̲a̲palm Deat̲h̲ - Full Discography HQ

These are the fulldiscographies givste!
 
Ingrandisci questa immagine
Campaign "Let’s not abandon them!"
In this website of nabobs, frequented by well-known wealthy individuals (like @[Falloppio], @[tia], @[dsalva], @[Dislocation], @[sfascia carrozze] ... etc. etc.), all people accustomed to revelry and vacations lasting from 3 to 6 months, with their yachts, private jets, snowmobiles, and electric scooters, we launch a campaign for civilization!
Don't leave your ILLIBRO home alone!
Let's take it around the World, give it that touch of internationality it deserves!
I, for my part, have already taken it to sunbathe at "Mappetella Beach" (a renowned seaside resort that everyone in Naples knows)!
 
The Doors - The Soft Parade (Soundstage Performances)

That is, "The bizarre and varied humanity that populated Sunset Boulevard in Los Angeles, California, day and night," termed by Jim Morrison as "The soft parade."

This composition is structured in 4 sections divided into 3 movements (Adagio, Andante, and Allegro) following the lines of a classic sonata for piano.

Formation:
James Douglas "Jim" Morrison on Vocals
Robert Alan "Robby" Krieger on Guitar
Raymond Daniel "Ray" Manczarek Jr on Keys
John Paul Densmore on Drums
Harvey Goldstein, a.k.a. Harvey Brooks on Bass (in the eponymous album from '69)

Genres: Psychedelic rock, Acid rock, Blues rock & Symphonic rock.

«You CANNOT petition the Lord with prayer!»
 
Led Zeppelin-Carouselambra

Aiooooooo!!!!
Even the Noble @[IlConte] loves this album, almost but not quite like I do.
Bonzo's favorite for how it came to be:
at the foot of success, with the world beneath their feet but also with the inevitable false positives and associated complications.
The scooter incident with Plant, Jimmy's flatulence, Bonzo's overindulgence in CasuMarzu. Jimmy and Robert lock themselves away for 1835 semesters and perform the miracle of San Gennaro.

@[Eneathedevil] does practically everything, and the whole album is indeed centered around his logorrhea.
One of the twenty-six tracks on the list is this forgettable piece with its spasmodic tension that builds up in a relaxed proto-folk atmosphere: the usual call and response trademark and Plant's winding phrases.

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#i40SfasciaConteL ezzeppelin
 
 
One Song At A Time

Trying to dance in my old shoes
I'll be gone over the ocean
With the transatlantic blues...
 
Can't You Hear Me Knockin'

Included in the OST of "Casino" by the legendary Martin Scorsese in '95.
 
 
Robert Plant And The Strange Sensation - Mighty Rearranger .wmv

Here I am picking up this summary phrase from the excellent review by @[VincVega] from 2005: "The ending 'Brother Ray' is a one-minute homage to Ray Charles where the piano and percussion take center stage while Plant lets himself go with trills and incomprehensible laments that are at the same time enchantingly beautiful." The curiosity of this, uh, "Last Track" (the former foundational name of this listening group of mine that became "Menzionator" for service needs) lies in the fact that from minute 1:13 the hidden track "Shine It All Around (the girls remix)" begins.