Non Dire Niente... (Ho Già Capito)
semi-acoustic piece not exceptional a good filler as a facade b more
La Mia Scelta
Mauriz

Mauriz: La Mia Scelta Traccia 01 in La Mia Scelta Single - 1 january 1971

great song... we're in '71 and in Italy Claudio Villa is being played
this song has a nice drive more
Ufo -No Heavy Petting
I must say that I like it (almost) as much as "Phenomenon," by a band that firmly establishes itself among the most engaging and valid in the rock/hard scene of the '70s. The initial trio is simply irresistible, and there are other standout songs like the ballad "Belladonna," my favorite "On With the Action" with its grand and "epic" tones in the least tacky sense of the term, and the concluding "Martian Landscape" (which also honors the band's name, eh). All beautiful, highly inspired tracks. The definitive addition of piano and various keyboards is very welcome and adds a superb touch of variety and expressiveness to the band's sound; played on this album (the one with the two records on the cover) by Danny Peyronel, they serve as the perfect complement to Schenker's central guitar and decisively mark a good number of songs, some of which flirt with piano rock (like "Highway Girl," for example, another great song), while others, like "Belladonna," are elegantly enriched. Mogg delivers two or three very nice performances, Schenker shines with a couple of standout moments in some of the aforementioned tracks, and Peyronel significantly contributes as a writer or co-writer to some of the most successful pieces on "No Heavy Petting." Truly a great album, I enjoyed it a lot. more
Wolves in the Throne Room
Black metal in its most ethereal and transcendental form. Two Hunters, my favorite album in the genre, always manages to freeze me with its unique and unparalleled atmospheres. more
Alio Die
Stefano Musso is the guru of ambient music in Italy. more
Red Hot Chili Peppers
Well, they have some nice songs... But they are nothing short of disgusting and they really have a shitty singer. more
R.E.M. -Fables Of The Reconstruction
A splendid album and unfortunately one of their least appreciated and most underrated. Composed during a time of intense tension within the band, it absorbs the frayed nerves, and there’s a veil of gloom, a greater darkness that envelops their typical melodic tapestries, which are particularly inspired here, especially noticeable in some tracks, with the masterful opening "Feeling Gravity Pull" acting as a manifesto of this mood and the great music the four Georgians have produced (as often happens in art, from crises emerge works of immense artistic value). And just as it opens with a masterpiece, it closes in the same manner, with the heartbreaking melancholy of the killer melody "Wendell Gee," one of my favorites in their vast repertoire, which follows the almost equally beautiful "Good Advices." In between, a sequence of beautiful songs is delivered relentlessly to the ears, showcasing their usual delicacy and that extra touch of "tension" I adore in this album ("Life and How to Live It," the fabulous "Auctioneer"). But the other two masterpieces for me are "Driver 8" and "Green Grow the Rushes," must-have diamonds in the R.E.M. discography. more
R.E.M. -Reckoning
"Reckoning" is one of the R.E.M. albums that I digested more slowly; for quite a while, it struck me much less than their other works. Then the spark happened. It's beautiful, after all, even if it gets overshadowed by two of their albums that I personally adore, which are "Murmur" and the underrated "Fables...", and compared to which I still like it less, but we're talking about a "less" that is quite relative. There are many beautiful songs, indeed, ranging from anthology-worthy jingles ("7 Chinese Brothers") to perfectly catchy killer choruses ("Don't go Back to Rockville"), extraordinary fusions of their classic melodicism and the 60s acid ballad sound in yet another personal homage to the old masters in "Time After Time (Annelise)" (Buck's guitar here is wonderful), the slow, very calm, melancholy of "Camera," and various scattered gems ("Letter Never Sent," to mention one). While I don't consider it one of their masterpieces, it remains a very valid album that I will return to more frequently in the future. more
Selvaggia Lucarelli
I appreciate her straightforwardness, her ability to sing in your face as no one else has the courage to do, as well as her way of narrating certain phenomena. However, she often falls into the rhetoric of political correctness and Nazi-feminism, actively contributing to the phenomenon and making it increasingly pathetic and ridiculous, and that’s where she starts to lose me. more
Game Theory -Pointed Accounts of People You Know
It’s probably the "least beautiful" record by Game Theory, this 1983 EP, but if only we had more “less beautiful” ones like this... In any case, if it is, it’s only because in the first half of the EP, Miller leaves room, both compositional and vocal, for the other members of the band, especially Juhos, who nonetheless achieves results that I find absolutely respectable, but clearly below the level of the best Miller. The first half of the EP, all Miller-like, is perfect, three great songs with "Penny, Things Won’t", the masterpiece of the EP, serving as a manifesto for Scott's more unpredictable and intricate compositional side, here clearly moving in the opposite direction from the contemporary mainstream pop, with a song that experiments with pop material, making it irregular, twisted, and difficult, alternating those wonderfully catchy guitar parts with a structure that is decidedly less "popular". "Metal and Glass Exact" follows a similar line, while the beautiful "Selfish Again" has a more canonical structure and a melodic pop inspiration, as always, impeccable. In the remaining three tracks, "Life in July," co-written by Miller and Nancy Becker and sung by her, is the most adorable, but the two by Juhos are quite charming as well. It's a shame their omission from the compilations that should collect the two EPs from '83-'84 of Theory, but which exclude Juhos's tracks, making my nose crinkle as an absolutist of complete works. more
American Music Club
Highway 5, Somewhere, Jenny, Western Sky, Blue And Grey Shirt, Now You're Defeated... It's impossible to remain indifferent to the quality of musical pieces of such beauty. more
The Smashing Pumpkins
As confirmed by the esteemed (and at the time most respectable) screenwriters/producers of "The Simpsons," a group for either kids, teenagers, post-adolescents, or grotesquely semi-adults clinging to the dream of redeeming their unlucky-infused adolescence... It's as if they have branded a significant portion of a '90s generation, pre-packaging labels that straddle mysterious apathy and gratuitous & unmotivated depression...

From the perspective of their artistic deeds, managing to endure the undefinable sound dimension emitted by the mass of moving flesh behind the microphone seems to me a kind of superpower that, all things considered, warrants a minimal level of respect; the lavish praises they receive are one of those Debaseric mysteries to ponder in the solitary, devastating moments that separate sitting on the toilet, the onset of a bellyache, and the unleashing of the pyroclastic flow, but also maybe not...

A loving extra point because they helped teach me which music to stay away from... more
Madrugada -Chimes At Midnight
From the cold Norwegian lands, a warm and unexpected welcome: the classic sound of the band at its best. more
John Kennedy
“Communism has never come to power in a country that was not shattered by war or corruption, or both.” JFK more
Karl Marx
"It's not true communism"
"It was applied badly"
"Yes, but there's poverty in capitalist countries too"
Yet, in 150 years of history, no country has managed to achieve prosperity by applying "true communism."
And no, the next attempt won't go any better.
The reason is simple.
Communism is not a good idea poorly implemented.
Communism is a terrible idea implemented even worse.
Every time we give in to the temptation of building a nation by planning people's lives and managing the economy, we end up constructing a hell.
Unfortunately, the belief that Karl Marx's theories are valid is hard to die. The idea of being able to plan individuals' lives is still universally accepted by rulers.
Some try to implement middle-ground solutions, but the result is always disastrous. more
Corrado Guzzanti
There’s a reason for it, you should know (quote), but I laugh more with Ciufoli. more
Overkill
But I would say directly: much more deserving than the big four. more
Alice in Chains
The most melancholic side of grunge. Layne Staley, simply a chilling voice. more