Alcest Souvenirs d'un Autre Monde 2007 (full album) is even more beautiful than I remembered.
 
Twisted Tales - Jane's Addiction catchy lyrics, captivating melody
 
Errata Corrige - Saturday Il Cavaliere (Studio)
The precise atmospheres of twilight.
 
Padre Maurizio - Divertiti di Più Ma Fallo con Gesù (1999 - CD)
Since these days we're talking about shit music, I want to be consistent to the end, so here you go...
Make sure to listen to it from start to finish. You won't regret it!
 
Black Celebration I want to take you in my arms, forgetting all I couldn't do today
 
Funki Porcini THE DEVIL DRIVES ...here we dance wildly with Simon of the Desert... #whatapiece
 
Blackgirls - Window/door
vanished into thin air, evaporated. Dissolved
 
 
Well tuned in to #radiocapish

Today there are no new listens, but an invitation to re-listen to what you like most from past shows on my personal page.

To please you, I present the most beloved listening of the entire show: the soundtrack of the film "Ascensore per il patibolo" played by Miles Davis.

Enjoy listening!

Miles Davis - Ascenseur pour l'échafaud - Lift to the Gallows (Full Album)
 
Franco Falsini "Cold Nose - Parte 3"
Franco's only solo album. Stratospheric. Don't miss the sublime part at minute 16.
 
La Bottega dell'Arte - Notturno per noi (Bonus 1974)
A band that is especially remembered for those singles in the style of the Pooh during the Poohlover phase. But this one, "A Cythia" and "Un'esistenza" (posted yesterday) are three surprising prog essays that anticipate the sound of La Corte dei miracoli and Le Orme's Storia o leggenda by a year or two.
 
Kid Blue - Louise Goffin
Oh My God (feat. Van Dyke Parks)

Chapter DAUGHTERS OF-.
There’s no need to specify whose daughter she is, both by surname and because she is the spitting image of her mother.
She resembles her in voice as well, and in her debut album (recorded as a teenager), there was some effort to emphasize this resemblance.
As much as possible, because that album was actually closer to certain AOR than to her mother's "classic" style.
The production and the involvement of certain names (Steve Lukather, David Paich, Mike Porcaro) speak for themselves. But it was a nice album for a nineteen-year-old who, with the right - inevitable - connections, should have made a certain career.
However, I later deduced that she likely didn’t care about becoming the new Pat Benatar or the new Stevie Nicks of the '80s, and I would say: fortunately.
So, few (relatively) albums in over forty years of activity, always away from the limelight, a few appearances opening for her mother’s concerts, zero opportunistic maneuvers to live off past glories.
Until the latest album, self-produced and self-promoted through her Facebook page, with a cover that is an old drawing by a certain Joni Mitchell, a family friend.
Among others, a piece orchestrated by a certain Van Dyke Parks, also a family friend, who doesn’t even have a Facebook page.