POLO

 'Il ragazzo d’oro' is a work that can still give you chills.

 If you have a bit of a heart and are not blinded by the rhetoric of Real Music, you can empathize with the pain of a new thirty-year-old overwhelmed by restlessness and guilt.

Guè Pequeno's 2011 debut album 'Il ragazzo d’oro' was initially underestimated, viewed as a casual project aside from Club Dogo. However, a deeper listen reveals a potent and emotionally charged work with high artistic peaks. Despite some weaker tracks, the album’s standout songs deliver powerful rap and raw emotion. This review urges listeners to revisit the album and appreciate its enduring impact. Listen to Guè Pequeno's 'Il ragazzo d’oro' today and experience a raw classic in Italian hip-hop.

 When I listen to “Ok Computer,” all I see in front of me is an immense grey-shit colored panel.

 A pop review in 2018 should be a subjective and enjoyable narrative of the album, without forgetting that in the end, we are all human.

This review offers a personal and somewhat controversial take on Radiohead's OK Computer, emphasizing subjective perception over popular acclaim. The author reflects on the nature of music criticism and acknowledges faults in the album from their viewpoint. Ultimately, the review challenges the universally positive reception of this iconic record. Dive into this bold and honest review of Radiohead's OK Computer and explore a different perspective on a classic album.

 Kid A remains a distinct case in the history of art and humanity, the precarious and definitive work, the album that challenged weak minds and literally drove enlightened minds crazy.

 "Everything In Its Right Place" redefined the concept of humanity, taking it by the neck, flipping over the skin and flesh, and letting the mood flow slowly.

This review praises Radiohead's Kid A as a revolutionary album that surpassed its predecessor Ok Computer. It highlights the experimental and emotional depths of the album, discussing key tracks and their impact. The reviewer asserts Kid A's unique place in music history as a perfect and challenging work that redefined music for the new millennium. Explore Radiohead's Kid A and experience the album that redefined music and challenged listeners worldwide.

 Few geniuses have matched his creative acumen, his ability to turn the movement of the soul into histrionic and sweet harmony.

 It's been 10 minutes and I only hear some annoying music... this stuff is bloody terrible.

The review praises Miles Kane's exceptional talent and charismatic presence but expresses disappointment with the sound and quality of 'Coup De Grace.' While his unique instrument playing and artistic depth are acknowledged, the album falls short of expectations for the reviewer. There is a clear distinction made between Miles Kane's known gifts and this particular record. Discover the highs and lows of Miles Kane's 'Coup De Grace'—listen now and decide for yourself!

 This is truly a beautiful black-gaze monolith, an immersive, total emotional experience.

 Finally, those assertive solos return, proudly continuing their journey of life even through the storms of all the cruel days.

Deafheaven’s Ordinary Corrupt Human Love mixes black metal and post-rock with surprising touches of goth-folk and hard rock. The album opens with a gentle piano intro before escalating into intense, abrasive tracks. Highlights include the emotionally immersive 'Glint' and a guest spot by Chelsea Wolfe. Despite not pleasing all fans, the album impresses with its bold genre fusion and solid sonic execution. Dive into Deafheaven’s daring blend of black metal and post-rock—listen to Ordinary Corrupt Human Love now!

 Planet Funk are the most stomach-churning pineapple pizza ever tasted.

 This is truly bad music, but not that guilty pleasure kind of bad: it’s genuinely bad, authentic, whole, with no prospect of improvement.

The review harshly criticizes Planet Funk's album Non Zero Sumness for failing to blend rock and electronic music effectively. The vocals and melodies are considered grating and poorly constructed, leading to an overall impression of jarring mediocrity. The reviewer also laments the broader Italian music industry's acceptance of such work. The album is described as genuinely bad without any redeeming qualities. Discover why Planet Funk’s Non Zero Sumness album is divisive—read the full review or listen and judge for yourself!

 "I don’t care at all that 'La Voce del Padrone' is deemed a masterpiece; I don’t like it."

 "You don’t fight the revolution with flat music. You can’t deceive people with pop music made just for the sake of it."

This review challenges the widespread acclaim of Franco Battiato's album La voce del padrone, calling it clichéd and lacking true artistic innovation. It highlights how the album adapted synth-pop to Italian culture in a superficial, commercial way, and argues that the music has not aged well. Despite its commercial success, the review finds the album flat and uninspired, questioning its revolutionary impact. Explore the truth behind Battiato's acclaimed album and form your own opinion on this synth-pop classic.

 They are a mere extension of Turner’s ego.

 If an album requires 20 listens to 'enter circulation,' then it means it’s not that great.

This review criticizes Arctic Monkeys' album 'Tranquility Base Hotel & Casino' for losing the band's rock essence and becoming an ego-driven project by Alex Turner. The album is described as confusing with inconclusive melodies and excessive lyrical exaggeration. Although some listeners may try to like it after multiple listens, the reviewer finds the album ultimately disappointing, lacking genuine substance and failing to live up to the band's prior quality. Discover why 'Tranquility Base Hotel & Casino' divided fans—read the full review and decide for yourself!

 The 'theatricality' that precedes TARM certainly cannot make their flat and stereotyped pop appealing.

 They are interpreters of a pseudo-escape from reality through a quite sickly sentimental pop because 'the love song is a political act,' right? No, wrong. All wrong.

The review criticizes Tre Allegri Ragazzi Morti’s album 'La testa indipendente' for its lack of creative depth and being stuck in cliché pop stereotypes. Despite the frontman’s theatrical presentation, the album fails to engage meaningfully. The reviewer dismisses the band’s attempt at political and emotional themes as superficial. Ultimately, the work is seen as unoriginal and disappointing. Read the full review and decide if 'La testa indipendente' is the album for you or a missed creative opportunity.

 Sick Luke’s productions are the best in Italy: his trap is vibrant like the night, dark like the unsaid, alienating like the most ambiguous side of our mind.

 These three records break, and will break until they deprive us of the right to blast music on stereos and headphones.

The review defends Dark Polo Gang's mixtapes compiled in Trilogy as a groundbreaking and vibrant take on Italian trap music. Despite criticisms of their lyrics and style, the album is praised for shaking up rap conventions with innovative production by Sick Luke and prioritizing vibe over intellectualism. It argues that their music breaks barriers and captures an essential raw energy beyond mainstream hip-hop expectations. Dive into Dark Polo Gang's Trilogy now and experience Italy's boldest trap revolution firsthand!