In the series of anyone can unintentionally be useful: @[G] perhaps I've caught a flaw in the debaseric subal system: the good old Fount has just de-hated me and so far so good. But he also prevents me from commenting on one of his "sub-comments" that is below a comment by Carlos. Now, this situation seems a bit tangled because if I'm talking with Carlos about cream-filled cannoli and cinema and he jumps in uninvited, then what happens? Can't I continue talking with Carlos about cannoli and cinema? That doesn't seem very logical. The subal should remain within the bounds of the maxi comment from the guy you're subaling, otherwise every troll from debasio could disrupt user conversations whenever it suits them. Enlighten me.
 
L'incantesimo del Lago 9 - Disney Digital Forum No, but I don't want to believe that in 2019 they are still producing something themed around Enchanted Lake.
 
@[Fount2] it was very unfair, since the ranking is and remains a ranking even for poor ones like you!

You go, young crybaby (both at work and at home) so you learn not to be like us failed slackers. XD

Bandiera Rossa
 
 
 
SOAK - Everybody Loves You (Official Video) Soak's second album arrives on April 26, and I still haven't figured out why so many of the albums I'm looking forward to are being released on April 26.
 
LES DAMES DU BOIS DE BOULOGNE de Robert BRESSON - Official trailer - 1945

Great proposal and well described, forgive me for pointing out a few inaccuracies or microscopic omissions, first and foremost the fact that this is not at all the second but rather the third "short film," if we want to call it that; the first two were: ā€œLes affaires publiquesā€ from 1934, around half an hour long, and ā€œLa conversa di Belfortā€ (Les Anges du péché) from 1943, approximately an hour and a half long.

I would say you fail to mention that the very well-crafted plot (since you dwell on it for a paragraph) of the film is adapted from the novel ā€œGiacomo il fatalista e il suo padroneā€ (Jacques le Fataliste et son maître), written about 150 years earlier by Denis Diderot, a sort of philosophical dialogue (and well, it’s no coincidence that RB graduated in philosophy…) that is also characterized by its compositional technique.

You also don't clarify what you rightly define as the ā€œsingularityā€ and what ā€œimpressed you a lotā€ in Jean's (Paul Bernard) acting, which in short (I read online): what is striking about RB's cinema is the apparent absence of acting. In fact, he believed that by minimizing music, editing, and acting, more direct emotional responses from the audience could be achieved, since in traditional cinema, it was the actor, through their performance and facial expressions, who conveyed emotions to the viewer; in his cinema, it is the viewer themselves who must guess the emotional states of the protagonists according to the context they are in. RB typically hired ordinary people and filmed scene after scene until the acting completely disappeared, asking the actors to simply deliver their lines and perform the required actions, and nothing more—indeed, well done with 3 stars!
 
Dodo Marmarosa Trio - A Cottage for Sale

Dodo Marmarosa - from "Dodo's Back!"
1961 (Argo)

#jazzlegends
 
 
I thought I had commented on a derecenzia #zot on "Michel" by Lolli... I thought so, maybe I dreamed it or @[G] deleted it? Mina - Sognando (1976)
 
Old San Juan Alan Skidmore Quintet

Alan Skidmore - from "Once Upon a Time"
1970 (Deram)

#jazzlegends
 
Frank Zappa - Easy Meat could I end it without the mustache?..no!