mien_mo_man

annoying boldi; de sica sometimes imitates his father, other times he imitates alberto sordi (especially when he's courting women); identical roles for decades, identical stories for decades. Despondent, better off with pieraccioni (not a genius, but at least fifteen notches above this junk).

I hope to entertain you quite a bit with my upcoming review (posted this afternoon) of the latest album by The Ark (not the metal ones but the glam ones). Why aren’t you an editor? Strong hugs.

and so samples!

I see that little by little you are getting closer to my "nasty savage." A discursive review, less colossal than that of Tankard but more enjoyable. There are things born to be milestones, and there are things that, just as they are made, are simple and liked for that reason. In many parts, I felt that your review resembles one of mine in style. Is it true or is it my delusion of omnipotence?

Ah, one thing... has anyone ever heard of the comic Arkhain?

Well, I mean, sure, Judgement Night and The Crow are two great soundtracks. I remember the beautiful song by MM and Sneaker Pimps and how I freaked out watching the video, where MM is (among other things) a bleeding statue of the Virgin Mary... But you guys forgot the Trainspotting soundtrack! Shouting Lager Lager Lager Lager!!!

desade, instead of the "journalist writer who loves war because it reminds her of when she was young and pretty" Oriana Fallaci (yes, yes, the one who put photos of her face at forty on the covers of her books, making the uninformed reader believe she was a middle-aged woman), I recommend a certain Mr. TIZIANO TERZANI. I don't dispute that Fallaci wrote good things (for me, only "Un Uomo"), but TIZIANO TERZANI is great, hugely great, unparalleled, immense, absolute, and above all, he never loved war because it reminded him of when he was young and handsome. He never loved war for any other reason either. And he never sowed hatred. There are much better examples, far better, of how to age and how to grow old as a journalist while practicing journalism until the end: MONTANELLI in Italy and TERZANI abroad are shining examples of this. And there are far better ways to face the inevitable conclusion of existence; MONTANELLI in Italy and TERZANI abroad still teach us, not Fallaci, who puts on the cover the face of when she was forty, while she was actually seventy-five point eleven.

desade: mario venuti is worth thirteen carmen consoli; luca madonia twenty-nine times; spampinato, well, I won’t even mention it. consoli is undoubtedly the best from Catania in the history of pop music, especially because the rivals are gerardina trovato and marcella bella... WRONG: the best is (was) Giuny Russo.

poor Pasolini, more for the comparison with Consoli than for the one with Fallaci. do you want me to talk a bit about Carmen Consoli? does anyone remember some of my posts in a review regarding her?

I’m trying to break the record, which is on Neil Young. Now I’m posting what I wrote yesterday about the Utopia album :)