Ahhh, Nina Simone, that ugly, ugly woman with a magnificent angelic voice, battered on her piano to lead us into rapture note after note. I chose this collection because I needed one of her albums for a trip, and after a sweep through the shelf at the dear "Psycho" store, I caught a glimpse of the face appearing in the corner of the cover: but that's Dianne Reeves!!! And who is Dianne Reeves? Well, obviously, I don't know, but the two aged clerks at "Psycho" told me that she's a fundamental jazz singer of our time... oh well... then I went back home, never mind the consecutio temporis, and slid the CD into the player.
After a first track of vocals alone that flows majestically like a mass, here's the masterpiece, the song that made me dance and sweat with passion: "Four Women," simply a precious little lace made with love between the thighs of a Mississippi peasant woman. A slow and sumptuous heartbeat accompanies the few chords of the piece that could belong on an album by the Bad Seeds, or Scott Walker... pure musical ecstasy and immediate drowning sensuality. Joy for my sterile ears... why seek modern vibrations if the past holds such precious gems? Well... And here's "Wild Is The Wind," Nina's dark and thundering voice covering the tide of instruments: exceptional. "Don't Smoke in Bed" not only denounces an unruly habit but takes a classic standard to its extreme consequences: pauses and surges of piano and voice lull you (in a good way, of course); listening is recommended immersed in a bathtub with a Martini in hand and your woman massaging your back, uncertainly following the vocalizations of the Black Goddess. Undoubtedly brings to mind, quite pleasantly I'd say, Antony and his Johnsons, who have learned a great deal from this great performer/author and have been able to rework this language in a more contemporary and "pop" key. "Lilac Wine" is the song Jeff Buckley reinterpreted in "Grace": a classic song in the true and deep sense of the term, moving in both lyrics and music, enriched by slight touches of percussion and strings... with a powerful voice and a mighty piano technique providing reinforcement. All great female performers have learned from this immense woman who, with a barrage of impressive pieces: "Don't Explain" (Damien Rice, remember?) "Be My Husband" (the aforementioned Antony) "If I Should Lose You" imparts a lesson in black music to be kept in the drawer of precious memories until death prevents us from listening to music anymore... perhaps, who knows.