Cover of Omar Souleyman Dabke 2020
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For fans of omar souleyman, lovers of electronic and world music, and listeners interested in middle eastern and dabke dance rhythms.
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THE REVIEW

The return of the Colonel.

The Syrian is angry, mustached, and steaming, whether it's for the diesel of a three-wheeled Freelander or for the mutton skewers.
Kebab punk dance, Jihadi-Techno, Muezzin-wave.
Call it what you will.
I saw him at the Primavera Festival and I almost converted to Islam.

Actually, it's a compilation by Sublime Frequencies so don't expect the packaging to be great because it sucks really bad.

The music, as usual, is a Kassam rocket.

Morning prayer invocations ("Atabat"), radio distortions for angry Syrian taxi drivers with patterns of severe mental delay ("Lansob Sherek"), accelerated and filtered arab-rap with an unprecedented solo among Synth, Oud, and Berber flute sounds suitable for snake charming with the chanting voice of the Colonel ranting beyond speed limits ("Shift Al Mani"), techno of a terrorist derivation suitable for those farewell parties before stuffing oneself with dynamite and exploding in front of the British consulate ("la Sidounak Sayyada"), Songs (of love?) between Kebab-bar with hookah additives and the Benghazi market ("Jamila"), Strobe-poverty in terzinato driven by Egyptian dance hall ("Qalub An Nas") and several other Arab contortions in heat.
The track that closes the album "Kaset Hanzal" is pure Middle East: crescent moon, the breath of the desert among the ruins, camels, and mustached men eating dates in the equatorial night (it seems that Syrian women are the hottest in the Middle East).

In short, a nuclear album: a must-have for fans of the Golan resistance, ancient Aramaic, the crescent, Krak des Chevaliers, and krak, period.

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Summary by Bot

Omar Souleyman's Dabke 2020 is a powerful, energetic fusion of Syrian techno and traditional sounds that captivates listeners with its raw intensity. Despite subpar packaging, the album delivers an authentic, nuclear experience rich in Middle Eastern sonic textures. Each track bursts with unique rhythms and voices, making it essential for fans of regional resistance culture and dabke music. The album was highly praised after a live Primavera Festival encounter.

Tracklist Videos

01   Atabat (04:19)

02   Lansob Sherek (06:16)

03   Shift Al Mani (03:35)

04   La Sidounak Sayyada (06:13)

05   Jamila (04:36)

06   Qalub An Nas (04:46)

07   Laqtuf Ward Min Khaddak (03:09)

08   Kaset Hanzal (06:50)

Omar Souleyman

Syrian singer known for electrified dabke and wedding songs who reached international audiences through compilations and festival appearances.
01 Reviews