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  • Here since 25 september 2005

 Agile, compact, impetuous, intense, solid, vehement.

 The risk of musical-burn seems quite high.

Torche's Meanderthal is a compact, intense album showcasing solid and vehement rock riffs. Tracks like "Pirana" and "Speed Of The Nail" stand out for their aggression and precision. The album mixes heavy riffs with accessible rock elements, drawing subtle comparisons to Helmet and The God Machine. Despite its uncompromising core, Meanderthal offers striking musical variety and fiery energy. Dive into Torche's Meanderthal for an intense rock experience that balances heaviness with accessibility—listen now!

 The score is presented by the eight dexterous musicians practically as a single diversified sound flow.

 Dear Ladies and Gentlemen: as an opening act, (really) not bad at all.

This review covers the live European premiere tribute to Don Cherry’s 1966 masterpiece, Symphony For Improvisers, performed by a stellar lineup at the 2008 Ai Confini Tra Sardegna E Jazz festival. The concert showcased intense improvisations blending expertly calibrated instruments into a dynamic, free-flowing soundscape. Henry Grimes, a surviving original member, contributed lively bass lines, enriching the authentic jazz experience. The reviewer praises the performance as surprisingly impressive and a fitting homage to a jazz icon. Discover the electrifying tribute to Don Cherry’s classic work—listen and immerse yourself in this groundbreaking live jazz performance!

 Slashes, lacerating cuts, and again scouring lashes.

 A perfect, gratifying extract of purist, heavy, titanic noise-rock without the slightest mainstream-concession.

The Cutthroats 9's Anger Management is a brief but powerful noise-rock micro-LP from 2001, showcasing Chris Spencer's relentless raw sound. The six tracks deliver heavy, uncompromising rock with relentless energy and minimal mainstream influence. Notable for its fury and concise impact, the album is a treat for fans of intense underground rock. Despite its short length, the record captivates and leaves a lasting impression. Dive into this intense noise-rock blast and experience The Cutthroats 9's raw power now!

 "In the End, There is only the GOATSERPENT, No Gods or Devils, Only the GOATSERPENT. Hail ENBILULUGUGAL!"

 Technical skill ever more approximate, howling like a clogged kennel, decisively paroxysmal speed, abominable distortions, assorted madness and frankly delirious volumes are the malodorous key ingredients.

Enbilulugugal's 'Noizemongers For Goatserpent' is a forty-minute, chaotic showcase of raw and distorted black/death/noise music. With 29 tracks featuring provocative titles and paroxysmal speed, it offers a deliberately disorienting listening experience influenced by extreme underground acts. The album's rough technical skill and extreme sound are viewed as both a joke and an entertaining piece within its genre. Overall, it embodies a cult-style musical madness appreciated by niche enthusiasts. Explore the wild depths of Enbilulugugal's chaotic noise metal and experience 'Noizemongers For Goatserpent' now!

 "'At All Ends' is configured as a work mockingly and blindly unintelligible, a bearer of a (un)healthy exhausting, abominable blend of convulsive and reiterated power-electronics mixed with assorted background noises."

 "'At the end of everything' should - more or less - lie 'Nothing': the semblances of what is gracefully proposed seem indeed an excellent path to represent its inexplicable substance."

The review analyzes Yellow Swans' final album 'At All Ends' as an intense and difficult experimental noise record. It draws parallels with Philip Gröning’s film 'Die Große Stille,' linking both works through their engagement with the concept of nothingness. The album’s collages of power-electronics and abstract background noises create a challenging but cathartic listening experience. Rated 3 out of 5, it is positioned as a demanding piece suitable for those interested in extreme experimental sound. Dive into the intense soundscape of 'At All Ends' and experience the raw, uncompromising power of Yellow Swans’ final experimental journey.

 The (truly) absolute silence and the cyclically seraphic reiteration of the same rituals dominate uncontested, pervading and annihilating the (unaware) viewer.

 Despite the supreme, sacred, prevailing nothingness (or everything: each may decide) represented there, the result fascinates and enamors precisely by virtue of this overarching sense of impossibility of fundamental discernment.

Philip Gröning’s Die Große Stille is a challenging and meditative documentary exposing the austere daily rituals inside the La Grande Chartreuse monastery. Filmed over several months, the film immerses viewers in absolute silence and repetitive liturgical life, exploring profound themes of faith, nothingness, and human existence. It offers a unique, transformative experience that transcends religious belief, inviting reflection on the inscrutable. The documentary stands as a powerful cinematic achievement, balancing visual austerity with deep spiritual inquiry. Dive into the profound silence of Die Große Stille and experience a rare cinematic journey through faith and ritual.

 It is a sound-sidereal exploration, that undertaken by the young Commander Von Telekraft(werk), characterized by well-blended retro-futuristic multi-grade directional introjections.

 Commander: can I borrow the capsule for another elektro-spin?

The review presents Anthony Rother’s album 'My Name Is Beuys Von Telekraft' as a carefully crafted techno voyage with strong retro-futuristic influences. It highlights the album’s rich electro and digital textures reminiscent of Kraftwerk and cosmic exploration themes. Though complex and abstract in imagery, the album invites listeners into an immersive, atmospheric soundscape. The reviewer appreciates the innovative blend of robotic and natural magnetism sounds, resulting in a satisfying interstellar musical experience. Dive into Anthony Rother’s electro-space world and experience the futuristic techno voyage yourself!

 An utterly uncompromising, fanatically excessive, and simultaneously ruinously fascinating work.

 "Blood Spills Out Of Everything I Touch" takes no prisoners: a genuinely dark, sick, unmanageable sound-monolith.

Gnaw Their Tongues' Reeking Pained And Shuddering is a fiercely uncompromising and dense album that plunges listeners into a nightmarish auditory abyss. Combining layers of black metal, drone, doom, and industrial elements, it demands both attention and endurance. Its raw and chaotic production enhances the oppressive atmosphere, making it an intense, if difficult, sonic journey. This work is not for the faint-hearted but offers a unique, disturbing experience. Dare to explore the harrowing depths of Gnaw Their Tongues' dark masterpiece—listen now and face the sonic abyss.

 Carefree: one of the most improbable records I have ever had the luxury of purchasing and repeatedly eavesdropping on, incredulous of so much vacuous intrinsic irrelevance.

 "You are the hero of us all, as great as the immensity, strong as the truth ME-ME-GA-GA-LO-LO-MAN, MEGALOMAN."

This review discusses Megalosingers' 1981 album Megaloman, an eccentric and challenging record heavily rooted in 80s tokusatsu superhero culture. The reviewer expresses amused disbelief at its odd simplicity, kitschy vocals, and repetitive structure, yet acknowledges its nostalgic and cult value. Despite recognizing many artistic flaws, the album remains a curious artifact blending avant-garde experimentation with childhood TV hero worship. Dive into this eccentric 80s vinyl oddity and experience a quirky blend of nostalgia and avant-garde sounds today!

 Mark seems to lay himself completely bare - musically and textually - before those who lend an ear.

 If it’s not a miracle, it’s pretty close.

Mark Olson’s The Salvation Blues offers an intimate and moderate blend of folk, blues, and rock. After a three-year silence filled with personal struggles, Olson returns with gentle acoustic sketches. The album, enhanced by Gary Louris on some tracks, presents subtle and tender songs that reveal Olson’s vulnerable songwriting. It is a moderately enchanting and restorative listening experience marked by emotional honesty and delicate instrumentation. Listen to Mark Olson’s The Salvation Blues for a heartfelt blend of folk and blues that soothes and restores the soul.