sfascia carrozze

DeRank : 39,03
DeAge™ : 7565 days • Here since 25 september 2005
Quentin Tarantino Bastardi Senza Gloria
Voto:
I watched a film just last night: beautiful, at times hilarious. A must-see. Absolutely. Anzichènnò.
Tori Amos Live @ Teatro Smeraldo, Milano 01.10.09
Voto:
The DeNarration graciously translated to me seems inversely proportional to the interest I have felt for such an Artist since Her well-known and at the time highly publicized debut. The DePage (in case it wasn’t clear) has pleased me greatly. Certainly, the represented plastification of the face (unless She had problems that forced Her in that direction) is something that truly leaves one astonishingly bewildered/irritated. Rather not. Orrevuar Mademoiselle.
Omar Souleyman Dabke 2020
Voto:
Even if I don't think I belong to any of the aforementioned de-categories [fans of the Golan resistance, ancient Aramaic, the crescent moon, the Krak des Chevaliers, and just Krak], I suppose I shouldn't mind it too much. We'll see about eavesdropping. Inch'Allah.
Master's Hammer Ritual
Voto:
Well done, the unusually ultra-ironic (or maybe it’s always been that way and I just didn’t notice) Mr. Mementomori: it almost made me want to look for that incredibly raw and blissfully buried thrash/black artifact. UH!
Giuseppe Tornatore Baarìa
Voto:
In summary, I honestly found this grand cinematic work to be quite pretentious and ultimately moderately inconclusive. Two hours and forty minutes during which I frankly did not experience great emotions in the narrative, nor did I feel real empathy towards any of the main characters depicted. Not to mention the rather gratuitous and numerous presence of many (too many) faces well-known to the Italian film audience: starting with Raoul Bova, moving on to Monica Bellucci, Nino Frassica, Vincenzo Salemme, Leo Gullotta, Luigi Lo Cascio, Laura Chiatti, and so on… for a series of cameos that are, all in all, irrelevant to the film’s storyline. Definitely more intense and interesting are some of his previous works. Worth watching with appropriate reservations.
Alice in Chains Black Gives Way To Blue
Voto:
@ChupaScarpa: You know what? I completely (even partially) agree with you. However, it seems of a certain (albeit moderate) interest to point out that when someone (not necessarily you, to be clear) lacks substantial arguments to support their hypotheses [I don’t believe you have the slightest idea of who I am, what I actually do, how I live my life, what I vote for, and so on..] they conveniently bring up the matter of "communism" and, while they're at it, also "Santoro." If I call you (unnecessarily) paranoid, would you be offended? Goodbye and thank you. P.S. Regarding the album (since, out of curiosity, I downloaded and listened to it), it seems quite "empty" in content, if not at times utterly pointless. If you like it, I congratulate you. Even if moderately.
Whiplash Power and Pain
Voto:
One of the thrash discs of my (post)childhood. How many records (and years..) have flown by since then.. Sigh! I listened to it just a couple of years ago to make a nostalgic copy for a friend: it still seems to possess its original and intact frenetic savoir-faire. A true bijoux. UH!
Alice in Chains Black Gives Way To Blue
Voto:
Oops.. I forgot to underline that I didn’t want to offend even the possible sensitivity (yes: I only listened to the single.. and on TV, no less) of the de-reviewer. In any case, if the rest of the album turns out to be valid (isn't the benefit of the doubt always allowed?), all the better for them. And also a bit for us. We’ll wait to see when and if the opportunity arises. In any case, in these times of prevailing DemocraticChristianity, not just in the musical field but in any media-social portion of our time, I believe it is essential and appropriate for each of us to voice our possible hesitations. Orrevuarre to you and the whole de-commenting crew.
Alice in Chains Black Gives Way To Blue
Voto:
Hoping not to offend the delicate sensibilities of the esteemed luminary Doctor Fottermeir, I would like to express that the first (of a long series?) single excerpt seems to be endowed with a hefty pseudo-morbid riff that, in theory, should place the pieces back where they originated and in their respective spots: unfortunately for them (but especially for us), just listening to the rest of the track makes us realize the (true) nature of the Elisincenis dating back to 2009: vacuous proto-pop fluff in rock sauce with no minimum, necessary, vital expressive urgency. I haven't heard the rest of the album yet: frankly, I fear the worst. And it's fine that daily bread must be earned for the respective family, but (really) we can't take any more of these pseudo-comebacks well after their prime. Orcocan!
Pearl Jam Backspacer
Voto:
@Still for ProfessorDoctorVonFottermaier (hoping that DeRecensore doesn't mind that we use his DePagina for our interpersonal conversations): I never liked PirliGemma, just a bit fond of (but only "Facelift" and "Sap", the rest is really nein) the recently recycled ElisInCeins. You know, back then, I really liked the Melvins from "Bullhead", the pre-Nirvana types from "Blew"... just stuff like that. I'll wrap up with a tasty DeGustibbus (but also tram) if you don’t mind. Formally formal regards. P.S. But, and tell me, which I’m very interested in, this "Pollo alle Erbe," well... how exactly do you cook it?