telespallabob

Brilliant! Truly brilliant! Another one that shouldn't be featured in DeCasi, unfortunately this is also DeBaser.

Of course, Iside pointed out the most "serious" mistake, so to speak. Apart from that, in my opinion, the film is worth it, and not by a little, not because it's something extraordinary, but because its beauty lies in many simple yet well-executed elements. The characters are also likable and well-developed (I think of the one who imitates Elvis or the bartender Adolfo, played by Guccini). I invite everyone to watch it, without worrying about who made it. It's also a way to build a critical judgment.

Welcome to Debaser. I'm glad to see a peer who's not hooked on this junk and can provide a critical analysis, so here’s my advice: try to shorten the length of the review.

I don't know them, but great notice!

Another one of your curious rediscoveries (of course, it is unknown to me)

Look who it is. After a while, you're back to making waves. Welcome back. P.S. I hope Berluska doesn't lead me to end up like the cover when I participate in protest actions against D.L. 133.

@Icnarf, the stracciapalle are three great musicians, each better than the other (we know everything about Keith Emerson). Aside from that, you provided a good overview of the album and their career.

It's the thirteenth, I think we're one step away from Petrucci's duplicates. What a mess.

Welcome to Debaser. A modest and decidedly bare review. Honestly, Seal, I don't even know who that is.

A nice analysis, I liked the movie. I might just watch it again.