I listen and remain indifferent; my ears aren’t hurt, but my heart isn’t racing either.

 An album of good music but one that does not warm my spirit and, for me, leans more towards Hollywood (film music) or Broadway (the musical).

This review explores Aaron Copland's 1930s attempt to forge an American national classical music style by mixing European forms with local folk motifs. While historically intriguing and well-performed by Andrew Litton and the Colorado Symphony Orchestra, the music fails to emotionally engage the reviewer. The ballets are uneven, and the album leans toward Hollywood or Broadway stylings more than true populist music. Recommended for listeners curious about American classical nationalism and comparisons with jazz. Discover Aaron Copland’s unique blend of American folk and classical music—listen and judge the national music experiment yourself!

 "Code Red is probably the most direct, genuine, and violent record of the German band."

 Just the impact of the Titletrack is enough to dispel any doubts, with a Tom Angelripper who gracelessly screams 'CODE RED!' with spine-chilling emphasis.

Code Red marks a powerful return to raw and violent thrash for Sodom, shedding their previous punk influences. The album's gritty production and relentless energy highlight Tom Angelripper's intense vocals and Bernemann's refreshed guitar work. Praised for its compact and direct style, it cemented Sodom's relevance in the late 90s metal scene. This album remains a refuge for thrash purists seeking uncompromising metal. Dive into Sodom's Code Red and experience raw thrash metal at its fiercest—listen now and rediscover metal intensity!

 This 'Romance' album by Oneida is not an easy listen, but the guys from NY have always accustomed us to not being banal.

 Side D is completely dominated by the kaleidoscopic 'Shepard’s Axe', almost an album in itself, a worthy finale to this work.

Oneida's 'Romance' album offers a challenging but rewarding listen, blending diverse genres from electronic noise to punk rock and psychedelia. Its heterogeneous nature is both a limitation and strength, featuring nuanced tracks that demand time and attention. The final side stands out as a kaleidoscopic finale. Considered one of the best releases of 2018 for those willing to explore its sonic depth. Dive into Oneida's 'Romance' and explore its rich, diverse soundscapes – a must-listen for adventurous music lovers!

 It feels like listening to the Pixies in skirts having fun mixing their honest sound with B-52’s and Ramones!

 A strong desire to party, noise, chaos; with a minimal technique, not caring too much about unnecessary solos, or forced intros.

The Coathangers' fourth album, 'Suck My Shirt,' delivers a raw, fast-paced mix of punk, garage, and rock’n’roll. The minimal technique emphasizes noise, chaos, and fun without unnecessary solos, creating an explosive and energetic listening experience. With influences reminiscent of the Pixies, Ramones, and B-52’s, the album captures a vibrant Riot Grrrl spirit. Standout tracks like 'Follow Me' and 'Springfield Cannonball' showcase their dynamic style, making this album a must-listen for fans of raw punk energy. Turn up the volume and dive into The Coathangers' explosive punk garage rawness now!

 "Romance is a heterogeneous album, perhaps its limit but also its strength."

 "A double vinyl full of facets and corners to explore, surprises, and shifts in tone."

Oneida's 2018 album Romance is a complex, heterogeneous double vinyl that combines elements of indie, krautrock, psychedelia, electronics, and post-rock. The album challenges listeners with its varied styles and extensive length, rewarding those who invest time and attention. Side D’s 'Shepard’s Axe' stands out as a kaleidoscopic finale. Not for casual listening, it is praised as one of the best releases of 2018. Dive into Oneida’s Romance and experience a richly layered album full of surprises and sonic exploration.

 "I wanted to write about, and understand, and share the part of me that has always been able to be vulnerable."

 The image of Tweedy that emerges from the book is that of the anti-rockstar: far from the jet-set, from women, from the overpowering might of labels.

Jeff Tweedy’s autobiography, 'Let’s Go (So We Can Get Back)', offers a vulnerable, self-ironic glimpse into his personal and musical life. The book touches on his addiction, family, and decades with Wilco, told with humility and humor. Tweedy emerges as an ordinary, reflective man who has made vulnerability his strength. The narrative is engaging without being morbid, highlighting the creative evolution and personal growth behind the artist and band. Read Jeff Tweedy’s heartfelt autobiography and explore the intimate story behind Wilco’s music and his personal journey.

 In front of this work, dark, the darker side of new wave, gothic, and all those gloomy atmospheres you’ve heard until now take a back seat.

 The five pieces played one after another, self-inflicting impersonal anguish, zigzag horrifically in a psychic density lulling us into a dangerous black trance dance.

Deception Bay's 1988 self-titled album delivers a powerful and dark new wave experience that outshines typical gothic atmospheres. Recorded live at Wers FM, the album features intense drumming and hypnotic bass lines that create an underground sound full of urgency and depth. The music’s dark and mysterious tone provides a transcendent journey into a black trance, emphasizing emotional and sonic intensity. This record is praised as a definitive statement in the genre with remarkable performances. Dive into Deception Bay’s dark new wave soundscape—listen now and experience the intense underground trance.

 The M° Frajese presents us with a work that mixes a series of short pieces ranging from easy listening to classical, passing through beat interludes, all treated by his orchestra which scatters touches of jazz here and there in the style of Giorgio Gaslini.

 The central topic of the documentary indeed revolves around the analysis of relationships within an open community and the consequences these dynamics have on children’s education.

Carlo Frajese’s soundtrack for the 1969 documentary 'Il primo premio si chiama Irene' combines jazz, classical, and beat influences. The music reflects Italy's conservative 60s culture while addressing progressive social themes. Notable tracks showcase a mix of groove and jazz elements. The album and film remain rare and historically significant. Discover the rare sounds of Carlo Frajese’s 1969 soundtrack blending jazz and classical — explore this unique musical journey now!

 Mganga! (the healer) is a gem in its genre, a long excursion through the different settings that our imagination associates with Black Africa.

 One encounters strange tribes that draw us into their rituals, songs, and dances excited by the sound of bongos, strangely interspersed with oriental flutes and celestial choirs.

Tak Shindo's 1959 album Mganga! is a standout exotica record blending African-inspired percussion, oriental instruments, and orchestral arrangements. The album creates a relaxed, atmospheric safari-like journey through imagined African landscapes, mixing traditional and innovative sounds. It's a vivid and immersive listening experience that captures the spirit of musical fusion in mid-century America. Dive into Tak Shindo's Mganga! and experience a unique exotica safari of captivating rhythms and mystical sounds.

 This is an album of great charm: deep, genuine, gritty, hypnotic, and muddy, where tradition and contemporaneity go hand in hand.

 An art that conveys feelings, not necessarily 'innovative,' but that has and comes from a history told out of necessity and urgency.

Jimmy 'Duck' Holmes' album Cypress Grove is a heartfelt representation of the blues tradition, blending history and genuine emotion. With strong performances and masterful covers of classic songs, the album honors Bentonia blues roots while modern touches by producers and collaborators enrich the sound. Holmes’ powerful voice and skilled guitar work shine throughout, making this release a true declaration of love for blues music. Listen to Cypress Grove and experience the raw power and timeless soul of genuine blues!

 The children sprung from the King’s pen represent the mirror of our childhood and move us.

 Human dignity, independent of any utilitarian function, is a non-negotiable value.

Stephen King's The Institute presents a dark and occult tale where children with special powers are kidnapped by a sinister organization. Despite a straightforward and sometimes flawed plot, the story remains compelling due to its emotional portrayal of childhood and fundamental questions about human dignity and societal sacrifice. The review highlights the disturbing themes of totalitarian cruelty and the resilience of hope and revolt. Dive into The Institute by Stephen King and uncover the dark secrets behind lost childhood and the struggle for humanity.

 Echoes stands as a desolate manifesto of melancholy and serene solitude.

 An impeccable clean production, for three-quarters of an hour of unplugged polished pop.

Joshua Hyslop's album Echoes offers a soothing and melancholic experience perfect for autumn walks. The record blends folk, acoustic pop, and subtle country-blues influences. Featuring clean production and gentle instrumentation, it evokes intimacy without heavy suffering. Fans of Ben Howard and Damien Rice will find much to appreciate in this modest yet valuable musical offering. Listen to Joshua Hyslop's Echoes and embrace the calm melancholy of autumn's soundtrack.

 'A Question of Balance' is a celestial Pop-Rock with progressive nuances, featuring an atmosphere that is gentle and timeless.

 There is no weak point, even if it is 'only' a good album, not pretentious, but which demands respect.

The review praises The Moody Blues' 1970 album 'A Question of Balance' as a refined and innovative work blending progressive rock with pop-rock nuances. It highlights the album's clear production, timeless atmosphere, and lack of weak points. While not pretentious, the album commands respect and displays the band's sonic growth since their debut. The review encourages listeners to fully appreciate the album's qualities. Discover the timeless blend of progressive and pop-rock—listen to The Moody Blues' 'A Question of Balance' today!

 "Obnoxius...contains the communicative urgency stemming from the precariousness of things, the melancholy typical of souls crushed by the weight of vanished freedoms."

 "José Mauro, after the album's release, simply disappeared, something that... prevented adequate promotion."

Obnoxius is a deeply experimental and emotive album by José Mauro, created during Brazil's repressive 1970s era. The record blends samba, jazz, psychedelia, and avant-garde orchestration to express melancholy, hope, and cultural resistance. Despite its brilliance, the album was largely overlooked, partly due to Mauro's mysterious vanishing after its release. The review highlights the urgent and haunting qualities that make Obnoxius a hidden gem in Brazilian popular music. Listen to José Mauro's Obnoxius and uncover a rare psychedelic Brazilian treasure born from resistance and artistic courage.

 Polaris is not a star: Polaris is a disease.

 Black crusts of old blood bloom at the edges of the lips, from the floor hatred rains on the ceiling.

The review describes NORV's album as a powerful and haunting experience marked by raw textures and dark imagery. It highlights the intense emotional weight and complex soundscapes that evoke despair and relentless atmospheric tension. The reviewer praises the work fervently, recognizing it as a unique and immersive sonic journey. Dive into NORV's intense and atmospheric album—listen now and experience a haunting musical journey.

 "The atmosphere of the ritual, of tribal dances in the night, and of spiritual elevation is always there, present, constant throughout this new double album."

 "Listening to the young old shaman singing verses like 'There is a star in my throat / In a voice, there is hope [...] I am water, I will rise' might make one want to look away from the abyss and start observing the sky."

Swans' 'Leaving Meaning' presents a hypnotic, folk-psychedelic journey filled with ritualistic and spiritual themes. This double album is more stripped-down than previous works, offering a relatively more accessible experience while maintaining depth and intensity. Tracks like 'Hums' and 'Sunfucker' evoke tribal dances and pagan hymns, while 'It's Coming It's Real' carries hopeful, uplifting lyrics. Overall, the album is praised for balancing complexity and listenability. Dive into the hypnotic world of Swans’ 'Leaving Meaning'—listen now and experience their spiritual folk-psychedelic rituals.

 Mudddy Middle of Nowhere is a ripping epiphany that tears the fabric of our everyday life.

 They play a new and ancient symphony together, and perhaps 'In Oeland' is part of that small circle of albums capable of merging earth and paradise within a few grooves.

Pharaohs' 'In Oeland' is a 7-track sonic exploration blending ambient, funk, disco, and krautrock. Inspired by visionaries like Brian Eno, it evokes timeless journeys across mystical landscapes. The album thrives on atmosphere rather than destination, mixing tribal rhythms with ethereal synths and evocative saxophone lines. It's a unique, immersive experience that bridges past and future. Experience the mystical journey of Pharaohs' 'In Oeland'—listen now and immerse yourself in a unique fusion of ambient and funk.

 "Jones and Drakoulias work by subtraction, bringing the Stereophonics’ music back to showcase the two fundamental requirements that have made them successful: the clear and airy melodies and Jones’s splendid voice."

 "Stereophonics continue their positive streak and give us an intense and convincing album, undoubtedly among their best."

Stereophonics' eleventh album 'Kind' marks a return to intimate and honest songwriting by frontman Kelly Jones after a writer's block. Recorded quickly with analog techniques, the album features predominantly rock ballads with a strong American and country influence. Highlights include the energetic singles and deeply personal lyrics that showcase Jones' vocal and songwriting strengths. 'Kind' is seen as a convincing, intense work and one of the band's best efforts to date. Explore 'Kind' by Stereophonics now – dive into heartfelt rock ballads and Kelly Jones’ powerful storytelling!

 Viktor's sentimental album actually shows us his most fragile skeleton, that of a romantic in decline.

 In Russian, the noun for love is feminine, this is not love, this is not her.

This review delves into Kino's 1985 album 'This Is Not Love,' spotlighting Viktor Tsoi's poignant lyricism and themes of alienation, love, and youth. The album stands out from raw early demos with a clearer, refined sound expressing bittersweet realism. It captures intimate, often melancholic portraits of relationships and city life, revealing a romantic in decline. The reviewer recommends the album to those intrigued by Soviet rock and poetic music narratives. Discover Kino's heartfelt journey—listen to 'This Is Not Love' and experience Viktor Tsoi's poetic rock legacy.

 "Al Green contributed to the birth of a new musical genre: soul, blending the rhythm’n blues of blacks with gospel."

 "Al’s recipe is still the same, a sprinkling of moans and laments, abundant with class and elegance, seasoned with sexy backup vocals, and mixed with a muscular groove."

This review explores Al Green's life journey from gospel roots to profane soul music, highlighting his artistic highs and personal struggles. It celebrates his 2003 comeback album 'I Can’t Stop' as a classy, elegant blend of soulful vocals, funk grooves, and expert musicianship. Though not his absolute best, the album reaffirms Al Green’s position as a soul legend with emotional depth and timeless style. Listen to Al Green's soulful comeback and rediscover the timeless magic of classic soul music today!