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DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Blink 182 Enema Of The State
Voto:
There is a small misunderstanding at the core, dear Sirs of the Anonymous Reviewers: this is NOT (except for MTV... but that's their problem) even a distant relative of "Punk Rock" (at least as it has been understood since '77). Regardless (as the great Prince De Curtis used to say) of personal liking or not. Yours sincerely. Your trusted S.C.
Nina Simone The Ultimate Nina Simone
Voto:
Notable de-review Mister Enkrist; one question for the kind de-commentators: (Electric)Cafè dek or not? Regards to the entire black-drinking debaserian people. Your S.C. of (dis)trust.
Squarepusher Hard Normal Daddy
Voto:
Dear de-reviewer Monsieur Emanuel Fantoni, while I clearly prefer the "tone" of your "other" de-review (Wire), I would even more agree with what was expressed regarding the frenzied work of Squarepusher in question. Respectful regards. Your S.C. of (un)trust.
Wire 154
Wire 154
22 nov 05
Voto:
Dear De-Recensoreo Monsieur Emanuel Fantoni, linguistically spectacular and spettacolosa de-review: that the critical concepts expressed may be wonderfully cryptic to most, all the same... this is not a problem. Respect in abundance and even more. Your S.C. of (d)istrust.
System Of A Down Hypnotize
Voto:
Dear de-reviewer Mr. Spike Joe, while respecting (of course) your comment on the latest effort (so to speak) of the metal band S.O.A.D., and while not having listened to the record in question (but rather all the others... alas), I do not particularly share the analysis of the artistic qualities of the band in question; a group (de gustibus) that is extremely overrated: the fact that the vocalist has his own expressive "personality" could also be acceptable. Best regards. Your trusted S.C.
Bathory Nordland I
Voto:
Dear commentator Monsieur Dying_Sun, sharing your paradigmatic underlying concept (the sacrosanct de gustibus), it is evident that if I expressed the aforementioned opinion, I would not consider even the ones you mentioned (boringly pompous, in MY humble opinion) "T.O.T.G." and "Hammer..". I reiterate that personally (and who cares, I would add.. to avoid misunderstandings) I find Quorthon et company - so to speak - intriguing exclusively in the first three albums (perhaps because they were listened to in simultaneous chronology). Best regards abundantly and even more. Your mephitic S.C. of (dis)trust.
Boris Akuma No Uta
Voto:
Dear de-commentator Monsieur Mr. Wolf, while greatly appreciating the pleasant de-signaling (of what seems to be quite an intriguing work), I would like to testify to you (besides the sacred de gustibus) that your latest observation (although the smashing-scribe does not hold much regard for the two groups you cited as paradigmatic examples) leaves me rather hesitant: I would argue that each person listens to and appreciates what they "deserve" and/or what their own "decoding" means can filter/understand substantial reasons for audio interest. There are those who (thankfully) enjoy (for example) Nicola Di Bari, while others prefer the Cranioclast: evidently, each of them believes that each has something intriguing to aurally communicate, don’t you think? Warmest regards. Your S.C. di (s)fiducia.
Death Cab For Cutie Plans
Voto:
Vote (posthumous, in relation to the first de-comment) for the album. Kind regards. Your S.C. of (dis)trust.
Bathory Nordland I
Voto:
Dear de-reviewer Monsieur Emanuele, while I respect (of course) your de-commentary, I hardly share any of the substance. The Epic turn of the old (r.i.p.) Quorthon was something intolerable and utterly pointless in the artistic trajectory of Bathory: the first three works (which I treasure in vinyl) have their own (fierce) dignity… the rest is truly negligible. Best regards. Your trusted S.C.
Johann Sebastian Bach - Hilliard Ensemble - Christoph Poppen Morimur
Voto:
I-m-p-r-e-s-s-i-o-n-a-n-t-e (as usual). Warm regards. Your S.C. of (d)istrust.