JURIX

DeRank : 18,52
DeAge™ : 6432 days • Here since 30 october 2008
Giulio Manfredonia Si Può Fare
Voto:
I saw the film a week ago. Great, good pace, although I reserve a 5 for masterpieces. Anyway, good review, a film I recommend to everyone; you'll find familiar faces of well-known comic characters among the actors, Bisio is someone who knows how to adapt to multiple situations. Maybe a bit idealistic towards the end, but the reality of social cooperatives that have saved thousands of people with mental issues from the streets and jail over the last 30 years is undeniable.
Godflesh Slavestate
Voto:
I’ve always liked GODFLESH, paranoid and decadent just the right amount. So I agree with the rating for the album. The review is amazing; one question though: if someone doesn’t know Godflesh, what do they understand from this album?
Fear Factory Demanufacture
Voto:
Easy to vote for such a record! One of my first (and rare) ORIGINAL CDs! Innovative, original, powerful. Too bad that live, despite giving very good concerts, they don't fully deliver the impact of the album. Yes, I also think the second part of "A Therapy For Pain" echoes the sounds of NIN.
Green Day American Idiot
Voto:
Brusko and the Beatles were innovative and original (even if they never thrilled me), here we have an album with a couple of good ideas but that mainly relies on makeup, mega-galactic stage designs at concerts, and TV appearances mostly during teen-friendly hours. I have it too, like all the works of the Green Day; it’s nice, although "Kerplunk" was definitely more genuine and "Dookie" more honest. And anyway, the review wouldn’t even be bad but the last sentence is one thing and the Italian another.
Dark Millennium Ashore the Celestial Burden
Voto:
Thanks. Yes, the tones are probably too emphatic, but I wrote my first review with one of my all-time favorite albums... which unfortunately is quite unknown out there...
Slipknot Slipknot
Voto:
This is the only truly innovative album by Slipknot. I agree with you on the RoadRunner discussion, on the programmed media effect, on the fact that the two percussionists are just for show (but how many other bands make a show in different ways?), but when you have a drummer and a guitarist of this caliber...the songs certainly don't turn out technically bad!
Testament The Formation Of Damnation
Voto:
Despite the nostalgia for "The Legacy" and "Souls Of Black" showing no signs of fading, this is truly a great record! The little review is beautiful. Ola.
Prozac+ The Best Platinum Collection
Voto:
Good review, tastes are not up for debate. From my point of view, a completely insignificant group, almost all of the songs built on clichés heard millions of times before, banal lyrics. I’ve seen them live twice: they were pathetic.
Prozac+ The Best Platinum Collection
Voto:
Good review, tastes are not up for debate. From my point of view, a completely insignificant group, almost all of the songs built on clichés heard millions of times before, banal lyrics. I’ve seen them live twice: they were pathetic.
Iron Maiden The X Factor
Voto:
I'm only writing now because I've read the posts from DAVIDE D and LUK85PD... at least there's someone serious out there. Do you think, THETROOPER, that Iron Maiden still make sense today? Only at concerts when they perform songs up to "Fear Of The Dark." It's normal; time passes. And anyway, if you start raving about "A Matter Of Life And Death," "Brave New World," and all this pseudo-metal, pseudo-modern, pseudo-old-school stuff, then we’re talking about two different Iron Maidens. From an impersonal point of view, "X-Factor" isn't bad; many good ideas, it lacks power, you can find many strengths and weaknesses, but let's stop talking only about Bayley's voice without listening to the music...