Usual musical tribute to all group members, a cover of Hank Williams Sr by Mr. Anton Newcombe: battle of armagedeon - anton newcombe (hank williams sr cover) #levitation #hankwilliams
 
 
 
 
An extremely interesting interview with Anton Newcombe released at the end of last May: Anton Newcombe Talks Kurt Cobain and New Music | Phoenix New Times

-Whether he’s reluctant or not, whether he likes it or not, Newcombe has something of a legendary rock-star reputation on par with Ian Curtis or Kurt Cobain — perhaps not only in terms of attitude and drug use, but primarily in terms of influence.

[...]

“I wasn’t too much of a fan of Nirvana because I was my own Nirvana at the time,” Newcombe says over the phone with typical bravado. “I had already grown out of that kind of stuff, and I never really liked rock stars. Obviously he [Cobain] didn’t really like to play the rock-star life either, because he blew his brains out.”

-Newcombe says, “Leonardo DiCaprio talking about global warming or whatever is bullshit because we’re never going to get around to doing anything until they address the issue of the endless war.”

-“I have a tendency to write 45 songs at a time. I mean, really at once,” Newcombe says. He’s often claimed he can play more than 80 instruments — everything except violin.

Newcombe says he’s now busy working on two albums — Third World Pyramid and Don’t Get Lost — that will come out later this year among sprinklings of singles. Demo versions of a few, such as the spacey “The Sun Ship,” have appeared on YouTube, sounding as drippingly delicious as ever. When asked about the intriguing title Third World Pyramid, Newcombe explains that it’s a four-layered metaphor covering everything from global domination to fiat currency to alien-based conspiracy theories.

“The foundation of the pyramid is below the sand. That’s the most interesting thing,” Newcombe says. “’Cause the masses of people don’t know or don’t care about the stuff that I’m talking about because they don’t ever see the stars, let alone the top of the pyramid. The foundations are below the dirt. But you know what I mean: The most blocks are below the sand.”

-But then there’s Musique De Film Imaginé, the soundtrack BJM released just last year (the band’s 14th studio full-length) that pays tribute to European film pioneers such as Jean-Luc Godard and François Truffaut. It features guest appearances by French multi-instrumentalist SoKo and Italian actress, singer, and director Asia Argento. But, like the title implies, the music was written for a movie that doesn’t exist.

“The weird thing about it not existing is after I released it, the director, the guy who won Cannes this year for the best film, said I want that music in my movie, so it became a reality after the fact,” Newcombe says.

Who was the director?

“I don’t know. You’d have to look it up,” Newcombe says. “I don’t keep track of all this bullshit, but true story.”

#cannes #cobain #antonnewcombe #bjm #dicaprio
 
 
Just for you, a brand new beautiful video straight from the tube, >[The Brian Jonestown Massacre artist: a_233113] - Playtime: Brian Jonestown Massacre - Playtime #levitation
 
 
 
 
For all fans and fetishists of >[The Brian Jonestown Massacre artist: a_233113], the unmissable #tumblr of Mrs. Newcombe, that is, the lovely Miss Katy Lane, packed with photos of our heroes: katy lane

Constantly updated.
 
 
 
 
hi, I wanted to link some stuff

Druids of the Gue Charette

there you go, bye.

Alright, also these then:

The Wizard and the Seven Swines | Pigs Pigs Pigs Pigs Pigs Pigs Pigs
 
 
 
 
The mention #levitation has been added to the review by @[Galensorg] of the latest album by Kula Shaker: K 2.0 - Kula Shaker - Recensione di Galensorg
 
 
Moon Dogs, a film directed by John Philip featuring Jack Parry Jones, Tara Lee, Christy O'Donnell, with music by Anton Newcombe. It will be presented at the Edinburgh International Film Festival next month. Here’s the trailer: Moon Dogs Trailer

#mooondogs #antonnewcombe #brianjonestownmassacre #williamwallace
 
 
@[G] I don't want to be mistaken, but I believe there is something wrong with the 'Reviews - To Discover' page. When I select the 'Levitation' button to get the list of reviews categorized under this mention, only a limited number of reviews appear. Basically, those that 'fit' on a single page, while the actual number of categorized reviews is higher.

I hope I have been clear. :)
 
 
Added mention #levitation to a review of the debut album by Dead Skeletons by @[jdv666] Dead Magick - Dead Skeletons - Recensione di jdv666
 
 
In conclusion, regarding the latest update of the long tour 2016 of >[The Brian Jonestown Massacre artist: a_233113], here are the scheduled dates for the late August-September period:

26/08/16 GERMANY Munich - Strom
27/08/16 SWITZERLAND La Tour-de-Peilz - Nox Orae Festival
28/08/16 ITALY Turin - TOdays Festival
30/08/16 AUSTRIA Vienna - WUK
31/08/16 CZECH REPUBLIC Prague - Lucerna Music Bar
01/09/16 HUNGARY Budapest - A38
03/09/16 ITALY Bologna - Zona Roveri
05/09/16 FRANCE Montpellier - Rockstore
06/09/16 SPAIN Barcelona - Razzmatazz 2
07/09/16 SPAIN San Sebastian - Gazteszena
08/09/16 SPAIN Madrid - T Club Barcelo
09/09/16 PORTUGAL Valada - Reverence Festival
12/09/16 ISRAEL Tel Aviv - Barby
 
 
>[The Brian Jonestown Massacre artist] in Bologna on September 3 at Zona Roveri - Entrance reserved for UISP/ARCI members. Ticket 20.70, for presales, usual channels. Hi.
 
 
The mention #levitation has been awarded to a review of Tassili by Tinariwen: Tassili - Tinariwen - Recensione di Baccanali
 
 
 
 
 
 
 
 
 
 
An interview with Anton from May 16 via Getting lost in the idea with The Brian Jonestown Massacre | BeatRoute Magazine

-“I’m working on two brand new albums,” explains Anton Newcombe over the phone from Berlin. “I wrote 45 songs at once. One record is exactly how you would expect The Brian Jonestown Massacre to sound, and the other is what I think it sounds like, closer to what I think it should be.”

-“I’m a conceptual artist,” says Newcombe, “in that I get lost in the idea. I don’t record things so that they’ll be perfect. I make music that lives or dies in the medium. Doing things lo-fi was a practicality. I didn’t need permission to make records or music. I kept all my publishing, I own all my records. A lot of the bands from that time sold their publishing for essentially a mortgage, maybe a cute sports car, and where are they now? No one’s gonna reissue those records.”

“See, I’m into creating a culture where people are themselves. Like, even Dylan, in the early days, was just being Woody, and that was kind of lame or whatever, but someone could dress like Johnny Rotten or Sid Vicious, and unless they take the myth to that end like a complete idiot, they’re still themselves. That was the power of punk and post-punk, it was folk, because you were yourself immediately.”

-“Tess is a force of nature. She has a very malleable style, and at the same time, she’s always herself. I asked her to sing ‘Five to One’ by The Doors, and if you closed your eyes, it was a spooky comparison, which is really hard to do, but she’s just such a powerful artist. I was reading about her in a magazine and she dropped BJM as a point of reference, and I just found her and said, ‘Why don’t you come to Berlin and work with me?’”

-Newcombe has spent the last nine years in Berlin, a move he attributes to “the damage in my consciousness of being American. I was living in Manhattan, which, you know that Sinatra line, ‘if you can make it here, you can make it anywhere’? Well, that’s just not true. Manhattan’s a shithole for the most part, to be honest. America’s been at war my entire life, and it’s like, no one cares, just which country are we going to invade to run a pipeline through?”

-“[Berlin] It’s a very culturally advanced place. Berlin puts a billion dollars a year into the arts, because that’s what they want to be known for. Here, it’s okay, as an artist, to be any age, and it’s affordable enough to have a family, where young people in America are wondering how they could ever afford college for their kids. I don’t even play here, I don’t need a scene to support me, I go out on the road, and we do well there.”

#berlin #tessparks #brianjonestownmassacre #bjm #levitation #antonnewcombe
 
 
News regarding the >[The Brian Jonestown Massacre artist: a_233113].

Out a new record titled 'Bout Des Doigts'. Here the info.

Available for PRE-ORDER, shipping on the 24th of June.

Available on black vinyl.

To coincide with the band’s European tour, the band are releasing a single.

Recorded in March 2016 in Anton’s studio in Berlin, Anton gathered Dan Alliare (drums), Colliin Hegna (bass), Joel Gion (tambourine), Ricky Maymi (guitar) & Ryan Van Kriedt (guitar) to record this track Bout des doigts & Fingertips.

Bout des doigts features Rike (Friedrike) Bienert providing the vocals, Fingertips vocals are provided by Tess Parks.

This single brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.

Two dozen band members later and numerous “ups and downs” (some have been famously sensationalized in the media), the one thing that has always remained consistent for this psychedelic collective is front man Mr. Anton Alfred Newcombe.

Tracklisting:
Side A:
Bout des doigts

Side B:
Fingertips

#levitation
 
 
Awarded the #levitation mention to the review of @[Buzzin' Fly] of Forest of Lost Children by Kikagaku Moyo: Forest Of Lost Children - KIKAGAKU MOYO - Recensione di Buzzin' Fly
 
 
Assigned the mention #levitation to the review of 'Give It Back!' by BJM from my friend Giulione aka @[Core-a-core] Give It Back! - The Brian Jonestown Massacre - Recensione di Core-a-core
 
 
 
 
 
 
Breaking news. The #BrianJonestownMassacre are returning to Italy with a date in Turin for the todays festival on August twenty-eighth. Of course, I’m going.

Anche The Brian Jonestown Massacre al TOdays Festival | IndieForBunnies

#levitation
 
 
A report with photos on the live performance of the #BrianJonestownMassacre at Webster Hall in NYC: The Brian Jonestown Massacre played Webster Hall with The Veldt (pics, review)

#levitation
 
 
Awarded the #levitation mention to the review of 'I Often Dream of Trains' by Robyn Hitchcock written by @[supersoul] (very nice review by the way, like all the ones they used to write) I Often Dream of Trains - Robyn Hitchcock - Recensione di supersoul
 
 
Awarded the #levitation mention to the review of 'Bull of the Woods' by the 13th Floor Elevators by @[Pappaganzo] Bull Of The Woods - The 13th Floor Elevators - Recensione di Pappaganzo
 
 
I reviewed the latest Bardo Pond to which I obviously gave the mention #levitation: Acid Guru Pond - Bardo Pond - Recensione di sotomayor
 
 
 
 
I'm in a hurry. I'll review later. Just the time to add to the group someone who has always been more than my personal idol on DeBaser, a person I consider a great friend and - wherever he is, probably lost on one of those islands off South America where Robinson once lived - who, as far as I'm concerned, cannot be missing, that is: @[sfascia carrozze]
 
 
An interview with Anton conducted just a few days ago in Austin on the occasion of the cancellation of Levitation. Interesting and original as always. You can find it here: It's Psychedelic Baby Magazine: LEVITATION 2016 CANCELED

Two fundamental passages.

1. I wanted to ask you about the last track on “Give it Back” – “Their Satanic Majesties’ Second Request”. Who is the guy ranting out a fire and brimstone type sermon on there? Is that John Hagee?

I’m going to have to think about that. The last track on this [gesturing to the album I’m holding]… I don’t know but the thing about that… That’s mistitled because that one is called “Enrique’s Dream”. It’s a piece of art. So, I’ll have to tell them that that’s wrong.

Is this a weird version that I have or something?

That’s on a label but mistakes happen. It’s like Ricky [Maymi] that plays guitar in the group was like “Listen, man. If you go and make one more recording and the band’s not on it – we are all quitting.” I said, “You have to come up to the studio then cause that’s where I write the music while I’m recording. You have to come up and wait ‘til it’s your time.” So, he did. He came out and he fell asleep so I recorded his face snoring and then built this whole soundscape. You have your lens cap on.

[Note: Yes, I was taking photos of Anton Newcombe with a lens cap on my camera! I am not a photographer. I am barely a writer. I took a few awful photos but enough to draw from. Hopefully, my illustration speaks for itself and captures the essence of Anton]

Haha. How professional of me…

So, he’s snoring and I recorded a preacher sort of ranting through a tremolo with these drones going on and… but I liked it. It’s cool. And the shit that he’s saying is out of control. He’s like “Run like an Olympian! Never been short of breath! And only Jesus knows where the last diamond mine will be found!” What are you fucking talking about? He actually says that. “And only Jesus knows where the last diamond mine will be found.” Fuckin’ who cares where the last diamond mine will be found? They have more diamonds than they could ever use. They hide them in a fuckin’ hole just to raise the price. It was cool, the mic was running directly into a Fender Vibrato horn going “bah bahbahbah!” and it was just like “merpmerpmerpmerp!” and I was playing it so loud just coming from a little black and white tv that they had in the recording studio all the way across. It was really a textural piece and I was doing all those drones just doing the knobs and in the other room of the studio Ricky was sleeping and I had all these microphones around his face and he’s just going “[snoring noise]” and I’m just mixing them. So, I just thought it was funny the juxtaposition of somebody snoring and…
 
 
Added mention #levitation to Dead Magik - Dead Skeletons - Recensione di Black Stardust

@[Battlegods] this is the album I was talking about, I tell you that the review does not give the right credit to an album that has truly been a cult object within the psych community in recent years.
 
 
I added the mention #levitation to three old reviews of the genre that I remembered having read in a past life. The first one is 'Featuring the Human Host...' by Hapshash and the Coloured Coat, written by the talented @[supersoul] Featuring The Human Host And The Heavy Metal Kids - Hapshash And The Coloured Coat - Recensione di supersoul
 
 
hold on, I don’t know if you’ll like it. I liked it. I don’t have time to search for it online now that I’m at the office, so I'll link you the review to note it down, let me know.
Sexwitch - Sexwitch - Recensione di aleradio
 
 
Welcome @[Battlegods], I greet you by gifting you this beautiful version of 'Anemone': The Brian Jonestown Massacre - Anemone - CARDINAL SESSIONS

In the meantime, a new review of a band that I particularly love and truly consider badass #levitation: Malamore - The Limiñanas - Recensione di sotomayor

Truth be told, I might also be in love with the vocalist, and I've told her so. Her husband knows too, as he is her 'compare.' I must say that neither of them seemed particularly impressed by it.
 
 
 
 
@[Buzzin' Fly], do you want to join us, buddy?
 
 
Welcome @[aleradio], may the force be with you, brother.
 
 
The group is formed! Now it's time to define (if desired) a mention that the group members can assign.
 
 
Help, I just finished Penguindrum and my brain is mush. Right now, I can't really formulate a judgment, the line between an absolute masterpiece of hermeticism and colossal nonsense is razor-thin XD However, the screenplay seems really uneven to me (excessive length on Ringo and the stalking (what for?) while some very important issues like the resolution of Yuri or the storyline of Sanetoshi and Momoka are wrapped up in a second) and felt contrived to favor the cliffhangers obsessively presented throughout the episodes, and the plausibility goes out the window XD
Utena remains a notch above, if only for the very elegant graphic style imho.
 
 
I would like to point out that on the Yamato Animation YouTube channel, all episodes of Terror in Resonance are available, directed by the previously mentioned Watanabe (the one from Cowboy Bebop). Nothing exceptional, to be honest: the initial premise is intriguing, but by the eighth episode, it shifts into a sort of Death Note, with the two quirky geniuses challenging each other. There's nothing really wrong with it. And nothing that truly makes you want to watch it. But there are only 12 episodes (I've watched nine...) and the final balance is not even too bad. Terror in Resonance - Ep 1 - Falling [Zankyo no Terror - Sub Ita] | Yamato Video
 
 
Revolutionary Girl Utena: Absolute Destiny Apocalypse Sequence 2 Well, finished today, many hearts for Ikuhara and the symbolic and surrealist architecture of it all. A bit uneven in tone and too formulaic for my taste, but some episodes are truly beautiful.

Penguindrum I’m coming.
 
 
I watched the latest Gundam film "Thunderbolt". Show it to everyone over 10, it's a blast.
 
 
To anyone who might be interested, starting July 22nd, the third season of Bojack is available on Netflix.
 
 
And that's it. The first season of Rick & Morty is available on Netflix Italy. I'm taking the opportunity to rewatch it. I am very pleased about that.
 
 
Sorry, just for informational purposes, has anyone of you ever seen "Aqua Teen Hunger Force"? Because it's a show that did quite well on [adult swim] (which seems to be pretty well known here). I mean, it's a half-hearted recommendation since you probably already know about it.
 
 
So: Axe Cop. I only watched the first season years ago; a second one should have come out last year. The first season has less than ten episodes if I remember correctly, and each episode definitely lasts ten minutes. The creators are a nerd of an unknown age and his six-year-old little brother. Axe Cop is a policeman who one day, near a fire, picks up a firefighter’s axe and becomes AXE Cop. And that’s it; he chops off the heads of the bad guys and is helped by a dinosaur and a weird guy. There’s no logic in any episode; basically, it’s the cartoon that every six-year-old kid traumatized by an eternity of TV would want to write, filtered through someone with twenty more years and a bit of screenwriting knowledge. It’s a small thing, but in its small way, it’s an absolute cult.
If I watched it all without subtitles, you can do it too.
The first season is available here: Axe Cop Season 1 Torrent - TorrentFunk