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 Fausto, as always, surprises his fans, and to close the "interbeat" Trilogy, returns... to an album of good old blues-rock.

 Fausto manages, with his poetry and his suffering, to talk to us about topics perhaps too lofty to leave them in the pop realm.

Fausto Rossi's Blank Times closes his 'interbeat' trilogy with a return to blues-rock, blending poetic lyrics and melancholy. The album features standout songs like 'Tu Non Lo Sai' and 'Down Down Down', exploring lofty themes beyond typical pop. Rossi continues his unique musical journey, surprising fans with a sincere and laborious work. Dive into Fausto Rossi's Blank Times to experience poetic blues-rock and explore the closing chapter of his acclaimed trilogy.

 'This album is like an oriental carpet; always the same yet always magnificent.'

 'The entire work reflects the 1970s Italian singer-songwriter school without ever descending into the "already heard."'

Il Rumore Della Tregua's album 'Canzoni di Festa' beautifully channels the 1970s Italian singer-songwriter spirit without feeling repetitive. The review highlights its poetic and cultural richness, comparing the album to an ever-magnificent oriental carpet. Standout tracks include 'Mercoledì di Festa' and 'Danny il Greco.' The album offers both nostalgia and freshness in Italian music. Listen to 'Canzoni di Festa' and discover the timeless charm of Italian folk music!

 Lolli, with his usual melancholic tone, paints a watercolor that only we guys can understand.

 How many of you still have a kindergarten buddy as a friend?

The review reflects on Claudio Lolli's song 'Michel', highlighting its melancholic depiction of youth friendships and their fading bonds. It connects with the emotional complexity of growing up and the bittersweet nature of memory. Despite the author's initial youth, the song's depth stands out as an extraordinary artistic expression. The track is a poignant watercolor painting of familiar, intimate experiences. Listen to Claudio Lolli's 'Michel' and immerse yourself in a heartfelt reflection on friendship and youth.

 Angry like only sixteen-year-olds can be.

 Derivative. Self-financed, spoiled, awkward, lopsided.

Waka Waka's 'Stupido Teatro' channels the raw and angry ethos of 90s post-punk and Italian punk influences. The album comes across as derivative yet passionately chaotic. It embodies the spirit of youthful rebellion with a DIY approach, reflecting a rough and unpolished debut. Ultimately, it's a polarized work that may connect with fans of underground punk. Discover the raw energy of Waka Waka’s post-punk debut – dive into 'Stupido Teatro' and feel the pulse of rebellious youth.

 Music critics are the best Italian comedians.

 They give us an album that calling it punk is idiotic. This is just love for rock'n'roll.

This review challenges the punk label assigned to Revolver's 1979 album, praising it as a passionate rock'n'roll collection. It highlights diverse musical elements, from saxophone solos to reggae influences, and criticizes Italian music critics for misunderstanding the album’s essence. The review celebrates the album’s variety and originality, produced by Gino D'Eliso in Italy’s Triveneto region. Discover how Revolver’s 1979 album redefines Italian rock — listen and explore the true spirit of rock'n'roll!

 Ferretti, with his chanting sing-song, stumbles, falls, and rises again while his sensitivity makes us share in the war.

 If you don’t see with your own eyes, you can’t believe those words.

The review reflects on the emotional power of Blazer1978's video 'Nessuno Fece Nulla,' combining evocative imagery from the Kosovo war with the intense performance of Ferretti. It underscores the personal and collective trauma of war and highlights the raw honesty of Nedžad Maksumic's lyrics. The reviewer warns sensitive viewers about the graphic content but praises the work's impactful message. Watch 'Nessuno Fece Nulla' to experience an unforgettable expression of war’s tragic impact.

 If a God existed, He would only ask us for one thing: SILENCE.

 The songs, for those who want to hear them, are there, beautiful and magnificent, submerged by the worm that rises and seeks to kill us.

Fausto Rossi's 'Below The Line' is a compelling 25-minute suite that immerses the listener in a world of noise reflecting everyday chaos. The album challenges conventional listening by blending overwhelming soundscapes with beautiful, subtle songs. It invites rebellion against modern distractions and demands an active, deep listening experience. The review praises the album's complexity and recommends high-volume headphone listening for full immersion. Listen to 'Below The Line' by Fausto Rossi and experience a profound noise journey that redefines music and silence.

 All myths always lead to the same destination: the stars.

 The most important contribution offered by the book is the explanation of the technical-linguistic conventions with which myth conveys information about precessional motion.

This review praises Il Mulino di Amleto for its profound and detailed investigation into ancient myths, revealing their roots in astronomical observations. It highlights how myths encode precessional motion and celestial phenomena, emphasizing the ancient human capacity to use myth and memory as sophisticated knowledge systems. The essay connects diverse cultures and epic tales, leaving readers contemplating the nature of time itself. Dive into Il Mulino di Amleto and uncover the celestial secrets woven into our oldest myths today.

 The text seems written in three hours while the electronic rhythm appears to be more a result of a Bontempi keyboard predating 1984.

 Much better then to listen to Dogma reviewed here or the latest gem (?) by Battiato.

The review critiques Daniele Silvestri's 'L’Imperatore Tiberio' as a rushed political rap with outdated electronic elements. While acknowledging the artist's political engagement, it finds the execution lacking and far from Silvestri's better works. The song mocks Berlusconi's controversial politics but fails to impress musically. Listen to Daniele Silvestri's 'L’Imperatore Tiberio' to hear his political take—then decide if you agree with this critical review!

 The monkeys on their backs are always more than one and come in multiple forms: alcohol, veins full of holes, money, politicians...

 "The incident is closed, do not gossip"... a testament Mayakovsky left us two days before ending it all.

Panico's 'Scimmie' offers eight raw, electric rock tracks that channel Italy's anxieties of the late 80s. With guitars and saxophone leading, the album explores themes like drugs, politics, and unattainable dreams. It evokes a tumultuous period through a personal and social lens, highlighted by the memorable track '14 Aprile' which draws on poet Mayakovsky's farewell. The review reflects on the album’s gritty character and its portrayal of a yearning Italy. Discover the raw energy and poignant themes of Panico's 'Scimmie'—listen now and reflect on Italy’s complex past.