Welcome back to the column:
The 10 ugliest and unbearable songs by Mr. Daniele from Naples, this time in no particular order. PART 5
Pino Daniele - Che Dio ti benedica
First single taken from the self-titled album of 1993, this one was obviously played and replayed everywhere. The album as a whole wasn't bad, maybe the last decent one, but this song was a disaster. Here begins the "dumbing down due to girls" that will reach its peak in several subsequent hits, some of which have already been posted.
@[dsalva] @[Farnaby]
 
Well tuned in to #radiocapish

We hope today's listening will excellently delight your summer afternoons. Thanks to Mr. @[snes], who wanted to suggest an inexhaustible source of music miraculously rescued from oblivion, today we are listening to "Fog-Hat Ramble" (1968), the second LP by free-jazz multi-instrumentalist Phil Yost (birth date not available).

Enjoy your listening!

Phil Yost - Orange Kite Waltz
Phil Yost - Fog-Hat Ramble
Phil Yost - Through The Abacus Backwards
Phil Yost - Across The Somersault Region
Phil Yost - Look For Me In Eastrod, Mary O
Phil Yost - The Day Those Free-Balloon Races Passed Over Candy-Warp Crossings
 
Pooh - Oceano (Remastered)
I like to imagine it as a preview of the atmospheres of Yes in "Turn of the Century" and "Onward."
 
08 - sono contento di voi - Alberto Fortis (1979)
Ten Times Alberto - how they come
Crying with joy and laughing with sadness...
 
D.Scarlatti - Fandango
From the Scarlatti Family
 
 
Vanilla Fudge - The Spell That Comes After (2006 Remaster)
Renaissance is the perfect album by Vanilla (along with their debut) featuring proto hardprog, dark psych, and bursts of Hammond that only Brian Auger could have imagined.
A comment on the other albums: The beat goes on is completely unnecessary, except for the masterful reworking of Fur Elise, Near the beginning is saved by the sublime Some velvet morning, and Rock and roll is too constrained by mindless hard funky clutter.
 
Satie: Heures séculaires et instantanées

(I’m putting the version by Rogé because I can't find Ciccolini's)

Satie's description of "Heures séculaires et instantanées" is:

1. Venomous Obstacles

This vast part of the world is inhabited by a single human being: a black man.
He is bored to death from laughing.
The shadow of the ancient trees indicates nine seventeen.
The frogs call each other by name.
To think better, the black man holds his little brain with his right hand, fingers apart.
From afar, one might mistake him for an eminent physiologist.
Four anonymous snakes capture him, hanging onto the edges of his uniform, distorted by bitterness and loneliness combined.
On the riverbank, an old mangrove slowly washes its roots, so dirty that they appear disgusting.
It is not the right time for lovers.

2. Morning Twilight (at noon)

The sun has risen early and in good spirits.
It will be warmer than usual because the weather is prehistoric and threatening.
The sun is at its highest point in the sky; it has the look of a good fellow.
But let’s not trust it.
It can still scorch the harvest and give us a nasty blow: a sunstroke.
Behind the shed, an ox eats so much that it is about to get sick.

3. Granitic Panic

The clock of the old abandoned village is about to strike a sharp blow as well: the stroke of the thirteenth hour.
A deluge of rain bursts from clouds of dust; the vast, sneering woods pull at their branches; while the rough granite rocks shove each other, doing everything to be cumbersome.
The thirteenth hour is about to chime, under the symbolic aspect of one in the afternoon.
Alas! It’s not daylight saving time.
 
Happy Saturday debasici and welcome back to EDOARDO SMERDATO, or 12 pieces from our dear cousin Edoardone that should be completely uprooted. The second half of this ranking starts with a song that just missed making it to the top 5, taken from an album with good intentions and poor outcomes called Le ragazze fanno grandi sogni. I’m talking about Afferrare Una Stella Most of the tracks from that album were anything but successful (even with the best intentions), and with this song, we hit rock bottom: lyrics featuring one cliché rhyme after another, a background made up of bland folk music, and choruses just filling in the gaps. Ovo, since we have the usual tags @[fabriziozizzi] @[Ditta] @[dsalva] and since @[Farnaby] also appears, let’s go!
 
Sound

Roscoe Mitchell - from "Sound"
1966 (Delmark)

#jazzlegends
 
 
Jekyll and Hyde
#Renaissance
 
L'anticristo
They are always strong and original. Put in your earbuds and blast this rock garage.
 
Alessandro Barbero - Il Sesso nel Medioevo, tra leggende e verità I watch all of his video conferences. It's Barbero, what else? But this one is unmissable!
 
#darkpearls
Nic Jones - Penguin Eggs
The Little Pot Stove
On August 5, 2010, Sidmouth hosts "folk week"; an man takes to the stage: unsteady on his feet, he moves slowly and with difficulty, his gestures unnaturally mechanical and his voice dim, weak yet deep. The audience greets him with respectful and engaged silence. He manages to sing only three songs, but they are enough for those fortunate enough to be there.
At least for those who know who that man is.
Nic Jones was one of the greatest English folksingers, a leading figure of the so-called "folk revival" that, between the '60s and '70s, produced extraordinary albums by groups and solo artists. Pentangle, Richard Thompson, Bert Jansch, June Tabor, Davy Graham, Sandy Bull (and I could go on for a long time, but you get the idea). Among those names, Nic Jones's name should stand out: 5 albums to his credit (and many contributions to important records) including at least one absolute masterpiece (Penguin Eggs). A personal and original style, an excellent instrumental technique, and a wonderfully happy songwriting; Nic was born to be at the top of his class.
Yet on February 28, 1982, while returning from a concert, he crashes his car into a truck.
Coma, multiple fractures, and brain damage. Never to play again, goodbye to that magical and personal fingerpicking, goodbye to the violin, and even singing becomes difficult (holding a fork or urinating was difficult too...).
It takes 28 years for him to return to a stage, there in Sidmouth. Those who know him, those who cherish a copy of "Penguin Eggs" are there witnessing - in silence - that small miracle.
He will try again a few more times in the following three years, Nic will attempt to at least start singing again. Then, in 2013, after a concert at the Shrewsbury folk festival, Nic will throw in the towel and say it's enough.