The Bee Gees - Horizontal

and take this, Sergione
 
Dif Juz - Re Ethereal and crystalline notes that you can only find in Felt or Durutti Column. Dif Juz are a guarantee. You know Explosions In The Sky? Give this track a listen ;)
 
StƩphane Grappelli - Nuages

Jazz Legends - The Second Lines (80 out of 100) Stephane Grappelli
from "Django" - 1962 (Barclay)
 
Der Junge Hund - Alte Und Idioten Werden Niecht Viel Gefragt FULL ALBUM adventurous listening, neurotic free jazz/funky dribbles on spastic motorik kraut
 
Alessandro e il Mare - Roberto Vecchioni "Not a hair out of place
as he rode into the sea,
and his heart, his heart beat against him
like that of a woman about to marry;
and everyone followed him singing
without even suspecting,
and they happily went after him
to drown" #sudicisuicidi (9)
 
Heratius - Gwendolyne (Full Album) French adventure from 1978. To be experienced.
 
Sleep - Marijuanaut's Theme - 2018 New song Come on, don't we want to include the new Sleep stuff in here?!
 
#zot2017

Heron Oblivion - The Capel (Self-Released, December 01, 2017)

I’ll be honest: I’ve read some very negative reviews about this band (there are also positive ones) and I find them absolutely unjustified. While everyone has their own tastes and expresses their own point of view, this is undoubtedly one of the most conventionally powerful yet authoritative psychedelic rock groups around. I think of those trendy definitions these days against the establishment. Indeed, I must say that if you publish on Sub Pop, I couldn’t care less: but if you produce good things, I’ll give you credit for it, and there’s no doubt that Heron Oblivion is a good band and has nothing to envy from the various Espers and Comets on Fire from whom the band members (Meg Baird, Ethan Miller, Noel Von Harmonson, Charlie Saufley) hail. This live recording from San Francisco on January 27, 2017, released last December, is even better than their debut LP, if possible. The band maintains an ecstatic tension throughout the performance, occasionally referencing a certain vintage folk psychedelia of the sixties and seventies, whose ā€œantiquatedā€ character is compensated by bursts of noise in the style of the best rock straddling the late eighties and early nineties. I think of stuff like Sonic Youth, but the ferocity of the sound and the extended fuzz at times bring to mind Bardo Pond (ā€œYour Hollowsā€), just as ā€œRamaā€ may remind one of Low. The track that concludes the album is a cover of Doug Sahm (ā€œCrossroadsā€) and is another little gem from an album that isn’t unforgettable but where everything works as it should. Recorded by Chris Woodhouse (Thee Oh Sees, Fuzz) and Eric Bauer (Ty Segall, Heron Oblivion, White Fence).

#thechapel #heronoblivion #alternative

Heron Oblivion - Your Hollows (Live)
 
Charlie Rouse - You don't know what love is

Jazz Legends - The Second Lines (79 of 100) Charlie Rouse
from "YEAH" - 1962 (Fontana)