pippo 70

 ‘God of Money’ is one of the most successful pieces of the work, with Hughes going wild on bass handling it masterfully.

 The bonus track ‘Nothing’s the Same’ stands as one of Glenn Hughes’ most engaging ballads ever, with a voice that sounds like that of an angel.

Glenn Hughes’ album Resonate marks a strong return after an eight-year solo hiatus, blending elements of Deep Purple and Black Sabbath with his signature funk and soulful vocals. The record opens powerfully with 'Heavy' and includes memorable tracks like 'God of Money' and 'When I Fall.' His vocal and bass skills shine throughout, making the album an excellent addition to his solo discography and a must-listen for rock fans. Dive into Glenn Hughes' Resonate and experience a masterful blend of funk, rock, and soul—listen now and feel the power of 'The Voice of Rock'!

 It is known that Gillan’s voice no longer reaches the heights of the past.

 Don Airey, if ever there was any doubt, shows that he has largely surpassed the stage of the latest addition.

This review previews Deep Purple's upcoming EP 'Time For Bedlam' as a lead into their final album 'Infinite' and Long Goodbye Tour. The title track maintains their classic sound though adapted to Ian Gillan’s current vocal range. Don Airey's keyboard performance is especially praised, while some instrumentals serve as less interesting fillers. The EP offers a glimpse into the band’s evolving style as they close their 50-year career. Listen to Deep Purple's EP for a taste of their grand finale and explore the upcoming album Infinite!

 The twelve tracks of the concept are intertwined and follow each other, without interruptions, as in the best progressive tradition.

 'Dentro il sogno' is probably the track that most closely brings us back to the aesthetics of progressive, with prominent keyboards and a hammond organ solo.

Aldo Tagliapietra's 2013 concept album 'L'Angelo Rinchiuso' narrates the tale of an angel trapped in an old man's dreams. It features twelve interconnected progressive tracks filled with mellotron, minimoog, and rich keyboard arrangements. Highlights include instrumental suites like 'Volatus' and lyrical depth in 'Storie'. The work showcases Tagliapietra's renewed artistic vitality post-Le Orme, supported by an excellent band and iconic cover art by Paul Whitehead. Explore Aldo Tagliapietra's 'L'Angelo Rinchiuso' and dive into its rich progressive soundscape today!

 'Nella Pietra e nel Vento is characterized by shorter and more immediate tracks; the songs are simpler and more melodic compared to recent offerings.'

 'The whole work is permeated by the artist’s life philosophy, who, for many years, has embraced a lifestyle devoted to Eastern mysticism.'

This review covers Aldo Tagliapietra's 2012 solo album 'Nella pietra e nel vento', highlighting its shift from earlier Indian-inspired sounds to more melodic and concise compositions. The album blends progressive rock elements with Eastern mysticism themes. It features collaborations with talented young musicians and showcases a classic 70s prog rock ambiance. The reviewer appreciates the autobiographical and philosophical depth of the work, as well as the evocative album cover artwork. Discover Aldo Tagliapietra's heartfelt blend of prog rock and mysticism—listen to 'Nella pietra e nel vento' today!