lexus Banned

an overrated group

tree imaginary boys is too naive, seventeen seconds is honorable but lacks that typical aggression of tracks like one hundred years, faith is the most suitable album for a quiet suicide, in fact tracks like drowning man or funeral party are examples of this, in pornography instead we touch perfection because there is power and sonic consistency, because there is furious depression and not just silent, because there is the right amount of effects and sound feedback.

It's a masterpiece, it's a masterpiece because there's sonic violence, because there's depression, because after Faith the Cure needed an impenetrable sound wall, a sound wall that they created and developed in the best way. The Joy Division of Closer is something unattainable in terms of personality, charisma, and emotionality, but with this album they come right behind.

I only express my opinion, which can be summed up in a few records with balls, that in the center are licked and a bit uninspired.

Jeremy is a good piece, Ten is a decent album, but how can you consider it similar to albums like Dirt?
Dirt has something more, at least from my point of view.
Why does it have something more?
There's depression, there's sonic violence, there are lyrics with guts.
In Ten, you don't feel or perceive all this, at least not entirely.

Does anyone want to share their thoughts on grunge?
Great thing, actually I’d say wonderful,
BUT NOBODY GETS STRAIGHT TO THE POINT.
Is there a Pearl Jam album that can be considered a masterpiece?
Is there a Pearl Jam album that can be listened to for a month, a year, or 10 years without driving you crazy?
But above all, can one argue that Pearl Jam have been, are, and will always be remembered as a timeless band?
My answer is that they are just a good rock band that made disposable songs, very commercial and with little substance.
Soundgarden, Alice in Chains, Nirvana, Mother Love Bone were very different bands but produced remarkable works, works that you know very well, and which, in my opinion, have a bit more than Ten, Vitalogy, etc....

Pearl Jam are the usual rock band that borrows from the past; their albums, at first listen, seem to hit hard, but by the second, third, or fourth listen, you realize they lack substance. This album is like the others—lots of smoke and little roast.

DESAPARECIDO is a good album, but it has nothing to do with the English new wave or the German experimentalism, or the sonic violence of the early CCCP and the psychedelic darkness of DIAFRAMMA. They are faithful to the line and SIBERIA, the Italian references that we must acknowledge, records that could receive greater recognition in a Europe. The early LITFIBA had a different impact; they were less European and more Italian. This is not a bad thing, but it certainly does not make them new wave or dark, much less experimental. They are a good Italian band similar to many others, with the usual tradition of folk singing fused with some fake old-school rock. One only needs to look at the fate of PELU and his associates. One, named PELÙ, who plays the usual rockstar, and RENZULLI and his associates who have produced some ridiculous little records with songs like ELETROMACUMBA.

diaframma, cccp, punkow, neon, franti, uzeda..... these were the true bands that drove the scene of those years.
I diframma with their dark psychedelic sound, the cccp with their punk-noise,
and the others I mentioned with their anti-commercial ideas.
Litfiba were just too polished.

My next album will be released by movimentoflaneur. As for this album, its originality is incredible. Get it; I recommend it to you.