nes Banned

DeRank ™: 19,87

DeAge™ : 6158 days • Here since 1 august 2009

Leos Carax Holy Motors

25 may 14

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Seen. I believe that to manage to express an opinion I would need to watch it another twenty times and I definitely don't feel like doing it even once. Anyway, it's a nice slap.

Purtenance Member of Immortal Damnation

22 may 14

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Anyway, the sentence "metal in general is now a genre that lives in the past and its future is definitely dark and gloomy" makes very little sense from my point of view. The fact is there's really so, so much metal, and maybe one just can’t discover what's actually good now. For example: you could go on for hours; this stuff was something you could only dream of in the 80s/90s.

Purtenance Member of Immortal Damnation

22 may 14

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"What makes a difference in a death metal album? The cover: the more it looks like crap, the more the record is worth."

Leos Carax Holy Motors

22 may 14

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"I saw it in 2013, on rental" so you’re telling me it’s available for recovery? Nice, I missed it at the cineforum and I was convinced it had never arrived here. I’ll catch it, watch it, and review it.

Giorgio Moroder Live @ Giardini Pubblici 17 05 2014 Milano

21 may 14

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you weren't interested in the event, you weren't there, but you know... Arrogance often goes hand in hand with stupidity, just so you're aware. Then go ahead and talk about whatever you want, of course.

Giorgio Moroder Live @ Giardini Pubblici 17 05 2014 Milano

21 may 14

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"I wanted to know technically what he did." From forty meters away, it was hard to let you know. About a month ago, I went to an electronic music concert for the first time: Forest Sword. I was about 50 cm from the stage... I still didn't understand a damn thing.

Giorgio Moroder Live @ Giardini Pubblici 17 05 2014 Milano

20 may 14

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Oh, in case you were wondering, "Why should I care about all this?" I'm sharing the most interesting event of the evening, which unfortunately didn't happen at the Giardini Pubblici and thus ends up here in the comments.

After skipping the concert, we go to a bar (for the Milanese: l'oibò). Before entering, I spot Pino Scotto. I ask him to wait thirty seconds because I've got a friend parking who adores him. Pino says no, I insist, he tells me he doesn't have time, I push back, telling him it will take a maximum of 2 minutes and my friend will be here. Pino turns his back to me, completely ignoring me, and goes into the bar. After the concert, I'm pretty drunk, and I tell him to fuck off live on air, not caring about the four-door friend he's got with him. The friend doesn't react, Pino doesn't react, Salmo and his diss tracks don't bother me at all.

I mean: you see a grandfather DJing like a god, you hook up with someone whose words you don't even understand because you're a beast who doesn't know English, and she's been here for two years without learning half a word of Italian (how she manages to do her shopping is still a mystery), and you meet Pino Scotto. In person. And you tell him to fuck off. I didn't care much about the concert, but wow, what a night.

Tori Amos Unrepentant Geraldines

20 may 14

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Since she decided she had to stay beautiful and plastic, she's really getting on my nerves. A bit like the hyper-Catholic Ferretti. It's fine to reconsider your past, but to do so while getting worse is unforgivable. Anyway, better here than in her last works; we've gone from Botox to Photoshop assistance. Great choice. I won't even talk about her music; someone who sang “Cornflake Girl” and ended up doing what she did after doesn't deserve a drop of respect as far as I'm concerned. Tori, either you shape up or you might as well turn to heroin. Maybe you'll really deflate, you cocaine addict.

Howard Phillips Lovecraft The Call Of Cthulhu

14 may 14

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wait, maybe I got it... are you referring to this? "the essence of your comment is that you find HPL's style heavy" okay, I drop 15 lines of commentary and you focus only on half, then it’s obvious you don’t understand a damn thing: what I’m saying in the comment is that it’s a heavy read TODAY (TODAY) (so much so that I also mention that reading it sixty years ago would probably have had a different effect). and there’s a big difference. writing, like all arts, is in constant evolution and it’s not surprising at all if something once considered outstanding and easy-peasy may seem tough today. damn, why did I even give the example of the Husher house? it’s like: "I didn’t understand anything of what you wrote, but I contradict you." go hetz, ten and praise!