Ten minutes of insane IDM polyrhythms surrounded by intricate interlocks and sub-interlocks, floating in noisy puzzles and mazes of unidentified sound masses.

 The goal is cubed mucking around, and this track hits the mark; a sound circus and musical cabaret comparable only to the best Zappa and Residents.

Chopped Zombie Fungus is a radical compilation that captures Otto von Schirach's unique blend of IDM, breakcore, and experimental sounds. Featuring unreleased tracks, it showcases his exploration of surrealism and digital sound art with complex rhythms and satirical elements. The album stands as a key moment before his later stylistic shifts, delivering a chaotic yet intellectually charged sonic experience. Dive into Otto von Schirach’s audacious sound world — listen to Chopped Zombie Fungus and experience groundbreaking IDM now!

 Burning Saviours stand out for their complete lack of ideas and inventiveness.

 The grating, off-key, and unbearable voice of Andersson heavily contributes to destroying those fleeting moments that seem to have a semblance of catchiness.

Burning Saviours' album 'Nymphs & Weavers' attempts to revive 70s doom and blues/rock but falls short due to a lack of creativity and weak execution. Despite some positive moments in tracks like 'The Spellweaver' and 'Hillside Mansion,' the album largely feels repetitive and uninspired. The band's musical and vocal performance is also criticized as subpar. Overall, the album fails to stand out within the Swedish rock revival scene. Explore the Swedish doom revival but beware of this uninspired take—listen to 'Nymphs & Weavers' and decide for yourself!

 Tim Hardin joined the company of Tim Buckley, Fred Neil, Dylan, Van Zandt with songs that evoke tears and absorbed thoughts.

 Songs like Misty Roses, How Can We Hang On to a Dream, Never Too Far, and Reason to Believe denote a hasty sensitivity, close yet different from those mentioned above.

Tim Hardin's debut album showcases a raw, unrefined sensitivity blending folk with jazz and blues influences. Despite comparisons with icons like Dylan and Buckley, Hardin's unique style stands out. The review emphasizes key tracks such as 'Reason to Believe' and his jazz-tinged songs. It also highlights Hardin’s Woodstock appearance and his complex artistic identity, blending genres with a personal, demo-like intimacy. Dive into Tim Hardin’s debut and experience the heartfelt blend of folk, jazz, and blues that shaped a unique musical voice.

 There is absolutely no desecration of the previous albums with original tracks, but rather a homogeneous collection of all the Queen’s great works.

 'Bohemian Rhapsody'... it’s a classic that defies the laws of time.

This review praises Queen's Greatest Hits as a cohesive and historic compilation that captures the essence of the band's 70s and early 80s work. Key tracks like 'Bohemian Rhapsody' and 'We Are The Champions' receive special mention. While some tracks from 'The Game' are criticized, the album is recommended for new listeners exploring Queen's music. Explore Queen’s timeless Greatest Hits and experience the classic rock anthems that made them legends.

 If with this album Holopainen wanted to prove that Nightwish without Tarja loses nothing, indeed, he succeeded brilliantly.

 Meadows Of Heaven... leaves one breathless, just to sigh a 'wooow...' with wide-open eyes at the end of the song.

The review praises Nightwish's Dark Passion Play as a complex, well-crafted symphonic metal album that successfully introduces Annette Olzon as the new vocalist. The album is lauded for its intricate orchestration, meaningful lyrics, and the band’s ability to evolve after Tarja Turunen’s departure. Several tracks are highlighted for their storytelling and musical depth, reflecting both the band's resilience and creative strength. Discover the bold new sounds of Nightwish’s Dark Passion Play — listen now and experience the evolution!

 Onorato is a dweller of open spaces, a Rilkean angel located in the intangible regions between the visible and invisible.

 The connection between private love and universal love represents a crucial aspect, to the point of the confluence of these two elements into a continuum devoid of dissonance.

Giancarlo Onorato's 'Sangue Bianco' continues his path of creating deeply personal and original music rich with spiritual and poetic elements. The album blends melancholy with universal love, supported by collaborations with noted poets. His music merges existential mysticism with emotional depth, offering listeners an immersive and reflective experience. Dive into Giancarlo Onorato's 'Sangue Bianco' to experience a unique blend of spirituality, poetry, and evocative soundscapes.

 Siegfried’s funeral march is one of the peaks not only of the opera but of all Wagnerian art.

 If you have reached the end physically intact... you have probably managed to grasp the moral and message of the opera: if you are leaving and want your woman not to cheat on you, as a token of love give her a pair of earrings.

The review humorously explores Wagner’s Götterdämmerung, the final part of the Ring cycle, praising its profound story and unforgettable music. It highlights key themes, characters, and the recommended Deutsche Grammophon recording. The author weaves witty cultural references into his appreciation of this epic opera. Dive into Wagner’s legendary Götterdämmerung—experience the epic finale of the Ring cycle today!

 "Damaged Hearts is a carbon copy of twenty other bands, without reworking, without a minimum effort to make the tracks personal."

 "From those who almost convinced me with a very simple yet genius piece in its electro-naïve presumption like 'Labyrinth,' I would have expected something more. A pity."

Tex Taiwan's debut album Damaged Hearts delivers well-produced electro tracks with catchy beats and engaging vocals. However, it struggles with repetitive formulas and lacks true inspiration. While songs like "Labyrinth" and "Hearts War" stand out, the album overall feels safe and unadventurous compared to peers like Crystal Castles. The effort is appreciated but fails to push creative boundaries. Listen to Tex Taiwan’s Damaged Hearts and decide if their electro formula captivates or falls flat.

 Matt Harvey rips his vocal cords with some devastating screams (he literally rips them with a butcher’s knife: otherwise, where would the Brutal be?).

 You’ll realize you’ve become true Brutal types when you get the sudden urge to retreat to the bathroom and begin to disembowel yourself, to bite your guts, extract your organs, soak yourself in blood, cut your extremities, all amid atrocious screams accompanied by this sweet soundtrack.

Slaughtercult by Exhumed is a landmark brutal grindcore album characterized by ferocious screams, chainsaw-like guitars, and relentless drumming. The review highlights the intense physical and emotional effects the album delivers, describing it as a true sonic assault. Praised for its fresh and dynamic production by Mieszko Talarczyk, the album energizes listeners and embodies a raw Brutal lifestyle. Dive into the brutal world of Exhumed's Slaughtercult and experience the relentless intensity of this grindcore masterpiece now!

 The music is loud and destroys everything. It's Kap Bambino.

 The poetry of pogo is all here, in an album a bit nasty, grumpy and imperfect, but incredibly irresistible.

Kap Bambino's Blacklist delivers a raw, high-energy electro-punk rave experience filled with intense beats and edgy vocals. While some tracks feel like harmless fillers, standout songs such as "Dead Lazers," "Blond Roses," and "Red Sign" showcase the band's ability to fuse punk attitude with infectious electronic rhythms. The album thrives on its gritty, imperfect charm and its power to compel listeners to dance even in the most subdued settings. Dive into the raw, intoxicating sound of Kap Bambino's Blacklist and get ready to dance like never before!

 "Siberia, Labbra blu, Illusione ottica cannot leave you indifferent, they leave a mark, a scar (one you will immediately cherish, much like a beautiful tattoo)."

 "This CD really is worth listening to, beautiful, fast, recorded like a good bootleg, without too many frills, just like he is."

The review praises Diaframma's live album recorded in Florence in 2011, focusing on Federico Fiumani’s distinctive, raw, and emotional style. It highlights the deep connection between Fiumani and his loyal fanbase, the band's nostalgic themes, and the authentic, bootleg-like quality of the recording. The performance feels like a reunion with an old friend, evoking a cherished sense of familiarity. The album is recommended for those who appreciate Diaframma’s consistent and passionate rock poetry. Discover the passionate energy of Diaframma’s 2011 live show—listen now and relive Federico Fiumani’s timeless rock poetry.

 "A bubbling yet cold wave of sound clings to our poor eardrums... signaling an imminent apocalypse, almost desperate."

 "An ultra-compact piece where black metal fury, sludge core destruction, collide with ultra-psychedelic and prog landscapes in perhaps a never-before-so-perfect way."

Tombs' Path Of Totality is a dense, emotional album blending black metal, sludge, hardcore, and psychedelia. The review praises its apocalyptic atmosphere and powerful structures. The album channels influences like Electric Wizard and Unearthly Trance while forging its own distinctive and destructive sound. It's described as a monumental and challenging work with deep emotional impact. Dive into Tombs' Path Of Totality and experience the raw fury and psychedelic depth of this groundbreaking sludge metal album!

 The Van Pelt were among the greatest thieves of the nineties.

 "Stealing From Our Favorite Thieves" is steeped in youth, emotion, and adolescent poetry.

The Van Pelt's debut album, Stealing From Our Favorite Thieves, is a deeply emotional indie rock collection rooted in youthful poetry. The band skillfully blends influences from Sonic Youth and Pavement while establishing a unique sound. The album features varied and dynamic songs, from powerful rhythms to melodic hooks. It captures the spirit of the 90s indie scene with passion and intensity. Listen to The Van Pelt's debut album and experience the raw emotional power of 90s indie rock!

 Like listening to the Necronomicon found in the basement of Evil Dead, more or less.

 Richard’s innate ability to fill endless minutes with few sounds, freezing the urge to press the skip button, is a further appetizer for the escalation that we will later see with SAWII.

This review explores Polygon Window's 'Surfing On Sine Waves,' an album by Richard D. James that showcases his signature analog synthesis and innovative electronic arrangements. Praised for its originality and reminiscent of his acclaimed Ambient Works era, the album blends frantic drum machines, acid lines, and haunting synths. The review highlights its experimental nature, historical significance, and the difficulty in acquiring original releases but encourages listeners to seek it out. Dive into the sonic depths of Polygon Window's Surfing On Sine Waves — listen and experience the golden age of Richard D. James today!

 The album, beyond the voice that sounds like being skinned alive (but tastefully), often works and is hardly boring.

 A nice blend of influences ranging from Glenn Branca to Burzum permeates the twelve gentle tracks of the album.

Liturgy's second album 'Aesthethica' presents a challenging and unconventional take on post-black metal, blending various influences. The album has split critics and fans alike, praised for its instrumental creativity but critiqued for its vocal style. Despite its length and intensity, the album remains engaging with notable timbral experimentation. Overall, it stands as a bold but divisive work within its genre. Dive into the bold world of Liturgy's 'Aesthethica'—listen now and decide where you stand on this polarizing metal masterpiece!

 The harrowing doubt between subtle art and entropy consumes me...

 This is why SAWII, in this perspective as a mere compilation, slightly loses its mesmerizing power over the listener, who otherwise perceives it as a completed work, meticulously studied.

This review explores the complex and enigmatic nature of Aphex Twin's 'Selected Ambient Works Vol. II,' highlighting its contrast between art and chaos. The album is described as a captivating mix of tranquility and challenge, pushing boundaries in ambient and IDM music. The reviewer reflects on its ambiguous intent and lasting impact. Despite doubts on its cohesiveness, the album's powerful moments secure its place in electronic music history. Dive into the enigmatic world of Aphex Twin’s Selected Ambient Works Vol. II and experience a timeless electronic masterpiece!

 "Wanderlust is an extraordinary, stellar album, beautifully played, also notable for its production quality."

 "Five stars well deserved: I’ve listened to a lot of Fusion, but this is a Masterpiece, believe me."

Mike Mainieri's "Wanderlust" is hailed as an extraordinary jazz fusion album showcasing his vibraphone mastery and innovative arrangements. Featuring collaborations with renowned artists like Michael Brecker and Marcus Miller, the album blends complex, fluid pieces with world music influences. The reviewer praises the production quality and instrumental cohesion. Despite minor critiques on some electronic elements, it's considered a must-listen for fusion enthusiasts. Explore the brilliance of Mike Mainieri's Wanderlust—listen now to experience a fusion jazz masterpiece!

 Hellnation are a tremendous trio from Kentucky (like bourbon), a real brain squeeze until the mush drips from your nostrils.

 In 26 flat seconds of noise, they even rub out the legend of heavy metal.

Hellnation’s 1998 album Your Chaos Days Are Numbered is a powerful fastcore/powerviolence record from Kentucky’s intense trio. Released on Sound Pollution, it features 37 short, fast, and violent tracks packed with raw energy. The album is praised for its sonic brutality, stripped-down hardcore punk roots, and a standout Judas Priest cover track. While not grindcore, it shares some sonic aggressiveness with that genre and is highly recommended for fans of underground extreme punk. Dive into Hellnation’s blistering fastcore chaos—listen now and experience raw punk intensity!

 Barrett’s listless and tired voice matched perfectly with my physical and mental state, it dragged tiredly from song to song just as I dragged my wakefulness.

 An ambiguous sense reigns over everything, which is perfectly rendered in 'It Is Obvious', which sums up the entire album.

The reviewer connects personally with Syd Barrett's 1970 album 'Barrett', appreciating its tired and listless vocal delivery that mirrors their own physical state. The album mixes folk, blues, and nursery rhymes, wrapped in a dreamlike, ambiguous atmosphere. Tracks like 'It Is Obvious' embody the restless and reconsidering nature that defines the album. Overall, it's praised as a unique and fitting companion for those feeling offbeat or introspective. Dive into Syd Barrett's 'Barrett' and experience a unique blend of dreamy folk and blues with an unforgettable, offbeat charm.

 The feeling is the same filthy, desperate and at the same time angry that the Iguana and the Stooges unleashed on their audience.

 The Lipstick Killers were those who recreated the conditions for the revival of the Aussie sound, a cross between the early ’60s garage and punk.

Mesmerizer is a raw live album by Australian garage punk band Lipstick Killers that captures the fierce energy of late 70s punk. Inspired by the likes of the Stooges and Radio Birdman, the band combined garage and psychedelic punk, delivering both powerful originals and electrifying covers. The album reflects their struggle and passion amid the gritty Los Angeles punk scene. Though short-lived, Lipstick Killers left a lasting impact on the Australian punk revival. Dive into the raw energy of Lipstick Killers' Mesmerizer — explore this Aussie punk gem now!