Ivo Torello -La casa delle conchiglie
A novel that combines Restif de la Bretonne with Lovecraft. more
Death in June -Essence!
The usual reheated soup from Douglas P.? more
Dante Virgili
The author of the only Italian Nazi novel. more
Arthur Russell
Questo è un ragazzo che si siede con un violoncello e suona e canta in un modo che nessuno su questa terra ha mai fatto prima e che nessuno farà mai più. more
Griffin
In that photo face among humans, Meg (in the dark) and the legendary Brian strangely don't even make me laugh for half a second!!! more
Klaus Wiese
The guru of transcendent drone-ambient music. more
Valerio Evangelisti
A great one, he renewed fantasy literature (mixing science fiction, Gothic, and historical novel) making himself known abroad where he was highly regarded, especially in France. more
Blue Öyster Cult -Blue Öyster Cult
A good debut for the Culto dell'Ostrica Blu (one of the coolest band names ever), which for me remains a really great "classic rock" group with various shades of stylistic eclecticism that color their songs and albums here and there (a bit of Blues, a touch of light psychedelia, some vague sci-fi-dark atmospheres, all characteristics well present in this first album). These Americans have a nice personal style and an interesting compositional modus operandi, with a collective writing approach that involves groups of collaborators outside the core band who contribute to the writing of the songs, especially the lyrics. That said, they are less original and unique than I've sometimes heard them described, but that does not take away from their skill. This self-titled debut album doesn’t quite reach the heights of the two subsequent albums but it’s good. My favorites are "Transmaniacon MC," "Then Came The Last Days of May" (one of the only two songs written by a single member of the group, Roeser in this case who obviously sings it as well), a ballad that demonstrates their good taste for melodies, and "Workshop of the Telescope," an acid gem with an irregular and slightly distorted flow, showcasing their more "psych" side. But aside from three songs that remain merely "pleasant" and nothing more, the rest is of excellent quality, including a little classic like "Cities on Flame," a great piece, or the other psych-wavy "She's as Beautiful as a Foot." Always a great album to listen to again. more
Giusy Ferreri
Italian music at its zenith more
Giusy Ferreri
Are there "little things of her own" that don't talk about sappy or whiny love, or love in general? Now she’s even a mother of a 5-year-old, and it would be about time for someone like her to start talking seriously about the parent-child relationship, or at this rate, I'll be calling her Kinder&Ferreri... p.s. Anyway, I round it to 1.8, the v.c., seeing what's lurking around in our local CCDD in rosy veils: Grandi, Pausini, Amoroso, BabyKappa (what does she even have to do with duets) and then Berti, Rettore, and Zanicchi, to name a few. more
Peter Hammill -Consequences
"Consequences" is an album that grows with each listen, over the years, subtly, slowly—or at least that's how it has happened for me—so much so that I consider it Hammill's best album of the third millennium and even his finest since 1986, from the time of the beautiful "And Close As This." Just the opening track, "Eat My Words, Bite My Tongue," would be enough to justify the price of the album, but as you delve deeper, you discover a truly high concentration of inspiration, in an album that is sometimes challenging, hermetic, sparse in arrangements, and rich especially in harmonies and vocal overdubs, while piano and guitar (the album is entirely composed, performed, and arranged by Hammill alone) serve as essential accompaniments, in a work of great expressiveness, intimacy, and rawness without entirely relinquishing the dramatic theatricality for which it is known. Only great songs abound (I mention "Scissors" and its final two explosive minutes of electric guitar, the star here, distorted and biting) and a masterpiece among the most beautiful and intense of his career: "A Run of Luck," the ultimate expression of the most desolate and somber Hammill, a bard of loneliness and resignation. A spine-chilling piece. The album is a near masterpiece, and it's not something everyone can pull off in 2012, with already 45 years of career behind them. more
Burial
Composer of soundtracks for mental journeys more
The Other Half -The Other Half
Gospel for Garage Bands Today more
Tonstartssbandht -Overseas
a lysergic lo-fi journey on the edge of listenable for a sane mind. Contains the most "out there" cover of the Rolling Stones. more
Various Artists -XKATEDRAL ANTHOLOGY SERIES I
AN ANTHOLOGY OF SLOWLY EVOLVING TIMBRAL MUSIC more
Peter Hammill -Over
Those who already know my opinion on Hammill here would say they know that for this record, the famous Isola Deserta, I would take three copies, just to be safe. The absolute and dizzying peak of Peter's solo career, also a podium contender when you consider Van Der Graaf Generator, a whirlwind of moving, disarming expressive sincerity, of intimacy and autobiographical impulses from an artist who lays himself bare and speaks without filters to the listener, with regrets, pain, spine-chilling melancholy, and yes, also anger, bitterness ("Betrayed," for instance, is the angriest beautiful song of his career). Inspiration at sublime levels, with some of his very best lyrics, melodies, and arrangements. Far from being merely a collection of sad ballads (consider tracks like "Crying Wolf" and "Lost and Found," two incredible pieces), the melancholic ballads present are all tear-jerkers, especially, of course, the trio "Time Heals" - "Alice (Letting Go)" and "(This Side of) The Looking Glass," songs in which Hammill truly puts everything of himself and even something leftover. I must also tell you, this is THE Masterpiece of Hammill, who will go on to create many other truly beautiful works, but this Everest, for obvious reasons, he will never reach again. more
Iran -Dissolver
Noteworthy work with its intelligent pop that skillfully balances never-cliché melodies held by a warm voice and noisy guitar plays that awaken long-forgotten shoegaze loves. more
Herbert von Karajan
Herbert von Karajan, born Heribert Ritter von Karajan, was an Austrian conductor. He is generally regarded as one of the greatest conductors of all time. more
Baffo Banfi -Ma, Dolce Vita
Published by Klaus Schulze's label IC (Innovative Communication). more
Baffo Banfi
The former keyboardist of the legendary Biglietto per l'inferno is the Italian Klaus Schulze. more