Bluvertigo
Italian pure alternative more
Metallica
Three albums and nothingness. more
Genesis -Three Sides Live
Although the setlist cannot be compared to those of “Genesis Live” and especially “Seconds Out”, the album stands out mainly for the grandiose technique that has never wavered among the musicians over the years. more
Genesis -From Genesis To Revelation
A kind of concept album on the Old Testament (from which the group's name will be derived) with a classical tone, strongly self-produced and at times cloying, although cloaked in a strong vein of innocence and naivety. Pleasant all in all. more
Genesis -Nursery Cryme
Second progressive stone that continues the journey of their symphonic and romantic masterpieces, a sequence that will end in the distant 1977. The Genesis with "Nursery Cryme" achieve a strong musical harmony, and their qualities as excellent musicians are already evident: just think of the cutting guitar incursions of Steve Hackett, the crazy rhythms of Phil Collins behind the drums, or the keyboard minimalism of Tony Banks, the true pillar of the band. more
Metal
Some of the best things of the last 30 years come from here. Not that the worst haven't taken the same path, but the vote goes to the former. more
Genesis -Selling England By The Pound
In its entirety and in its sound delivery, “Selling England by the Pound” is the symbol of a generation, of a musical movement, of the whole seventies imagery regardless of its outstanding content. The seventies, after the incursion of new genres like punk rock and the paranoid New Wave, will never reach these heights again. It is therefore permissible to think of this album as the ultimate milestone. more
Genesis -Invisible Touch
If "Abacab" featured acceptable ideas and "Genesis" showcased an entire side played excellently, in The Invisible Touch, almost nothing is salvaged: it's a dull, murky, cacophonically terrible album. more
Genesis -Genesis
“Genesis” is an album that shows a significant creative and qualitative gap between the first and second side, with an abyssal compositional distance. Despite this, the record (like the two previous ones) sells in an outrageous manner: the band is now the queen of the obvious Top Ten melody, of the soulless and empty music typical of this decade. more
Genesis -Abacab
The definitive dive of Genesis into the squalid mainstream music typical of the eighties, coated with polyphonic keyboards, filtered drums, and electronic basses. The horrid cover is enough to justify it: where are the foxes, the music boxes, the little critters from the tail trick? They are now something of the past, anachronistic for those times. more
Genesis -Duke
Probably the last valid major testimony in the pop realm for our generation. Long detached from progressive sounds, the album is much more compact and polished in its pop-rock boldness. The latest jewel from Genesis that stands out with mid-high standards; the genre is pop, but it's never trivial or predictable: it's classy pop. more
Genesis -And Then There Were Three
A record that marks the gradual detachment of the band (or what sadly remains of it) from the romantic suites typical of the seventies towards catchy and easy-listening pop. Nevertheless, it remains a really good and underrated album that at certain points offers excellent ideas. more
Genesis -Wind And Wuthering
The Genesis of the mid-seventies continue to showcase their unlimited creative vein and within a few months of The Trick of the Tail, they compose their final masterpiece, their swan song. It is the second technical-compositional peak of theirs in just twelve months; it reaches a vigor that touches exquisite heights. From this, it is clear that Peter Gabriel is now just a pleasant memory. more
Genesis -Trespass
one of the classics of the Gabriel era. Although the album is released just over twelve months after their debut, a significant improvement is immediately noticeable in both the musical and lyrical aspects. Their first progressive milestone. more
Genesis -A Trick Of The Tail
A splendid and grandiose romantic fresco with jazz-fusion incursions, as well as an album of homogeneity and sonic compactness not seen since “Foxtrot.” In some ways, the album represents the technical and compositional peak of the quartet: indeed, paradoxically, with the farewell of Peter Gabriel, Genesis had more compositional freedom in the studio. more
Genesis -The Lamb Lies Down on Broadway
The first and true album that sought to go beyond the mere definition of progressive or art rock, to transcend and explore the points that characterize the same genre and to stitch them together at will. The double LP presents a strong detachment from the harmonious and melodic sounds that have characterized Genesis's career up to this point: these are projected more towards a not extreme, but conventional experimentation according to the band’s standards. The album is therefore permeated by powerful sounds, more
Genesis -Seconds Out
The pillars of Hercules of this monumental live are the progressive testament of Genesis, containing all the skill and technical perfection the group had managed to achieve in the seventies. A cornerstone. more
Genesis -We Can't Dance
The best album since “Duke,” very well arranged and played, and free from those truly irritating sounds that were quite noticeable in all the albums from 1981 onwards. more
Genesis -Foxtrot
Among the highest masterpieces of Genesis art, aided by a sound different from the two previous albums: less raw and baroque, but much more polished, refined, smooth, and masterfully packaged. All thanks to the sublime arrangement by that little great man, Tony Banks, and his mellotron. Just "Supper's Ready" is worth 6 balls. more
BDSM
The American site Kink (whippedass, wired pussy, device bondage, etc. etc...) is great and Madison Young is its prophetess! more