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 The soundtrack has something enjoyable that manages to live independently from the film (not exactly a masterpiece).

 "Gabriel" by the Lamb is a wonderful piece, full of atmospheres and suggestion.

The Tre Metri Sopra Il Cielo soundtrack surprises with its well-assembled blend of chillout, indie, and pop tracks that suit both the film and independent listening. Featuring standout pieces like "Gabriel" by the Lamb and fresh contributions from Tiziano Ferro and Le Vibrazioni, the album offers a nostalgic yet lively mood. It successfully supports the movie’s atmosphere while maintaining its own musical identity, making it enjoyable beyond the screen. Listen to the Tre Metri Sopra Il Cielo soundtrack and discover its unique blend of chillout and indie tunes that stand strong beyond the film!

 Nyman’s creativity manages, through at times ingenious musical devices, to make it seem always different.

 A desire to be cradled by the music, to let oneself go into the magic woven by the harmonies, to let the score simply enter within us without any resistance.

Michael Nyman’s soundtrack for The Piano masterfully captures the emotional depth of the film’s story. Centered around a single recurring piano theme, the music expresses love, violence, and hope. Nyman’s creativity transforms the theme into varied, compelling arrangements that mirror the film’s dramatic intensity. This album is a poignant musical journey that invites listeners to immerse themselves in its bittersweet, haunting melodies. Listen to Michael Nyman’s The Piano soundtrack and experience a timeless musical story of love and melancholy.

 To this unjustly underrated great artist we owe gems like "Messaggio nella bottiglia," "Accendimi il fuoco," and "Ti ho chiamata solo per dirti che ti amo".

 "I continue to hope that behind that face of a great actor, the immense Scamarcian heart will one day beat again... and when it happens, we who loved him in our youth will all be here to sing..."

Piero Scamarcio's album Ricover showcases his unique ability to translate and reinterpret classic covers with poetic depth and vocal mastery. The review praises his underrated artistry and memorable stage presence. Highlights include songs like 'Nato negli Stati Uniti,' seen as a poetic masterpiece. The album is appreciated as a nostalgic tribute to musical greats. Listen to Piero Scamarcio’s Ricover and experience poetic covers like never before!

 A violin performance that could shake the fathers of this noble instrument directly in their sacred graves.

 I want to nominate this heap of noise as the worst track of 2006.

The reviewer harshly critiques DJ Francesco’s single ‘Non Cado Più,’ calling it an unbearable auditory experience. They question the artist’s legitimacy and lament the track’s promotion despite its poor quality. The review labels the song as the worst of 2006, driven by off-key vocals and an overall disappointing performance. Discover the most controversial track of 2006 and decide for yourself if DJ Francesco’s ‘Non Cado Più’ deserves the criticism!

 Perhaps one of the last true musical geniuses of our times, a sacred monster who left us too soon.

 His last image is that of the last frame of the video 'These are the days of our lives,' where... it is precisely that gaunt face that murmurs 'I still love you' that is the last image we have of an extraordinary rock interpreter.

This review celebrates Freddie Mercury's solo album as a testament to his unmatched artistry and bravery. It highlights his musical versatility beyond Queen's rock legacy, blending pop, disco, classical, and glam. The review emphasizes his courage in personal expression and the enduring impact of his work. Emotive tracks reveal both his playfulness and vulnerability, cementing his status as a true music icon. Discover the brilliance and boldness of Freddie Mercury's solo works—listen now and celebrate a true music icon!

 "Just a barren list of singles which, taken out of their original context, seem unable to evoke the same emotions as before."

 "The unreleased tracks are beyond comment: 'Stars' is another bray in the style of 'Pure love.'"

The review critiques 'Stars: The Best Of' by The Cranberries as a lackluster compilation that fails to capture the band's essence. It condemns the track list as a mere collection of singles without emotional depth or cohesion, especially highlighting how songs lose meaning out of context. The inclusion of unreleased tracks is described as weak, and the band's breakup and Dolores O'Riordan's solo choices are lamented. Discover why 'Stars' fails to shine—read the full review and revisit The Cranberries' true classics.

 The Après took the stage igniting a fuse of ska, patchanka and rock that exploded, leaving everyone breathless dancing and pogoing.

 Keep an eye on the tour dates, this summer they play across Italy (often for free), if you get the chance, don’t miss them...

The review celebrates Après La Classe's live performance at Mad in Salento 2006, highlighting their energetic mix of ska and patchanka despite challenging weather. The band’s evolving sound after lineup changes is noted with both praise and mild critique. Special moments include guest appearances and fan-favorite encores. The review encourages catching their summer tour shows. Discover the vibrant energy of Après La Classe live—listen to their new tracks and catch their summer tour for an unforgettable experience!

 "C'è chi dice no from 1987 is perhaps the last example of the true Vasco."

 The rough sound, the eighties arrangements, the raw voice and disarming lyrics will make you see beyond the smoke screen of the hundred thousand plus of the various Imola and S. Siro venues.

This review praises Vasco Rossi's 1987 album C'è Chi Dice No as possibly the last true representation of the artist before fame and commercialization. Featuring rebellious and classic rock tracks, the album highlights a raw and authentic Vasco with powerful lyrics and energetic sound. The critic contrasts this era with Rossi's later career, which they view as less genuine. The review also references a cult promo film connected to the album. Discover the raw spirit of Vasco Rossi’s 1987 classic—listen now and relive the true rebel of Italian rock!

 "Max Pezzali was the bard of daily life of kids juggling exams, video games, soccer, and gossip."

 "Listening to songs like 'Se tornerai' and the title track, you start to feel the weight of years and memories that choke you up."

The review explores 883's album 'La dura legge del gol' as a nostalgic soundtrack of youth marking the transition from carefree adolescence to mature reflection. Max Pezzali’s lyrics shift from playful to slightly bitter themes, touching on friendship, love, memories, and growing up. Despite critique of musical repetition and forced past reliving, there's fondness for the innocence and nostalgia it evokes. The album is seen as a closing chapter for 883 before Pezzali's solo career. Discover the bittersweet nostalgia of 883's classic album—listen now and revisit the soundtrack of growing up in 90s Italy!

 "Luciferme are the offspring of the courage of Piero & Ghigo, as they offered a great sound, high-level arrangements, great guitars."

 "Meteors!!! Disappeared... While Pelù is still there imitating himself, these clones have evaporated, continuing to produce CDs that went completely unnoticed."

Luciferme’s debut single 'Ad Occhi Chiusi' from 1997 showcases authentic Italian rock with warm vocals and thoughtful lyrics. Produced by Marroccolo, the track gained some radio airplay but failed to break through mainstream dominated by artists like Nek and Pausini. Despite evident talent and meaningful themes, Luciferme struggled to escape comparisons to Litfiba and faded into relative obscurity after their initial releases. Their career highlights a mix of promise and missed potential in the Italian rock scene. Discover the heartfelt sound of Luciferme’s Italian rock debut and explore their overlooked legacy!