You are not logged in
Approved by Comindeb People's Artist Bastard Bomb BrendNiù Cactus CapishApproved Soundtrack Recommended Blanket De(L)etereous Electrophonic Enigmist Easy to Read Fetish Gramophone Grunged Imaginative Interview Isolable JukeBox Komatsu Levitation Muzakians New Release Rhein Gold Shortest Longest Podium Post Acne First PsychoKill Holy Christmas Editors' Choice SciMenZia Sounds Better Supercazzola Latest Steam Volume Terse ZOT!
Abuse CapishDisapproved Literary Case DeLusion Fando In Siberia! Rotten
"Merging Into Landscapes does not wish to dwell too much on the existential side of doom metal." "The emotional charge that this album carries is certainly not (as in most doom works) a negative force of despair."
"Merging Into Landscapes does not wish to dwell too much on the existential side of doom metal."
"The emotional charge that this album carries is certainly not (as in most doom works) a negative force of despair."
Yearning's 2007 album 'Merging Into Landscapes' offers a rare lightness within the doom metal genre, balancing poignant melodies with aggression. Despite limited songwriting depth, the album features a distinctive mix of clean and growl vocals and subtle orchestrations. The work stands out as a heartfelt and direct expression without dwelling on doom's traditional despair. The album also carries a somber legacy given the death of leader Juhani Palomaki. Listen to Yearning's 'Merging Into Landscapes' to experience a unique blend of light and poignant doom metal.
The planet we live on... falls within a FINITE system of resources, and it is therefore incompatible with the model of INFINITE economic growth. Work must return to being a 'doing well' aimed at improving our lives and consequently making the world more beautiful and hospitable for all living beings.
The planet we live on... falls within a FINITE system of resources, and it is therefore incompatible with the model of INFINITE economic growth.
Work must return to being a 'doing well' aimed at improving our lives and consequently making the world more beautiful and hospitable for all living beings.
This review highlights Maurizio Pallante’s essay advocating for happy degrowth as an alternative to unsustainable infinite economic growth. It emphasizes the looming exhaustion of natural resources, the pitfalls of consumerism, and the need for cultural change toward sustainability. The book recommends living better by consuming less and fostering community values over competition. The review praises Pallante’s clear, realistic approach and recommends the book to those aware of ecological and economic limits. Discover Pallante’s insights on happy degrowth and learn how to embrace a sustainable, fulfilling life beyond endless growth.
I discovered them with the 2008 Beck's Next commercial and immediately fell in love with that ad perfectly in sync with 'Rainbow Flows.' Even though it might not seem like it, the entire album is pervaded by a sense of melancholy and underlying solitude, which makes it all the more fascinating.
I discovered them with the 2008 Beck's Next commercial and immediately fell in love with that ad perfectly in sync with 'Rainbow Flows.'
Even though it might not seem like it, the entire album is pervaded by a sense of melancholy and underlying solitude, which makes it all the more fascinating.
Husky Rescue's 2004 debut 'Country Falls' offers a blend of ambient pop with a touch of melancholy and solitude. The album features standout tracks like 'Rainbow Flows,' 'Sweet Little Kitten,' and 'Sleep Tight Tiger.' While some tracks may feel repetitive or experimental, the overall atmosphere remains captivating and dreamy. The lead vocals by Reeta-Leena Korhola enhance the album's introspective mood. Despite its subtle flaws, the album is celebrated as a unique and emotional listening experience. Listen to Husky Rescue's 'Country Falls' and experience the captivating blend of ambient pop and melancholy today!
From the very first syllables of "Dominus Regnavit" that open the record, you immediately get the feeling that time stops. With their Chant, the Monks manage to express a unique sense of fraternity, as demonstrated by the performance itself.
From the very first syllables of "Dominus Regnavit" that open the record, you immediately get the feeling that time stops.
With their Chant, the Monks manage to express a unique sense of fraternity, as demonstrated by the performance itself.
This review highlights the profound spiritual and serene experience offered by the Benedictine Monks of Santo Domingo de Silos. The album immerses listeners in an austere yet warm atmosphere, showcasing exquisite choir unity and individual vocal nuances. Praised for its authentic recording and deep emotional resonance, it is deemed a masterpiece essential for classical music lovers. The review serves as a guide to exploring this rich, monastic musical tradition. Dive into the spiritual world of Gregorian chant—listen to the Benedictine Monks of Santo Domingo de Silos today!
The recipe seems to be one of those succulent ones, anti-artsy cut and primordial unruliness. Honkeyfinger is right in between Scott H. Biram and Butthole Surfers, in that limbo of perdition and crooked abstraction.
The recipe seems to be one of those succulent ones, anti-artsy cut and primordial unruliness.
Honkeyfinger is right in between Scott H. Biram and Butthole Surfers, in that limbo of perdition and crooked abstraction.
Honkeyfinger’s album 'Invocation Of The Demon Other' delivers a raw and primordial blues experience blending tradition with unruliness. The music features slide guitar, kick drum, and harmonica, evoking themes of alienation in the modern era. Positioned stylistically between Scott H. Biram and Butthole Surfers, the album's intense atmosphere might benefit from a more concise tracklist. Overall, it offers an authentic blues journey without any rhetorical embellishment. Listen to Honkeyfinger's raw and unruly blues journey in Invocation Of The Demon Other today.
Vendetta still manages not to remain anonymous despite its partial banality. Celesty doesn’t properly belong to the category of bands reshuffling old power metal formulas, but the difference isn’t too great.
Vendetta still manages not to remain anonymous despite its partial banality.
Celesty doesn’t properly belong to the category of bands reshuffling old power metal formulas, but the difference isn’t too great.
Celesty's fourth album, Vendetta, marks a return to melodic and keyboard-rich power metal reminiscent of their earlier style. While it features decent songs like 'Euphoric Dream' and 'Autumn Leaves,' the album struggles to bring anything fresh to the genre. It sits comfortably among European power metal releases but feels somewhat derivative of established bands. Overall, it is a solid yet unexceptional addition to the band's discography. Discover the melodic power and classic vibes of Celesty’s Vendetta—listen now or explore the album’s tracks!
The haunting beginning whispers, then guitar and drums come alive, and the suite unfolds as planned. '34 Hours' is certainly an enjoyable record that, straddling rock, blues, and prog, never bores and will leave enthusiasts of the genre satisfied.
The haunting beginning whispers, then guitar and drums come alive, and the suite unfolds as planned.
'34 Hours' is certainly an enjoyable record that, straddling rock, blues, and prog, never bores and will leave enthusiasts of the genre satisfied.
Skid Row's 1971 album '34 Hours' fuses rock, blues, and progressive elements with guitar-driven sound and extended suites. Despite its sparse instrumentation, the band delivers a technically skilled and engaging record. The opening track 'Night of the Warm Witch' stands out as a highlight, while a country ballad feels out of place. Overall, '34 Hours' is a rewarding listen for prog and blues rock fans. Explore Skid Row's unique blend of rock, blues, and prog in '34 Hours'—a must-listen for passionate rock enthusiasts!
A winning team should not be changed, and for their fifth career album, Saga flew from Toronto to England once again, for the second time handing over the reins to producer Rupert Hine. The album promises great things right from the start, with the excellent "I'm the Flyer": tight, powerful, captivating.
A winning team should not be changed, and for their fifth career album, Saga flew from Toronto to England once again, for the second time handing over the reins to producer Rupert Hine.
The album promises great things right from the start, with the excellent "I'm the Flyer": tight, powerful, captivating.
Saga's fifth album 'Heads or Tales' continues their collaboration with producer Rupert Hine, blending their signature progressive rock with British new wave influences. The album features powerful tracks like "I'm the Flyer" and showcases instrumental virtuosity. Though not surpassing their previous work, it consolidates the band’s reputation and fanbase. Despite modest commercial breakthrough, it remains a notable release for progressive rock and 1980s music enthusiasts. Discover Saga’s blend of progressive rock and new wave—listen to 'Heads or Tales' and experience its memorable melodies and virtuosic performances today!
With this 7-minute song, you might be brought to tears! A great return to the sounds that have most characterized the Canadian band with some more modern but truly excellent touches.
With this 7-minute song, you might be brought to tears!
A great return to the sounds that have most characterized the Canadian band with some more modern but truly excellent touches.
Annihilator’s 2010 self-titled album marks a strong return with expertly executed thrash metal infused with groove elements. Jeff Waters delivers remarkable guitar solos while Dave Padden shows significant vocal improvement. The album balances complex song structures and catchy choruses. The closing Van Halen cover stands out as a unique highlight. Listen to Annihilator's 2010 self-titled album now and experience a powerful thrash metal comeback with standout riffs and vocals!
Big Daddy is depicted as a sort of undead proletarian rebel. More alive than the living, lost in their ephemeral dreams. The most formidable enemies are not zombies, but humans themselves.
Big Daddy is depicted as a sort of undead proletarian rebel. More alive than the living, lost in their ephemeral dreams.
The most formidable enemies are not zombies, but humans themselves.
Land of the Dead, the fourth installment by George A. Romero, continues his iconic zombie saga with strong political themes and vivid horror elements. The film features well-defined characters embodying social critique, especially through the symbolic zombie Big Daddy. With excellent special effects and a gripping atmosphere, the movie blends commercial appeal with sharp commentary on humanity’s flaws. Romero’s direction remains inventive, making this film a standout in the series. Dive into Land of the Dead and experience Romero’s masterful blend of terror and social critique—watch now and rediscover the true meaning of the undead!
BEWARE, there is nothing new here, we were so short on ideas that we didn’t even know what to do with the cover and solved it this way. Ultimately, you could say the same about the whole album: fun, nothing more.
BEWARE, there is nothing new here, we were so short on ideas that we didn’t even know what to do with the cover and solved it this way.
Ultimately, you could say the same about the whole album: fun, nothing more.
Chocolate Fingers' Wild Men is a fun, fast-paced Italian rock blues album that lacks originality but entertains. The lyrics, mostly in Italian, are quirky and reminiscent of surreal Lennon moments. While musically average, the album stands out for its playful spirit. The cover art also reflects the band's straightforward approach. Discover the playful spirit of Chocolate Fingers' Wild Men—listen now and dive into this fun Italian rock blues experience!
Carlos Santana doesn’t deliver his best (technically) but uses long and simple notes that convey unparalleled emotions. The album is entirely instrumental and offers long electric guitar solos, saxophone solos, and keyboard solos.
Carlos Santana doesn’t deliver his best (technically) but uses long and simple notes that convey unparalleled emotions.
The album is entirely instrumental and offers long electric guitar solos, saxophone solos, and keyboard solos.
Illuminations is a 1974 jazz fusion album by Carlos Santana and Alice Coltrane blending serene harp, vibrant saxophones, and emotive guitar solos. The album’s instrumental nature and collaboration with esteemed jazz musicians create a soft yet profoundly emotional atmosphere. Highlights include long electric guitar and sax solos and the innovative use of string orchestra. Santana’s style is less technical but emotionally resonant, anchored by Alice Coltrane’s masterful harp. The album artwork symbolically reflects the elemental themes explored musically. Explore the tranquil and emotive sounds of Santana & Alice Coltrane’s Illuminations—experience a timeless jazz fusion masterpiece today.
The raw sound of the underground, a flow of beats and rhymes that strike the neurons like sharp swords. Force Fed is an album that has the flavor of resurrection, and it is a tangible sign that hip-hop, in the third millennium, still has something to say.
The raw sound of the underground, a flow of beats and rhymes that strike the neurons like sharp swords.
Force Fed is an album that has the flavor of resurrection, and it is a tangible sign that hip-hop, in the third millennium, still has something to say.
Force Fed is Ide's debut album that brings back the raw, underground hip-hop style reminiscent of the late 1990s. The album features sharp lyrics, heavy drums, and minimal, futuristic melodies. It creates a dark and unsettling atmosphere that invites listeners into a unique, dreamlike sonic world. This album signals a bold revival of hip-hop’s true, authentic spirit. Discover the raw intensity of Ide's Force Fed and experience a bold resurrection of underground hip-hop today!
This film remains worthy if not superior to its predecessor for several reasons. A pity, but it remains nonetheless a masterpiece.
This film remains worthy if not superior to its predecessor for several reasons.
A pity, but it remains nonetheless a masterpiece.
This review delves into Orson Welles' second feature film, The Magnificent Ambersons, praising its innovative cinematography, sound, and narrative depth. Despite studio cuts that shortened the film and altered its ending, the movie's artistic brilliance still shines. The film mirrors Welles' own turbulent relationship with Hollywood, marking a pivotal moment in his career. Ultimately, it remains an essential, though somewhat compromised, masterpiece. Discover the brilliance and tragedy behind Orson Welles’ The Magnificent Ambersons – watch and explore this classic cinematic gem today!
American kids who love new wave, pop from thirty years ago, and certain recording methods and instruments. If you listen to this release, you will believe me. Nothing exceptional? In itself, there is NOTHING exceptional if we consider the product from a strictly compositional/instrumental point of view.
American kids who love new wave, pop from thirty years ago, and certain recording methods and instruments.
If you listen to this release, you will believe me. Nothing exceptional? In itself, there is NOTHING exceptional if we consider the product from a strictly compositional/instrumental point of view.
The review highlights Washed Out's 'High Times' as a sincere and nostalgic experiment capturing the essence of 1980s new wave and pop. While not compositionally exceptional, the release excels in evoking melancholy and déjà vu. The artist's dedication to vintage recording methods, including releasing only on cassette, is praised. Overall, it's a unique retro homage appreciated for its authenticity rather than innovation. Dive into Washed Out's 'High Times' and experience a heartfelt vintage music journey filled with nostalgia and retro charm.
One of the least sold among those released under the Black Sabbath name, but at the same time, it is one of the best in their discography, even better than the acclaimed Heaven And Hell (1980). The album, beyond its actual value, also had the merit of bringing Tony Martin into the lineup, a singer with whom Tony Iommi would bring to life a new and prolific course for Black Sabbath.
One of the least sold among those released under the Black Sabbath name, but at the same time, it is one of the best in their discography, even better than the acclaimed Heaven And Hell (1980).
The album, beyond its actual value, also had the merit of bringing Tony Martin into the lineup, a singer with whom Tony Iommi would bring to life a new and prolific course for Black Sabbath.
The review challenges the misconception that Black Sabbath's significance ended after the early 1970s. It highlights The Eternal Idol (1987) as a solid, sometimes epic heavy metal album showcasing Tony Iommi's leadership and Tony Martin's impressive vocals despite a challenging recording process. Though overlooked commercially, it stands out as one of the best in their discography’s 1980s era. The album reflects important lineup changes and a shift from experimental sounds to a heavier style. Explore Black Sabbath’s underrated 80s masterpiece The Eternal Idol and rediscover a lost heavy metal classic today!
When the EP was released shortly thereafter, I was sure to find that track that had struck me so much, along with much more. Opening the concert with 'Corteccia (nell'up-nea)' was a memorable, disorienting moment; the best of the entire performance.
When the EP was released shortly thereafter, I was sure to find that track that had struck me so much, along with much more.
Opening the concert with 'Corteccia (nell'up-nea)' was a memorable, disorienting moment; the best of the entire performance.
The review praises Verdena's Elefante EP for its rich blend of psychedelic and experimental rock. The reviewer highlights the emotional impact of the track "Corteccia (nell'up-nea)" during a live show and notes the band's musical growth. Standout songs like "Perfect Day" and "Mu" showcase different facets of their sound. Overall, the EP is regarded as possibly their best work. Listen to Verdena's Elefante EP and experience a unique blend of psychedelic and experimental rock that defines their artistic journey.
Litfiba managed to do something unique: make quality music, full of gypsy and decadent atmospheres accompanying dreamlike and poetic lyrics while also managing to sell. From the initial 'Eroi nel vento,' an authentic manifesto standing for the '80s as much as 'El Diablo' would for the '90s.
Litfiba managed to do something unique: make quality music, full of gypsy and decadent atmospheres accompanying dreamlike and poetic lyrics while also managing to sell.
From the initial 'Eroi nel vento,' an authentic manifesto standing for the '80s as much as 'El Diablo' would for the '90s.
This detailed review highlights Litfiba's influence on Italian rock through their landmark 1985 album Desaparecido. It explores the band's unique blend of gypsy and decadent atmospheres, poetic lyrics, and strong group dynamics. The review contextualizes the band's evolution, lineup shifts, and their role in the broader 1980s Italian and international rock scenes. It praises Desaparecido as a significant milestone that combined quality music with commercial success. Listen to Litfiba's Desaparecido and experience a cornerstone of Italian rock history!
"Far far from here someone might say." Their records are long, spontaneous jam sessions of something that could be synthesized as 'spaceprogkrauthardrock,' lost amid synthesizers, digital effects, and analog mixers.
"Far far from here someone might say."
Their records are long, spontaneous jam sessions of something that could be synthesized as 'spaceprogkrauthardrock,' lost amid synthesizers, digital effects, and analog mixers.
The Black Tomato by Oresund Space Collective is a cosmic, genre-blending album that takes listeners far from the ordinary. With nine members from Denmark, the USA, and Sweden, the band crafts long, spontaneous jam sessions combining space rock, prog, and psychedelic elements. Influenced by Hawkwind and Ozric Tentacles, the album is divided into distinct sonic streams and showcases a unique blend of analog and digital production. It's a daring and immersive musical journey for fans of experimental space music. Dive into The Black Tomato and experience a cosmic jam session through psychedelic space rock—listen now!
This overrated little movie really disappointed me like few others. It is the apotheosis of Arbore’s all-encompassing superficiality.
This overrated little movie really disappointed me like few others.
It is the apotheosis of Arbore’s all-encompassing superficiality.
Il Pap'occhio is an overrated Italian comedy marking Renzo Arbore's directorial debut. Despite a famous cast and occasional witty moments, it falls short in cinematic and directorial quality. The film's humor is uneven, and it ultimately disappoints with its superficial and naive approach. Discover if Renzo Arbore’s Il Pap'occhio lives up to the hype – read the full review and decide for yourself!
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.