Ok il prezzo ĆØ giusto - SIGLE TV
#TVthemes....one hundred one hundred one hundred
 
Chuck Mangione - SonG Of The Moon (1975)
week Chuck Mangione(6)...1975 Chase the clouds away
 
Chicago - 25 or 6 to 4 - 7/21/1970 - Tanglewood (Official)
Just a minute to fix the battery and... the apotheosis!!
 
@[Pinhead] reporting in, I need your evaluation on this young man: Jeff Rosenstock - USA [OFFICIAL AUDIO]
 
New Trolls - Quarto tempo - Shadows (per Jimy Hendrix)

NEW TROLLS WEEK: Shadows (for Jimi Hendrix)..... They missed him back then, and he had just passed away... what can we say now?
 
CALEXICO - Stray The Calexico we love...
 
La La Land - Someone in the Crowd - Lyrics Methods to get her out of your head?
 
UFO Robot sigla _ 45 giri Goldrake generation
 
Soft Machine - Teeth (1971) Last gasp with Wyatt. ("All White" last gasp without Wyatt).
 
New Trolls - 3° tempo - moderato - Fare you well dove

NEW TROLLS WEEK: Concerto grosso n. 2 - Moderato (Fare you well dove).... Always the prog soul of NT....
 
Metal from Rising Sun n.5

Vow Wow - Somewhere In The Night

I Bow Vow are an influential Japanese heavy metal band formed in 1975. In 1977, they opened for Aerosmith and Kiss on their Japanese tour. In 1982, Bow Wow performed at the Montreux Jazz Festival in Switzerland and later at the Reading Festival in England. That same year, they released their 9th album "Warning from Stardust," which was ranked 23rd by Rolling Stone Japan in the list "The 100 Greatest Japanese Rock Albums of All Time" in 2007. The following year, they toured with Hanoi Rocks throughout the UK. Guitarist Mitsuhiro Sato left the band in November 1983 to join Alexander's Ragtime Band (Japanese rock group). In 1984, the remaining three members were joined by vocalist Genki Hitomi and keyboardist Rei Atsumi, which resulted in a more commercial sound, and the band decided to change their name to Vow Wow and later moved to England. For a brief period, they were without a bassist since Kenji Sano needed to return to Japan in 1987, so former Whitesnake bassist Neil Murray was recruited to fill the position, and they began recording the album "V" with producer Kit Woolven (Thin Lizzy, David Bowie). Even though they had achieved commercial success, Genki wanted to stay in Japan to start a family. The band recorded what was supposed to be their last album titled "Helter Skelter" in 1989, which was managed by sound engineer Tony Taverner (Gipsy Kings, Black Sabbath). After the album, Rei joined RC Succession (Japanese rock group) for a live tour, and Neil became a member of Black Sabbath. Shortly after, producers Nick Griffiths (Queen, Paul McCartney) and Bob Ezrin (Kiss, Pink Floyd) requested to create an album with Vow Wow. The band reunited without Neil, who was recording with Black Sabbath, and they recruited bassist Mark Gould for their final album, "Mountain Top." Vow Wow disbanded on May 28, 1990, after a concert at Nippon Budokan. Genki became an English teacher at a high school, while the other members pursued separate music careers; Kyoji formed the band Wild Flag in 1991. In May 1995, Kyoji reformed Bow Wow with all new members. They had several releases until their dissolution in March 1997. However, in 1998, original members Mitsuhiro Saito and Toshihiro Niimi reunited with Kyoji, and Bow Wow became a trio. In August 2003, they performed in Daegu, South Korea.

Genki Hitomi and Rei Atsumi reunited for a "Vow Wow reunion concert" with Kyoji and Toshihiro on December 25, 2009, and for two shows the following year, on December 25 and 26, 2010.
 
Today I have a great proposal for the #zot2017 review that will appeal to fans of a certain experimental Made In USA psychedelia from the sixties, which is being revived today with a certain vigor.

Worthless - Barrel Of Barrows (Beyond Beyond Is Beyond Records, October 06, 2017)

A very, very interesting record released on Beyond Beyond Is Beyond Records last October. It is a mini-album by Worthless, a psych collective from Brooklyn, New York, composed of a multitude of musicians, with an attitude towards the psychedelic genre that has roots in the origins of the genre and in the more experimental moments of 1960s America. Composed of four songs, apart from "RIPPS," the more conventional piece inspired by a neo-psychedelia in the vein of Night Beats or Psychic Ills with a certain beat sound that recalls the garage of the sixties, the other compositions are practically instrumental pieces ranging in length from the two minutes of "End of the Beginning" (a brief glimpse of Floydian reminiscences) to the eight minutes of "5 and a Half Time I Left That Message" and the 12-13 minutes of "Song For Organ No. 1," in which the band showcases all their technical abilities and creativity, drawing extensively from the American imagery of the sixties and combining Morricone-like western sounds with the out-of-control psychedelia of the United States of America. Very interesting. The only downside is that it’s just a mini-album, so all we can do is wait for the next release to have an even greater enjoyment.

#vintage #psychedelia #nyc

Barrel of Barrows | Worthless
 
Led Zeppelin - Black Dog (Live Video)
Fast pace,
#jimmy74 Happy Birthday Devil