nes Banned

DeRank : 19,87
DeAge™ : 6157 days • Here since 1 august 2009
Yann Demange '71
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Seen a lifetime ago (a year, two) it's nice to know that the Italian distributors are always on the ball. I remember little: it reminded me of The Raid, I liked it, I remember a half-hot Irish chick who helps the young British army. Oh yes, then I remember that it's yet another recent film that owes three quarters of its realization to The Raid (in this particular case, only to the first The Raid).
Jaume Balagueró - Paco Plaza REC
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ps: rec 3 is awesome.
Jaume Balagueró - Paco Plaza REC
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one of the best found footage films ever, one of the best horror movies of the last 16 years, the best zombie movie since 28 Days Later. yeah, come on, it’s a nice film.
Paul Thomas Anderson Vizio di forma
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I've missed it several times for various reasons, and I will fix it as soon as possible.
Damien Chazelle Whiplash
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August makes me romantic, and look at this beautiful steaming mess I wrote for you that I can’t even include among the counter-comments. That’s enough, though, it gets boring otherwise.
Here one keeps saying Rome, and the other replies toma... but it’s fun nonetheless. Simmons is definitely not more complex than Sergeant Hartman, and not even in his dreams. And I think we can all agree on that. Gunny? Present, right, Gunny? Good. Gunny is also Karate Kid, and Whiplash. And we can say, with the utmost serene bliss of reason, that Gunny would tear off Simmons’ head and crap down his neck. Right? I knew you’d agree.
"Here the path is, in reality, a spiral downward, towards alienation." It’s still towards a goal set by the protagonist... I repeat: it seems to me you’re saying that this film is better than "pinco" because it’s more "and here you can put whatever term you want." Like Deep, but Deep doesn’t work. And I’m telling you that its being more "and here you stick the term you chose earlier" doesn’t change a jot about the story’s structure or how it is represented. So it might be "whatever you like," but in that field, it stays to play. And I’m not saying it’s better or worse than "soldier fatball vs the Thursday night underwear of Master Miyagi," but I’m saying that if someone started making comparisons with Rocky or "stick it up the cross of Master Iceman’s ball," they weren’t entirely wrong. I understand your point of view; you should try to understand the other side too because one doesn’t exclude the other; both are correct, they just say different things. They don’t exclude each other. Well, one is a subjective opinion, the other an objective fact; the thing is, they aren’t two opposing opinions.
Well: they don’t exclude each other unless you saw in the film’s ending some form of judgment on Andrew’s choices, and consequently some kind of moral... Honestly, I didn’t see that; I found it cold and detached (as were the film's characters) from beginning to end. I mean, at the end, I didn’t see a: "if you sacrifice everything for your goal, be careful because the best you’ll save of yourself will be the single moment of your success." Nor a "who cares about everything; you must sacrifice everything to achieve what you want so that you will be happy," or anything else.
Then again, maybe the fact that it’s a movie that I found mediocre before it didn’t tell me a damn thing doesn’t make me the most reliable source on the work, but I swear: Rocky and Whiplash? Yes. It doesn’t mean they’re the same, but they are certainly the same kind of film, which is not the genre "the kid learns to grow up," it’s the genre "pump up the testosterone in the room and show the punches." Which, after all, is the only reason that could justify the dirty bloodied skins; seriously, maybe they wouldn’t have made me scream, "holy crap what the hell is this crap???" at 16 in front of a Death SS video... Though to be honest, I probably would have found them embarrassing even back then and even in that context.
Iron Maiden Speed of Light
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I find it necessary to lean quite far over the edges of human reason and play tightrope walker on the limits of the absurd not to recognize that after thirty-five years of honorable career, releasing a video of such ugliness to promote a work is an act that borders on crime.
I'm talking about the video: the song is the pale copy of one of those minor tracks recorded between '80 and '92 that you normally wouldn't even remember are on a Maiden album. However, it seems to me that musically things have been like this since X factor (the album, not the show...).
George Miller Mad Max Fury Road
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I'm saying this for the record, to close the loop and not to raise false hopes for the slower ones: The other day I tried (I tried, I didn’t succeed) to watch it downloaded (great file, at least the first 10 minutes). I was saying, I didn’t succeed: without the screen that embraces you and blasts you with visuals and the audio that glues you to the chair while it mercilessly assaults your eardrums and synapses with the usual riff for 120 minutes, it loses everything it has to offer. I mean everything. That is: it loses even and especially the rhythm (which in this film is pretty much everything).
Haven't you seen it in theaters? That's your problem, so just forget it; everything you'll get from your new 52-inch Viera for €1700 with a €400 soundbar is essentially a poor imitation of the film idea that Miller might have had in mind during the writing phase. The difference between the two experiences (cinema, TV) is more or less like the difference between having an orgy and flipping through a censored Japanese hentai.
Jurassic Park (the first one), for example, loses much, much, much less... and I’m talking about Jurassic Park, not "Le Iene."
L6b6t6my Legions of Beelzebub
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a moniker a program...
Tame Impala Currents
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never, never, never managed to get through the entire album of theirs; I opened a track on YouTube before and couldn't even get to the end of the single piece. How and why they have a notable name in the psych scene has been a topic of study for years. Giacobbo is about to get there, hang in there because we’ll figure it out too.