telespallabob

I wanted to see the movie, but so far I haven't had the chance. We'll see what it will be. A comic book analysis would definitely be necessary for its devastating relevance.

I had listened to these a while ago, but I didn't like them at all; I should give them another listen for a definitive judgment.

The review doesn’t seem to be anything special, just like the album. What can I say about the numerous bands? In my opinion, the problem is twofold: on one hand, there were so many groups that it was hard to build an overall profile, on the other hand, there were shooting stars that left behind great things but couldn’t get a second chance (Locanda delle Fate for temporal reasons, Museo Rosenbach for "political" reasons) and even when they were granted it, "fate" got in the way (I’m referring to Biglietto per l'Inferno; in this case, the second work was recorded but the failure of the production company caused it not to be released. We have it thanks to Mauro Moroni who released it for Mellow in 1992).

And on this too, I gladly take note...

Porcupine Tree are fascinating yet they remain with something unknown, something enigmatic. Maybe that's why many do not grasp them but only brush against them. Personally, I experience them in alternating phases; there are periods when I listen to them repeatedly and others when I just don't feel like it.

I confirm my vote; regarding the previous judgment on concert performance, I have no new elements (if it comes up again, I might write a few lines).

Well, I've never understood this enthusiasm for Melt Banana. They've never really struck a chord with me. However, the review is very nice.

I wouldn't be so enthusiastic about the value of this album (and I'm saying this as a convinced lover of Dire Straits).

I'll take note too.

Is it that bad? They told me they had dropped, but not like this... what a pity!