This is truly a fantastic album. Fabi has always been talented, and I liked him already in albums like "La cura del tempo" or "Novo mesto," which marked an early maturation compared to the first three albums; however, with "Ecco," you can really feel the transition to definitive artistic maturity, arriving at the ninth album, one that seems to improve the more it ages. A complete, finished, and inspired record, both in the excellent lyrics and in the melodies, as well as in the arrangements, rich and highly refined, as perhaps they had never been before 2012; suspended between the verve of an intelligent pop song and delicate, melancholic, whispered songwriting, following in the wake of the genre in the '90s and '00s, Fabi here achieves a perfect compromise between catchiness and "artistic" beauty, with songs that span various nuances, giving the album that sense of wholeness and attained maturity. There are some beautiful things: from the clever irony of "Io" and "Indipendente," to the killer melody of the strings in "Elementare" (with a beautiful text), to that irresistible gem of "I cerchi di gesso," pure pop-rock songwriting branded "2000s" in sound, up to the splendid title track, which in "structure" somewhat reminded me of certain "explosive" songs by Buckley Jr. Or again "Le cose che non abbiamo detto," another gem. This "Ecco" is a great album, perhaps the peak of a solid discography. more
This is the limited edition deluxe version of this release of only 60 copies.
Each of these unique beauties comes in a modified anti-static bag strung with a 100-year-old children’s game tag. Each individual package contains a uniquely mysterious, relabeled antique 5", 78rpm record (not with music from this album on it, but quite seriously spooky when played at incorrect speeds, as we have found out ourselves), a vintage, mounted 1940s photograph of a "freak" from an antique album of “freak show” ephemera, with original hand-typed description of the photo under the credit sheet on the backside. The cotton sleeved, factory pressed disc design is inspired and taken from a scan of one of these strange old records! In essence...a vinyl/CD combo! more
I have a conflicting relationship with this album; over the years I've oscillated between considering it mediocre or very enjoyable depending on the moment. Today, it has settled on being very enjoyable. This is the album where BOC emphasize their pop side (which they've always had, but here it's dominant) focusing on simple songs with immediately catchy melodies, sometimes a bit trivial and other times more successful, with much more straightforward structures. They lose that style and personal "mood" they showed in the previous three albums; moreover, the microphone rotation among the band members increases, while the most active in writing the songs is Albert Bouchard, who composes the music for half the album and two songs with lyrics by Patti Smith, particularly active as a collaborator on this record, since besides writing the lyrics, she also contributes vocals on one of the two best songs: "The Revenge of Vera Gemini," a truly beautiful track. The other, of course, is the pop gem and their evergreen entirely penned by Roeser, the restless, elegant "(Don't Fear) The Reaper." There are other very nice songs ("Tenderloin" by Lanier, the fun and flamboyant hard rock of "Tattoo Vampire"), and some that I like less, but overall, it's a good pop-rock album with a couple of excellent songs. more
Vinyl, LP, Single Sided, Mini-Album, Limited Edition, Picture Disc Special 200 copies with sticker edition in Black Picture Disc. Released in 5 versions of different colors: black, white, blue, green, yellow. Recorded on a single side, on the other a sticker of the cover of "An Ideal For Living." more
Save the queen! more
Among the greatest pioneers of the genre. Besides thrash, there is also a refined musical taste. more
The "good part" of Oasis, a more than honest songwriter and a great voice, unlike that idiot Liam. The solo career is also interesting, much more than the last albums under the name Oasis. 4, almost full. more
A huge idiot, arrogant and pretentious. 2 because he gave a little something-something with Oasis. more
The typical Swedish woman, tall, blonde, and blue-eyed. more
Great band, carefully crafted arrangements, even in the more commercial/well-known tracks (for instance, Evil Woman). For me, it's a solid 4, leaning towards a 5. more
The greatest multi-instrumentalist of Italian pop music: fiftieth! more
Hi and congratulations on the review! I personally only knew the Black Eyed Peas from a few songs, but then I thought, why not dive a little deeper by listening to one of their albums from start to finish so I can give a proper judgment on both the album and the group? I have to say that while listening to the CD, I realized it features beautiful music that is enjoyable and doesn’t get tiring, and I consider this album one of their best works, even better than the previous Elephunk, which I own both in CD. My personal rating is 8, and I recommend this CD to music lovers and also to newcomers who want to get closer to this group, make it yours! 🎶 more
It stands in martial arts in cinema like Jimi Hendrix stands in guitar. more
The hit-maker of classical music history. And not only that. more
A mix of horror, entertainment, and socio-political messages. "They Live" is, in my opinion, its highlight. more
Beck... well... with Pink Floyd, King Crimson, and Iron Maiden, he is one of the great souls of the sound multiverse that has guided my musical growth.
Seen by chance, in January 1994, in a crummy little place with just a few hundred people at most. He was unknown. To the point that before the concert, all of us in the audience mistook a simple technician/roadie for Beck. Then he arrived... he looked like a shy minor... but what a concert, ladies and gentlemen! He transformed a convinced metalhead, lover of prog and psychedelia who detested anything "electronic" into a fervent enthusiast of everything. Everything about everything. Beck, along with Radiohead, is the musical genius who changed the face of music in the '90s and into the early 2000s. I have never stopped following him; even his latest phase I find very enjoyable, less explosive than the Beck of a few years ago, but still full of class and so much, so much craftsmanship. A genius! more
Energetic and gritty representative of the Italian '70s and especially '80s. Declined from the '90s onward. more
Hello guys and girls from Debaser, I'm Mauretto, nice to meet you. I wanted to write a review about this album from the band Kissin' Dynamite, a German band that offers hard rock with sounds reminiscent of Europe, Def Leppard, Bon Jovi, featuring a lead singer with a vocal timbre very similar to Myles Kennedy from Alter Bridge. But let’s get to the album; it starts off with a lot of energy and power with the first track, which is also the title of the album: "Not the End of the Road." Personally, it invites you to turn up the volume to the max, with a great rhythm and a catchy refrain. The next tracks "What Goes Up" and "Only the Dead" create a nice trio of songs that push the accelerator down, and then with the fourth track, the beautiful ballad "Good Life," which I recommend, featuring guests like Charlotte Wessels, Guerrinca Mancini, and Solitario Martis, it enriches the song with an emotional chorus that captivates you. The following track "Yoko Ono," with an Eastern intro, is nice and quite pleasant. Then the next power ballad "Coming Home" is very beautiful and enjoyable to listen to more than once, never falling into the banal. With "All for Allelujah" and "No One Dies a Virgin," they step on the pedal again with great energy. "Gone for Good" slows down with a very pleasant ballad, while "Defeat It" and "Voodoo Spell" are two solid tracks that conclude beautifully with the stunning ballad "Scars." I recommend you listen to and buy the album; you won’t regret it, trust me. Rating: 8. more
I don't consider myself a nerd, but for me, all of its animation is the antidote to the daily trash that clouds our limbs since 533 After Nanak! more
Paraphrasing a wise man: does anyone know who the Kraan are? The booming, groove-filled bass of Hellmut Hattler? The enveloping saxophone of Johannes Pappert? The elegant drums and tribal percussion of Jan Fride? The incredible psych-funky-rock guitar work of Peter Wolbrandt? Oh wow.
A strong debut from this excellent German band. They are far from some of the more extreme and experimental approaches of other contemporary bands; the formula here is that of psych-acid rock stitched together with Jazz-Rock/Prog structures and solid touches of Funk and tribal and Middle Eastern fascinations, making it Fusion music in the truest sense of the word. The sung parts (by Wolbrandt) are brief, while long instrumental segments dominate, filled with beautiful melodic ideas and great musical imagination, with continuous touches of color always added with great class. Pappert's saxophone reigns, a true delight for the ears both in the groovier/acid parts and in the more melodic ones, but the intricacy of the guitar work and the rhythm section are equally exciting. "Kraan Arabia" is the gem of the album, born from that love for the East and the wonderfully tribal percussion so popular in Germany at the time, but the 18-minute kraut-jam "Head" is also a journey that, especially in the second half of the track, cannot be approached without joy. Exhilarating. The entire album is of high quality, nonetheless. Truly excellent, an outstanding record. more