puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7935 days

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  • Here since 21 october 2003
Voto:
No no (or yes yes?), we’re thinking the same thing: the bubbly danceable electronics are all theirs; since '75, they’ve released a lot of stuff that was a decade ahead of its time. The thing is, "electronic" is a big word that encompasses a thousand things and a thousand genres; it’s not all dancey and bubbly. I fully agree that a lot of it derives from Kraftwerk, but an Aphex Twin or any other “heavier” electronic artist comes from different places. Continuing with the example, it definitely draws more from Neu! than from Radio Activity. The Krafts are an enormous group, but they don’t make the kind of music I enjoy. A lot of respect, but I listen to something else. I’ve never heard of the others you mentioned; I’ll ask some friends if they can hook me up with copies too.
Voto:
Ah, here we are: "Go listen to The Division Bell" is a nice way of saying "please, do us a favor."
Voto:
I prefer to listen to the first three rather than Diverse Autobahn etc. However, there's a bit of exaggeration with Kraftwerk; they are among the pioneers, but they didn't do everything by themselves. Their electronic albums are beautiful, but I can't listen to them even now; I prefer the perfected derivations. Above all, I prefer Neu! by a mile. This is enjoyable to listen to, but it’s not exactly groundbreaking since, back then, a ton of stuff like that was coming out.
Voto:
It's all a madness here, you probably read some bullshit written on purpose, but I don't understand what you're referring to; it's probably about a year ago this thing happened.
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You can contradict yourself even in the same post, you are an Olympic champion.
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He has serious mental problems, just read these comments. <<< The quaquaraquà told you the date and place of the things he does. Don't bother me. I'm neither better nor worse than many others, and it's enough to cling to the tiniest bullshit to break people's souls on this fucking site. And it's also enough to appeal to the bullshit of "grow up." But who are you? Who knows you? Have we ever met? We're on this idiotic site exchanging idiotic emails for idiotic comments and reviews that I couldn't care less about. I'm pissed off only because I can't understand how one can REALLY take all of this seriously... is this really your only form of communication, on display, exchanging ideas about life? Does it bother you that much? And anyway, I didn't mean to say I'm better than anyone else.. you idiot, read what I wrote>>> But where did we get to this discussion? It makes me feel sorry for him.
Voto:
And to be precise: I commented on three or four reviews, and he even mentioned me in reviews, sent me heaps of private messages, I'm cited in every damn forum... not that I care about it, in fact I’ve had a ton of laughs, but let’s take it easy with the "maybe that’s why you keep fighting with each other," because this situation is one-sided, just for the record.
Voto:
Well, exactly: this is an album for metalheads, that metalheads enjoy. With this review, you’ll get the typical goth chick to buy it, and she's going to feel miserable. That's exactly why I say it's wrong. As for all the rest of the bim bom bam generated automatically, I couldn't care less.
Voto:
You started the conversation, didn’t you? I only told you that I disagreed with the images you were presenting of the album, and I mentioned that a metal-rooted album doesn’t really align with this review. First, you came out with the claim that it had nothing to do with metal, then you said there were no groups in metal with strings and tribal percussion, then you backtracked and said that there are, but they don’t know how to use them. In the end, you agreed with me, saying that it is metal-rooted, and then you threw in your comments about the PC, the holidays, August here and there, but... you did it all on your own. You’re the one playing by yourself to see who knows more, having gone 100km to see them, etc. etc... Reread yourself instead of acting superior.
Voto:
Of course, all the Hard Rock albums released after 1980 have said something new, right? If we have to evaluate/listen to Hard Rock albums based on what they say that's new, then we're in trouble. This album is scary, no doubt about it. I haven't seen Zakk with the Flying yet, but it's still a guitar that Jimi used – not Paola Cortellesi – and anyway, Zakk would rock even with Dodi Battaglia's legendary Dodicaster. Ingrandisci questa immagine