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THE REVIEW
The planned psycho-attitudinal as well as physico-centripetal-gravitational tests related to both intra- and extravehicular activities have all been arduous but positively passed: now, finally, we are ready to take our place to the right of the Teutonic, seasoned elektropilot (Beuys Von Telekraft), inside the tiny yet sturdy Techno-Rotherian music-capsule.
Oxygen supplies seem sufficient, the propulsion mechanisms respond perfectly; a classic countdown and then the turbulent and wobbly takeoff ("My Name Is Telekraft") takes place with absolute and digitized restorative expertise; the recycled/fuel used, of strictly elektro-nebulo-Kraftwerkian composition, is synonymous with assurance: although exploited countless times, it has often allowed increasingly satisfying sidereal flights.
It is a sound-sidereal exploration, that undertaken by the young Commander Von Telekraft(werk), characterized by well-blended retro-futuristic multi-grade directional introjections; icy robotic-fractalized stars are seen on the dark horizon ["Welcome To My Laboratory", "64 Bit Audio"] toward which we steer without having to dispense particular energy voracity thanks to the massively dispensed natural geo-stationary magnetism. In the undulating, anti-gravitational digital-interstellar wandering, we find ourselves facing unexpected yet mighty dub-meteorites ("Digital Vision") which seem to threaten the stability of our microscopic vehicular module but only when we are hurled with astral and unaccustomed vehemence ["City of Legends"], into a dense mantle of glacially scorching cinders [the 55 seconds emanated in the second artifact divided into 10 segments "Geomatrix Part 1-10"] positronic in, presumably, alien origin, do we clearly realize the sensation of incredulous incapacity in the face of the undefined immensity of the music-created.
Commander: can I borrow the capsule for another elektro-spin?
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Summary by Bot
The review presents Anthony Rother’s album 'My Name Is Beuys Von Telekraft' as a carefully crafted techno voyage with strong retro-futuristic influences. It highlights the album’s rich electro and digital textures reminiscent of Kraftwerk and cosmic exploration themes. Though complex and abstract in imagery, the album invites listeners into an immersive, atmospheric soundscape. The reviewer appreciates the innovative blend of robotic and natural magnetism sounds, resulting in a satisfying interstellar musical experience.Tracklist
Anthony Rother
Anthony Rother is a German electronic music producer and composer known for electro and techno productions, active since the 1990s.01 Reviews
