Viva Lì

 'Storia di un minuto' (a minute that lasted thirty years) is the first album of Premiata Forneria Marconi, and it is their masterpiece.

 Premiata Forneria Marconi undoubtedly are very good, play very well, sing so-so but are not perfect.

The review highlights 'Storia di un minuto' as the iconic debut album of Premiata Forneria Marconi, praised for its originality and instrumental mastery despite some imperfections. 'Impressioni di settembre' stands out with its lush arrangements and pioneering use of the Moog synthesizer in Italy. Although not flawless, the album’s unique and organic sound secures its place as a landmark in Italian progressive rock. The review balances admiration with honest critique of certain rushed or uneven parts, celebrating the band's raw talent and creative ambition. Dive into the lush sounds of Premiata Forneria Marconi's 'Storia di un minuto' and experience the essence of Italian progressive rock!

 The music is beautiful (intimate and mystical; powerful and sanguine), many guitar riffs are thrilling, the Boss’s voice is always rough and icy, sad and relentless.

 "Devils & Dust" will not go down in history. The Boss is tired, perhaps a bit bored.

This review critiques Bruce Springsteen's Devils & Dust as a disappointing album despite its beautiful music and strong vocals. It argues that the work lacks cohesion and feels commercially superficial. While some tracks like 'The Hitter' stand out, overall the album reflects a tired and less politically energetic Springsteen. The reviewer suggests the artist has lost the rebellious edge of his earlier years. Discover the bittersweet journey of Bruce Springsteen's Devils & Dust—listen and form your own view on this complex album.

 "Let It Bleed pierces your heart and shreds your brain."

 "The four frenzied Brits shatter, in one fell swoop, the certainties and fantasies of mid 20th century."

The review celebrates Let It Bleed as perhaps the Rolling Stones' best and most complex album, highlighting its powerful sound and rebellious spirit. It contrasts the album's lasting impact with their later, less inspired works, emphasizing the unique intensity of the 1969 classic. The review also touches on the clever marketing against the Beatles. Overall, it is a passionate homage to a timeless rock masterpiece. Dive into Let It Bleed and experience the raw power and timeless brilliance of the Rolling Stones today!

 The most beautiful pop-rock album in history isn’t dated 1992. It’s dated 1970 and it’s 'Emozioni' by Lucio Battisti.

 Friends, Debaserian, Castaldo: this is music, everything else, as Shakespeare said, is silence.

This review passionately defends Lucio Battisti's 1970 album Emozioni as the greatest Italian pop-rock record ever made. The author contrasts it sharply with later works, praising its innovative music, unforgettable melodies, and profound lyrics. Detailed commentary on individual songs highlights the album's emotional depth and cultural significance. The review dismisses modern comparisons, urging listeners to experience the timeless masterpiece firsthand. Listen to Emozioni and experience the true essence of Italian pop-rock greatness today!

 "Minstrel-style Branduardi was dead, finished."

 "Pane e rose seems like the slightly unbalanced work of a lazy and incapable student."

The review reflects on Angelo Branduardi's 1988 album Pane e rose with nostalgia but ultimately disappointment. While the violin work remains warm and engaging, the lyrics are often banal or irritating. The album’s song arrangement feels inconsistent, mixing melancholic with comical tracks without cohesion. This release is seen as an unbalanced and lackluster entry in Branduardi’s discography. Discover Angelo Branduardi's Pane e rose—listen and decide if the 1988 album lives up to its legacy.

 "'No! Mamma, no!' was, for many, more than just a musical hit: it was an (almost) political slogan meant to reach the high echelons of government."

 "For me, raised on bread and Zero, it's a deep pain to see one of my idols flounder among foolishness and assorted banality."

The review reflects on Renato Zero's early provocative impact and contrasts it with the lackluster qualities of his album 'Cattura.' Despite strong promotion and some melodic highlights, the album suffers from repetitive and quirky lyrics and fails to recapture past vitality. The reviewer expresses disappointment in the artist's shift towards predictability and conventionality. Discover the rise and fall of Renato Zero's musical provocations—listen to 'Cattura' and decide for yourself!

 "Celeste nostalgia will be the earworm for a good part of 1982."

 "Cocciante has never managed to release a completely successful album, but his earnings have never diminished. Having gifted us 'Celeste nostalgia' is already much, perhaps too much."

This review highlights Riccardo Cocciante's 1981 album 'Cocciante' as perhaps his best work, especially notable for the enduring hit 'Celeste nostalgia' written by Mogol. The album blends nostalgic melodies with Italian pop classics but includes a few weaker tracks. Despite mixed moments, the review celebrates the album's cultural impact and Cocciante's career, emphasizing his continued success through various ventures. It reflects on the collaboration with Mogol and notes the album's lasting appeal. Discover the timeless melodies of Riccardo Cocciante’s classic album and experience iconic Italian pop at its best.

 "Goodbye Novecento exclaims Venditti, but his is a mournful farewell, almost ethereal."

 "The only decent thing is the cover. 'Che tesoro che sei' is one of the most ridiculous and insipid love songs ever made."

This review expresses disappointment in Antonello Venditti's album Goodbye Novecento, finding its lyrics weak and uninspiring. Despite some lively instrumentation, the songs fail to meet expectations. The album reflects a mournful and dull farewell to the 20th century's music era. Only the cover art is spared criticism. The review laments the decline of Venditti’s once striking songwriting. Read this candid review to understand why Goodbye Novecento marks a disappointing chapter in Venditti’s career and discover if it’s worth a listen.

 "La vita è adesso will sell abundantly more than a million copies and will make Baglioni a permanent hit parade star."

 Not an artistic masterpiece (although far from being despicable), certainly a commercial masterpiece.

Claudio Baglioni's 1985 album La vita è adesso became a major commercial success, selling over a million copies and staying on charts for 18 months. Though not his best artistic effort compared to Strada facendo, it features solid melodic tracks and moments of originality. Some poetic choices and attempts to mature the style received mixed reactions, but overall it secured Baglioni's place as a hit parade star. Discover the charm and hits of Claudio Baglioni’s La vita è adesso – listen now and explore an Italian pop classic!