5 all my life more
Reassessed over time, they surely sold quite well but offered numerous catchy songs. Then when you give birth to tracks like "Come together," you can be forgiven for crap like "Yellow submarine" and "All together now." more
Great sound, terrible Brian Johnson. The riffs of the most well-known singles are spot on, while the remaining tracks from the most famous albums are mediocre. Just enough thanks to the strokes of genius. more
the one in the title is me... because I listened to the album in its entirety. only "sister midnight," "funtime," "china girl," and "mass production" are decent. the rest goes in the bin. more
"Tarumbò" (not even by chance) at an extraordinary level, where even Shorter and Johnson from Weather Report are brought into play. Perhaps the last great chapter of Pino that I prefer, absolutely magnificent. A whole other story, indeed. more
The Groove and the Sound of this album are unique. A truly inspired Daniele, halfway between Jazz, Blues, and Funky, accompanied by a top-notch Supergroup, probably at its peak. The performance at Piazza del Plebiscito during the following tour will remain in history. Fantastic! more
Pure shit, but 90s boybands compared to those of today were the Gentle Giant. more
Listening to them feels very adolescent and not very intellectual, yet it’s top-notch pop, both from happy vibes and from sad ones. more
It now seems to have become a trend to compare Eminem to anything. On YouTube, you can't read anything else but "Forget about so-and-so, listen to Eminem," but what really annoys me is seeing all these pseudo metalheads utter the magical words: "rap sucks, I only listen to Eminem." This has always made me think that the average music listener is just a bag full of crap. more
Not bad, not bad at all. It's true that there are better things around, but let's just say there are also worse things, huh! more
The embodiment of coolness...until the contract with Vodafone! STOPH more
...it's not even the fact that he wanted to experiment with pop and electronics, it's just that it remains a damn boring product, where only "Pioggia" and "L'albero" stand out, the latter seeming like a preview of the "minimalsperimental" "Il Ladro" (released four years later). The only truly bad album by Angelo. more
Inspired by Pushkin's drama, it is therefore not tied to the actual biography of the characters, but is perfectly successful, with unforgettable actors. A visual and auditory masterpiece (could it be otherwise?). more
In here, it has been discredited too much. I'm not an expert, so I won't dare to say that it's one of the most beautiful Italian films in history; I will only say that it is one of the most beautiful movies I have ever seen. more
Second round, second masterpiece! Inspired, heartfelt, and let those who have more add to it, but for me, it has a hint of less magic compared to the debut album! Still, it's an immense record... more
A unique example of a career aimed at recovering traditions not only Italian, made accessible by a superior sensitivity and research. Also unique in attracting attention across borders. A solitary journey without competitors. We will never have a character like this again. more
Glam-Dark. A 1982 album, simply epic. You gotta get it!
One question: what do you do if you have the CD, the vinyl, and the DVD? more
For heaven's sake, he's a good actor, but he risks ending up like Johnny Depp, that is, becoming a victim of his own character (Iron Man) and when the spectacle is over, he'll have to choose whether to play it even at 80 or star in mediocre films. more
He can be a jerk and unpleasant in real life as much as you want, but his role in "Unbreakable" will always hold a special place in my heart. more
Later they are the shabby Italian comedians of today. more