Stanlio Banned

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Ragazzini prendono a sassate e a bastonate un cigno, poi lo ammazzano con calci: "Poco distanti c'erano i genitori. Siamo scioccati dalla violenza immotivata"

They threw stones and sticks at it, then kicked it violently and killed it. This brutal scene took place at Canoe Lake in Portsmouth, Hampshire, where a baby gang attacked and killed a swan in front of bystanders’ bewildered eyes.

“We were called to a lake in Portsmouth following a shocking report of deliberate cruelty towards one of the resident swans.
Eyewitnesses told us that a group of children threw rocks and sticks at the swan before repeatedly kicking and trampling it. The level of force used was clearly intended to cause serious harm.”
But according to the spokesperson, the adults’ behavior was also shocking: “We were told that an adult was with them, who disappeared as soon as approached by witnesses, while the children’s parents were sitting on the other side of the park.
We are devastated by what this swan had to endure.
The fear and pain it must have felt in such a senseless and unmotivated attack are unimaginable.
It is worrying to see the growing number of similar incidents, and even more so when they involve children.
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From “ugly duckling” to target for piccoli figli di puttana!

#ilnuovocheavanza nothing like us vdm... scioccante:
 
Free Palestine! link rotto uhm, but who wrote this book?
 
Mountain Live at Various Festivals 1969 1970 check out a recent review of the 245th greatest guitarist in the world (according to Rolling Stone Magazine), namely the one from "Mountain", if you're interested...
 
Raid su un ospedale a Gaza: uccisi 4 giornalisti

A first strike hit the hospital, followed by a second one that occurred when rescuers and journalists arrived at the site after the bombing.
Once again, for who knows how many times, the Nasser Hospital in Khan Yunis became a target of the Israeli army:
20 people were killed, among them 5 journalists, all working for international media.

Itab Hassan Mustaphà (2015 Remaster)

72 Chatila, north of Palestine
born from a wound
son of the lion
Mustapha.

92 Rebibbia, lair of the hyena
clandestine song
breaks the silence
Mustapha.

He has a piece of sky
hidden in his heart
Itab Hassan Mustapha.

He has wounds of salt
his wings are bandaged
Itab Hassan Mustapha.

Who broke his hands
who took his land
who covered his house
with sand and pain
Mustapha.

And he came with the thunder
from a metal sky
in the Europe of the grown-ups
to strike the silence
Mustapha.

He has a piece of sky
hidden in his heart
Itab Hassan Mustapha

He has wounds of salt
his wings are bandaged
Itab Hassan Mustapha

Desires flee
out there beyond the walls
search for the path
amid bars and fear
Mustapha.

92 Rebibbia
clandestine song
that may caress
your dark soul
Mustapha.

He has a piece of sky
hidden in his heart
Itab Hassan Mustapha.

He has wounds of salt
his wings are bandaged
Itab Hassan Mustapha.

He has a piece of sky
hidden in his heart
Itab Hassan Mustapha. israeliano:
 
Il panorama di Betlemme

A man wounded in the back
crawls across the sand
And he feels the earth that calls him
feels the night about to fall
And he says Lord I beg you
let me breathe
let me rest a while
before I have to die
And he says Lord do you see
this bothersome fly
that flies over my back
and still won’t settle down

A man lying on the ground
in a frontier land
Who looks at the riverbank
slowly turning black
And he says it wasn’t my intention
to steal the bread tree
But I’m not the kind of man
who surrenders without a fight
And now give back my ranks
return to me my command
Because this fly keeps buzzing around
while my blood is draining out

And meanwhile the shadows lengthen
and cover up the clearing
The armies rest
at the end of the day
And the man who is dying
tries to take off his boots
And he says Lord, flies
shouldn’t have wings
And he says Lord do you see
the panorama of Bethlehem
This sky without shelter
this curtain of flames
 
here’s what else there was back then dear @[iside] The Gang - La lotta continua
For bread and roses
for the life that remains
for all or nothing, here and now
for the voice that still takes risks.
For this smoke rising
for these broken bones
for these days of stone warfare
for these new barricades.
From every corner of this earth
a cry will rise
resurrection insurrection
the struggle will continue
IN NICARAGUA LA LOTTA CONTINUA
IN PALESTINA LA LOTTA CONTINUA
IN SUDAFRICA LA LOTTA CONTINUA
nothing will ever be the same again.
For our happiness
for our colors
since joy and revolution
have returned to our hearts.
For the spilled blood
for the strength that remains
for these fists still raised
for the courage to say enough.
From every corner of this earth
a cry will rise
resurrection insurrection
the struggle will continue
ANCHE IN IRLANDA LA LOTTA CONTINUA
IN PALESTINA LA LOTTA CONTINUA
IN SUDAFRICA LA LOTTA CONTINUA
nothing will ever be the same again.
IN NICARAGUA LA LOTTA CONTINUA
IN PALESTINA LA LOTTA CONTINUA
IN SUDAFRICA LA LOTTA CONTINUA
nothing will ever be the same again.
For this occupied land
for everlasting victory
for this tortured skin
for those who have not given up.
To do and not be done
for Nonsolonero
because we are different but still together
united under this sky.
From every corner of this earth
a cry will rise
resurrection insurrection
the struggle will continue
ANCHE A PALERMO LA LOTTA CONTINUA
INTORNO A NOI LA LOTTA CONTINUA
DENTRO DI NOI LA LOTTA CONTINUA
nothing will ever be the same again
IN SALVADOR LA LOTTA CONTINUA
IN SUDAFRICA LA LOTTA CONTINUA
IN PALESTINALA LOTTA CONTINUA.
Nothing will ever be the same again..
 
Cinema, but not just Cinema!

“We watch, incredulous and powerless, the torment of a genocide carried out live by the State of Israel in Palestine.

Yet, as the spotlight turns to the Venice Film Festival, we risk witnessing yet another major event impermeable to this human, civil, and political tragedy.

The show must go on, we are told, urging us to look away—as if the ‘world of cinema’ had nothing to do with the ‘real world.’”

So reads the letter addressed to the Venice Biennale and the Film Festival (set to begin on Wednesday, August 27) and signed by around a thousand directors, filmmakers, actors, actresses, journalists, and audiovisual professionals.

Among the best-known signatories, some of the key figures of Italian cinema, are Marco Bellocchio (who will present his series Portobello at the festival), Mario Martone, Valeria Golino, Pietro Marcello (his Duse in competition), Matteo Garrone, Alice and Alba Rohrwacher, Toni Servillo, Laura Morante, Jasmine Trinca, the D’Innocenzo brothers.

There are also some international names such as Margarethe von Trotta, Céline Sciamma, Abel Ferrara, Eyal Sivan.
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THE LETTER originates from a platform called Venice4Palestine, which is calling for a stronger stance from the institutions regarding the responsibilities for the ongoing genocide in Gaza.

So far, the Biennale’s response has been brief: neither the artistic director of the festival, Alberto Barbera, nor the president, Pietrangelo Buttafuoco, have spoken publicly.

Only a statement from the press office in which the Biennale describes itself as “open to dialogue”:
far too little, according to the promoters of the initiative, who wrote in their open letter:
“We urge all sectors of culture and information to use their image and their means, on the occasion of the Festival, to create a constant background of words and initiatives: so that the voice of truth never falters regarding ethnic cleansing, apartheid, the illegal occupation of Palestinian territories, colonialism, and all the crimes against humanity committed by Israel for decades and not just since October 7.

We invite those working in cinema to imagine, coordinate, and carry out together, during the Festival, actions that give resonance to dissent against pro-Zionist government policies: a dissent expressed through creativity.”

Lettera alla Mostra del Cinema: «Prenda posizione sul genocidio». Firmano più di mille | il manifesto Biennale: scritto: iniziative: filosioniste:
 
The movie was a mystery/comedy from ’85, nothing special, but the end credits theme song wasn’t bad at all, quite the opposite… Shake, Rattle & Roll - Charles F. Calhoun - Clue: The Movie despite these promotional slogans inviting you to watch:
“Murder, madness, mystery and chaos, more fun than you can imagine.”
“Seven suspects, six weapons, five bodies and three endings.”
didn’t seem all that to me (I just watched it now, between a carbonara and some slices of melon), but forty years have passed since then and I suppose that means something… visione:
 
We can no longer look the other way. We cannot turn off the TV, silence our phones, or remain indifferent while, under words like “fight against terrorism,” an army opens fire on civilians waiting in line for food or water🇵🇸

On Sunday, September 7th, from 3 PM, Piazza Conte Rosso – Avigliana becomes a grand stage of solidarity with "Their Cry Is My Voice – Together for Gaza," in collaboration with Emergency.

Music, art, theater, sports, and food stands to raise funds in support of the population of the Gaza Strip.

Every contribution is a concrete form of help.

link rotto

A few words regarding out-of-place comments… an important clarification!

The event on September 7th in Avigliana arises from a simple, pure intention: to raise funds to support Emergency, which will deliver concrete aid to the civilian population of Gaza.

It is an event of solidarity, for those who today no longer have a home, water, or food… for women, men, and children living in a state of extreme emergency.

Music, art, theater, and culture become instruments to build hope, because we believe that in the face of suffering, we cannot look the other way.

Thank you to those who wish to join us in providing real help.
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(from the Viaggi Solidali page, August 13) puro:
 
@[IlConte] Evan Foster - Slidin' I think that guy was or is part of your "Mystery Action" #maybe