King Crimson – Prince Rupert Awakes (Lizard 1970) A listen that is worth for the entire suite, since it's on Spotify I can't stop playing it.
 
#PoetryTakeMeAway
EPITAPH
He killed himself from the fury of passion, or died from laziness. If he lives, it’s thanks to oblivion.
Here’s what he leaves for himself:
-His only regret was not being his own lover.
-He was not born for any purpose; he was always driven by the wind ahead: a mixed platter of leftovers, an adulterated mix of everything.
Of the not knowing - but without knowing where;
of gold - but without a dime;
of nerves - without strength;
vigor without force;
of the impulse - with a twist;
of the soul - and no violin;
of love - but a dreadful stallion.
Too many names, to have just one.
Adventurer of ideals - without an idea;
rich rhyme - and never rhymed;
without having been - upon returning, he found himself lost everywhere.
Poet, in spite of his verses;
artist without art - in reverse;
philosopher - straight and sideways.
A funny serious type - not funny at all;
actor: he didn’t know his part;
painter: he played the bagpipes;
and musician: with the palette.
A head! - but without a head;
too crazy to know how to be stupid;
he took a trait for the word très. - His false verses were the only true ones.
Rare bird - and of trinkets;
very male - and sometimes very female;
capable of everything and good for nothing, he well harvested evil, poorly good.
Prodigal like the son of the Testament - without a testament.
Intrepid: and sometimes, out of fear of the ā€œplat,ā€ he would dip his feet in the dish.
Furious colorist - but pale;
misunderstood - especially by himself;
he cried, sang with perfect discord; and was a flaw without flaws.
He never knew how to be someone, nor something. His naturalness was a pose.
Too naïve, while too cynical;
completely incredulous, while believing in everything. What gave him pleasure was disgust.
Too raw - because he was too cooked,
to nothing less resembling than himself, he amused himself with his own boredom until waking up at night.
Wanderer at sea, adrift, a wreck that never arrives...
Too himself to be able to bear himself, with a dry spirit and a drunken head,
finished but unable to finish, he died awaiting to live and lived awaiting to die.
Here lies, heart without a heart, barren: too successful - like a failure.
Tristan Corbière
 
Matia Bazar - Cose (1991 Remaster) The ending is something surreal!
 
In (recent) 1989, I recorded this historical document with my portable Takamichi on CrO2 tape:

Bulldozer Live Bootleg Album in Macomer 1989

and today I discover that someone has made a bootleg of it and is earning billions of euros from it.

I am (dis)concerted.
 
Neil Young - Helpless

Naples Tamiami Street
 
 
 
Judas Priest - Delivering the Goods
And for the review, the old, historically noble Metallus... but what kind of air was breathed in Birmingham in those (birth) years?!...
 
FILIPPO ANDREANI - MIA
beautifully discovered by chance under a pile of records
Like when you find yellowed photographs in the attic, they just want to tell you their stories,
you hold the hand of the little teacher who looks at you smiling, everything sounds, and the flowers on the white walls have a name and sing a sweet love rhyme with our name.
The sun sets, it’s not his fault. He doesn’t mean me harm, but the photographs no longer tell their stories, the flowers no longer have a name.
The little teacher no longer holds my hand, she no longer loves me.

For a while, I must leave you; I have to leave the life I like, the one I chose, the only one I want. I don’t like it, I’m going to buy myself a nice striped shirt, one of those that are in fashion. My simply white one, where sometimes I see beautiful stories, must be thrown away.