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Witchfinder General thus presents themselves as a perfect blend between the New Wave Of British Heavy Metal, the post-Black Sabbath Doom of St. Vitus, and the Black Sabbath themselves. Friends Of Hell is a decent, rather well-executed album, that finds its strengths in the heterogeneity of the songs and their hybrid NWOBHM/Doom Metal genre.
Witchfinder General thus presents themselves as a perfect blend between the New Wave Of British Heavy Metal, the post-Black Sabbath Doom of St. Vitus, and the Black Sabbath themselves.
Friends Of Hell is a decent, rather well-executed album, that finds its strengths in the heterogeneity of the songs and their hybrid NWOBHM/Doom Metal genre.
Witchfinder General’s 1983 album Friends of Hell offers a compelling mix of NWOBHM and doom metal with clear Black Sabbath influences. The album blends heavy, dark atmospheres with aggressive rhythms, showcasing quality musicianship and strong songwriting, particularly on tracks like “Love On Smack,” “Quietus Reprise,” and “Music.” While some songs don’t stand out as strongly, the album overall demonstrates the band’s hybrid sound and deserves recognition in the heavy metal scene. Dive into the dark and heavy world of Witchfinder General’s Friends of Hell – a must-listen for NWOBHM and doom metal fans!
Rook is a record for which I cannot find a flaw, except that it seems too close to perfection. The intense voice of Jonathan Meiburg, never so tormented and vibrant, offers moments of great drama.
Rook is a record for which I cannot find a flaw, except that it seems too close to perfection.
The intense voice of Jonathan Meiburg, never so tormented and vibrant, offers moments of great drama.
Shearwater's album Rook delivers a profound environmental message through introspective lyrics and a refined, balanced sound. The record marks an evolution from their previous work, featuring Jonathan Meiburg's vibrant and haunting vocals. Combining folk and rock elements with detailed production, it creates a powerful emotional experience. The reviewer praises Rook as nearly flawless and perfect for immersive, solitary listening. Discover the haunting beauty of Shearwater's Rook—listen now and let the emotional journey begin.
The album instead (surprisingly) delivers a magnificent sound (for those years), deep and rich, elegant but not cloying. "Take a Chance" swaggers with personality, inspired by a brilliant rhythmic intuition from Steve Negus.
The album instead (surprisingly) delivers a magnificent sound (for those years), deep and rich, elegant but not cloying.
"Take a Chance" swaggers with personality, inspired by a brilliant rhythmic intuition from Steve Negus.
Saga's sixth album Behaviour marks a refined blend of melodic rock and pop, showcasing excellent songwriting and a rich, elegant sound. Despite lineup changes and a shift away from their original prog-rock roots, the album delivers captivating keyboard work and expressive guitar solos. Tracks like "Take a Chance" and "You and the Night" highlight the band's creativity and emotional depth. While not commercially dominant, Behaviour remains a standout for fans and connoisseurs of melody and instrumental skill. Discover Saga’s Behaviour—a refined mix of melodic rock and pop elegance. Listen now to experience their captivating sound and songwriting mastery!
Teresa was entering a prominent male context... occupying a still-empty box: that of a pop just beginning to interweave with folk and something beyond. Her singing is that of an impertinent sparrow that observes you from the window and then flies away free.
Teresa was entering a prominent male context... occupying a still-empty box: that of a pop just beginning to interweave with folk and something beyond.
Her singing is that of an impertinent sparrow that observes you from the window and then flies away free.
The review nostalgically recalls Naples' vibrant culture while highlighting Teresa De Sio’s 1982 debut as a fresh and spirited contribution to Neapolitan folk and pop. It contrasts the youthful naïveté of this early work with her later experimental style, emphasizing the album’s participatory and light-hearted charm. The review also personalizes the experience with vivid memories of Naples’ streets and people from the 1980s. Overall, it praises the album’s sincerity and musical depth. Listen to Teresa De Sio’s debut album and experience the heartfelt blend of Neapolitan folk and early 80s pop that still resonates today.
"Niente più is a song that strikes, moves, and silences all the critics of Baglioni." "The past is salt, it dissolves to give flavor to the future. What was is not lost, don’t lose what’s beyond the wall!"
"Niente più is a song that strikes, moves, and silences all the critics of Baglioni."
"The past is salt, it dissolves to give flavor to the future. What was is not lost, don’t lose what’s beyond the wall!"
The review praises Claudio Baglioni’s single 'Niente più' as a powerful and emotional conclusion to the Q.P.G.A. project. It highlights the song’s poetic lyrics, nostalgia for lost love, and its reaffirmation of Baglioni’s relevance after decades. The reviewer appreciates the depth and timelessness of the song, emphasizing its impact on both fans and critics. Listen to 'Niente più' and experience Claudio Baglioni’s heartfelt storytelling and timeless emotion.
More than an actual doo-wop album, in reality, it’s a parody but at the same time a tribute to the genre. I’ve always considered it the weak point of The Mothers Of Invention’s discography: it is too average to belong to that grand cauldron of ideas typical of Frank Zappa.
More than an actual doo-wop album, in reality, it’s a parody but at the same time a tribute to the genre.
I’ve always considered it the weak point of The Mothers Of Invention’s discography: it is too average to belong to that grand cauldron of ideas typical of Frank Zappa.
Cruising With Ruben & The Jets is Frank Zappa and The Mothers Of Invention's 1968 doo-wop homage, blending parody with tribute. While musically well-crafted, this album is less irreverent and politically sharp than Zappa's usual work. Despite its bold concept and clever nods to 1950s culture, it received mixed reviews and remains a lesser favorite among Zappa fans. The 1984 remix stirred further debate, but the album's roots reveal key aspects of early Zappa vocal style. Discover Frank Zappa’s playful yet complex homage to doo-wop – listen to Cruising With Ruben & The Jets and explore a unique chapter in his discography!
Cybion is a true musical novel, in which humanity, having reached a highly advanced technological level, encounters the alien Arken... Despite Cybion being slowly marred by the germ of repetition and offering a truly disappointing finale, Kalisia have certainly hit the mark.
Cybion is a true musical novel, in which humanity, having reached a highly advanced technological level, encounters the alien Arken...
Despite Cybion being slowly marred by the germ of repetition and offering a truly disappointing finale, Kalisia have certainly hit the mark.
Kalisia's Cybion is a unique 71-minute progressive death metal concept album divided into four parts, telling a sci-fi story involving aliens and humanity. The album features a blend of genres, including parts with spoken word, growling vocals, and even saxophone. While there are some flaws like repetition and a disappointing finale, the ambitious and varied work is praised for its artistic vision. Open-minded listeners willing to experience the entire album in one sitting will appreciate its epic nature and depth. Dive into Kalisia's Cybion and experience a groundbreaking blend of progressive death metal and sci-fi storytelling today!
If I had to recommend an album to a newcomer to clear the bitter aftertaste of Si può dare di più and Mistero, I’d certainly choose Enrico VIII/Difesa Francese. Enrico VIII is musically the most refined album of the Milanese singer-songwriter.
If I had to recommend an album to a newcomer to clear the bitter aftertaste of Si può dare di più and Mistero, I’d certainly choose Enrico VIII/Difesa Francese.
Enrico VIII is musically the most refined album of the Milanese singer-songwriter.
This review explores Enrico Ruggeri’s 1986 album Enrico VIII, highlighting its elegant and refined sound blending rock, swing, and jazz. The album features detailed, metaphor-rich lyrics and includes a stunning cover of a Tom Waits song. The accompanying EP Difesa Francese is praised for its musical diversity and poetic quality. Despite later commercial success, Ruggeri never again matched the artistic completeness of this era. The reviewer regards Ruggeri as one of Italian rock’s finest songwriters. Listen to Enrico Ruggeri’s Enrico VIII and explore a milestone in Italian rock history.
This bomb from Nepal will burn you alive and you will do nothing but suffer like beasts. 'Hate Suicide' starts strong, immediately goes into pole position and you struggle to keep up because before you notice it’s behind you.
This bomb from Nepal will burn you alive and you will do nothing but suffer like beasts.
'Hate Suicide' starts strong, immediately goes into pole position and you struggle to keep up because before you notice it’s behind you.
This passionate review praises Pestilence's 'Resurrection Macabre' as a fierce and unpredictable album blending brutal metal with jazzy fusion. The vivid descriptions highlight the album's intensity, dynamics, and emotional impact. The reviewer shares personal connections and invites listeners to experience the chaotic energy. Notable tracks like 'Hate Suicide' and 'Sickness and Death' stand out for their power and creativity. Experience Pestilence’s brutal fusion—listen to Resurrection Macabre now and unleash the chaos!
This CD is a kick in the balls for those gentlemen who claim today’s music sucks. The album demonstrates the compositional growth of this group, enriched with drum machine, loops, background noises, and greater attention to the vocals.
This CD is a kick in the balls for those gentlemen who claim today’s music sucks.
The album demonstrates the compositional growth of this group, enriched with drum machine, loops, background noises, and greater attention to the vocals.
No Age's 'Everything In Between' delivers a powerful fusion of American indie and English guitar-driven noise rock. The album showcases the duo's growth through the use of loops, drum machines, and refined vocals. Tracks stand out by channeling influences from iconic bands like Nirvana and My Bloody Valentine, proving that innovative music is still alive in 2010. Overall, it’s a strong follow-up that confirms the band's unique place in modern indie music. Listen to No Age’s ‘Everything In Between’ to experience a fresh indie noise journey that defies expectations!
This 'Love You To Pieces' is... one of the most beautiful American metal albums of all time. If you are lovers of classic heavy metal and want something alternative compared to Iron Maiden or Judas Priest, do not hesitate to listen to it.
This 'Love You To Pieces' is... one of the most beautiful American metal albums of all time.
If you are lovers of classic heavy metal and want something alternative compared to Iron Maiden or Judas Priest, do not hesitate to listen to it.
Lizzy Borden's debut album Love You to Pieces is praised as one of the finest American heavy metal albums of the 80s. The band blends US power metal with melodic AOR elements and Maiden-inspired guitars. The vocal delivery is noted for its range and emotional depth, especially on the title ballad. Despite not achieving mainstream success, the album is highly recommended for fans seeking quality classic heavy metal with an alternative edge. Listen to Lizzy Borden's Love You to Pieces and experience a classic US metal masterpiece today!
In this album, there's a band that finds control of itself and stops mirroring itself in proclamations and musical declamations with many unmet promises. The vocal styles alternate according to the genre being played: bear, angry bear, skinned bear, furious bear, possessed bear.
In this album, there's a band that finds control of itself and stops mirroring itself in proclamations and musical declamations with many unmet promises.
The vocal styles alternate according to the genre being played: bear, angry bear, skinned bear, furious bear, possessed bear.
This review praises Akercocke's 'Words That Go Unspoken, Deeds That Go Undone' as a significant evolution from their earlier work. The album showcases refined songwriting, controlled aggression, and a blend of blackened death metal with gothic and progressive elements. Vocalist Jason Mendoça delivers a powerful, versatile performance. The review emphasizes the band's maturity and distinct identity within the extreme metal scene. Listen to Akercocke’s powerful blend of blackened death and gothic metal—explore the intense journey in 'Words That Go Unspoken'.
The Book of Souls is its less fortunate clone: a pure commercial operation aiming to ride the wave of Cooper’s success. The treasure hunt is a narrative device that after The Da Vinci Code no longer holds any literary credibility.
The Book of Souls is its less fortunate clone: a pure commercial operation aiming to ride the wave of Cooper’s success.
The treasure hunt is a narrative device that after The Da Vinci Code no longer holds any literary credibility.
The Book of Souls, Glenn Cooper’s follow-up to The Library of the Dead, is a disappointing and uninspired novel. Rehashing old ideas and characters with little innovation, it relies on overused thriller tropes and a poorly executed treasure hunt. Translation issues and rushed publishing diminish its quality further. The reviewer discourages reading this installment. Discover why The Book of Souls falls short—read the full review before you decide to dive in!
The album is artistically produced by Angelo Sposato who adds electro-world inserts that bring a breath of freshness and originality. Zona Briganti are healthy bearers of a South anchored to its roots, but ready to assume them as cultural baggage for future sound research.
The album is artistically produced by Angelo Sposato who adds electro-world inserts that bring a breath of freshness and originality.
Zona Briganti are healthy bearers of a South anchored to its roots, but ready to assume them as cultural baggage for future sound research.
Ritmu Novu by Zona Briganti blends traditional Calabrian folk with light electro-world influences, producing a fresh take on the folk revival in Southern Italy. Produced by Angelo Sposato, the album balances respect for tradition with modern elements, avoiding kitsch. Zona Briganti's win at the Radici Etno-Contest highlights their emerging importance in Italy's folk scene. The album offers a promising future for culturally rooted yet forward-looking folk music. Listen to Zona Briganti’s Ritmu Novu and experience the vibrant blend of Calabrian folk and contemporary electro-world sounds!
From the very first beats of the record its propensity for hard rock is clear. Guardians of the Flame is therefore an album with no great pretensions... a good rock album and that is enough.
From the very first beats of the record its propensity for hard rock is clear.
Guardians of the Flame is therefore an album with no great pretensions... a good rock album and that is enough.
Virgin Steele's Guardians Of The Flame showcases the band's solid hard rock roots with melodic guitar riffs and early orchestrations. While not as complex or powerful as their later albums, it features notable tracks like "The Redeemer" and the title track, hinting at the band's future style. The album is enjoyable but lacks standout moments, with a ballad closing the record adding a unique touch. Overall, a good but not groundbreaking release in their discography. Discover Virgin Steele's Guardians Of The Flame and experience their melodic hard rock evolution today!
‘Go’ is a little disc that, thanks to increased and deconstructed rhythms, works great for newcomers but feels like a ‘useless album’ to longtime fans. After so much nostalgic melancholy, Jonsi finally wanted to communicate primarily joy and lightness, but the whole suffers from a rather acute ‘radio-friendly’ sycophancy.
‘Go’ is a little disc that, thanks to increased and deconstructed rhythms, works great for newcomers but feels like a ‘useless album’ to longtime fans.
After so much nostalgic melancholy, Jonsi finally wanted to communicate primarily joy and lightness, but the whole suffers from a rather acute ‘radio-friendly’ sycophancy.
The review explores Jonsi's solo album 'Go' and contrasts it sharply with the ethereal beauty of his work with Sigur Ros. While not a bad album, 'Go' opts for a lighter, more pop-friendly approach, which may disappoint longtime fans craving the depth and moodiness of earlier releases. The reviewer appreciates some tracks but overall finds the album mismatched compared to Jonsi's prior masterpieces. The review closes with a hope that future Sigur Ros releases avoid a similar style drop. Dive into Jonsi’s solo venture and discover a fresh yet divisive take on his musical journey—listen now and form your own opinion!
"It’s Psychedelic Garage rock. Stoned fat riffs and a lot of drugs." "A sandstorm to fill you with dust even in your underwear."
"It’s Psychedelic Garage rock. Stoned fat riffs and a lot of drugs."
"A sandstorm to fill you with dust even in your underwear."
The review vividly portrays The Kings Of Frog Island II as a psychedelic garage rock album bursting with desert-inspired imagery and stoned, heavy riffs. It connects the album's sound to legendary bands like Led Zeppelin, Black Sabbath, and Kyuss, emphasizing its psychedelic, drug-fueled atmosphere. The reviewer paints the music as a dusty, hallucinatory journey through desert landscapes and gritty rock culture. Overall, it's a high praise for its authentic desert rock vibe. Experience the dusty, psychedelic desert rock journey of The Kings Of Frog Island II—listen now and feel the stoned riffs!
The enviable talent of Dmitri lies in his ability to evoke and bring to life a sense of chaos and archaic confusion in his stories. In the end, one has the feeling that Bakin Dmitri’s stories have the same melancholic cadence as Skip James’ voice.
The enviable talent of Dmitri lies in his ability to evoke and bring to life a sense of chaos and archaic confusion in his stories.
In the end, one has the feeling that Bakin Dmitri’s stories have the same melancholic cadence as Skip James’ voice.
Bakin Dmitri’s Terra D'origine presents eight short stories marked by dark symbolism and a pervasive sense of estrangement. The prose is simple and distant from contemporary post-modern trends, evoking archaic confusion. Some stories, notably "Il Colmo Dei Colmi" and "Lagoftalmo," resonate more clearly with reality. Dmitri’s work is likened to a Russian Faulkner, embodying melancholic cadence akin to Skip James’ voice. Discover the haunting world of Bakin Dmitri’s Terra D'origine—read the review and immerse yourself in these enigmatic stories today!
"The album starts off strong with 'Tonnes of Attraction,' a captivating song accompanied by the beautiful voice of Mattias Lindblom." "I recommend this album to all enthusiasts of '80s electronic and pop music. It will be an album that will continue to be one of your favorites for a long time to come."
"The album starts off strong with 'Tonnes of Attraction,' a captivating song accompanied by the beautiful voice of Mattias Lindblom."
"I recommend this album to all enthusiasts of '80s electronic and pop music. It will be an album that will continue to be one of your favorites for a long time to come."
Vacuum's Seance at the Chaebol is a Swedish symphonic electronic album inspired by 80s synth-pop. The album features accessible, melodic songs led by Mattias Lindblom’s vocals. Highlights include radio hits like 'Tonnes of Attraction' and 'The Culture of Night'. With orchestral touches and engaging synth-pop rhythms, this album remains a favorite for lovers of electronic and pop music. Dive into Vacuum's Seance at the Chaebol and rediscover timeless 80s-inspired synth-pop magic today!
The name 'Bach' in those lands was synonymous with high-quality and reliable compositional craftsmanship. The excellent Cambridge Choir captures the distinctive performances of such Works with freshness and naturalness.
The name 'Bach' in those lands was synonymous with high-quality and reliable compositional craftsmanship.
The excellent Cambridge Choir captures the distinctive performances of such Works with freshness and naturalness.
The review highlights the deep musical legacy of the Bach family, focusing on their sacred choral motets from the 17th and early 18th centuries. The Choir of Clare College, Cambridge, directed by Timothy Brown, delivers a fresh and natural performance with a well-balanced instrumental continuo. Female voices stand out as particularly refined. This album offers a valuable insight into early Bach family compositions rarely heard today. Listen to the Bach Family Motets performed by the Choir of Clare College and explore the rich legacy of one of classical music's greatest families!
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