Weather Report - 125th Street Congress
How to avoid falling into predictable funky fusion. A perfect album from start to finish, just like the previous two records.
 
2 BAD MICE - BOMBSCARE (ORIGINAL)

Let's get down to business.
 
Weather report - Between The Thighs
"Tale spinnin" is a sonic jungle filled with groove-laden tracks and influences (besides the negligible Badia and Five short stories).
 
Lady Gaga - Plastic Doll (Audio)

It works like this, right? Anyway, on loop.
 
Lady Gaga - Plastic Doll (Audio)

It works like this, right? Anyway, on loop.
 
Luv' - Trojan Horse • TopPop
Iconic late '70s video: bagpipes, full costumes, pinball machines, colorful hats, non-equestrian monuments, zoos, human fauna, and the Smurfs. The Smurfs? And what about the Trojan horse, where is it?
 
I Got Rhythm - Hampton Hawes

Hampton Hawes - from "Trio Vol. 1"
1955 (Contemporary)

#jazzlegends
 
FILM - Imperatore di Roma Versione completa di Nico D'Alessandria

Two thousand years have passed, two thousand
Here’s how Christ died
Here’s why Christ died
Because of the Romans
Because of the Christians
Two thousand years have passed, two thousand
 
Alan Parsons Project - I Don't Wanna Go Home
Alan's grooves, so perfect, flawless, super precise, leave no room for error.
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to paintings] [03 of 40]
 
Sirone - circumstances

Sirone - from "Artistry"
1979 (OTC)

#jazzlegends
 
Canadian Psycho

Jean Derome - from "All Is Bright, but It Is Not Day"
2002 (AM)

#jazzlegends
 
Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [03 of 40]

Preview
The Troubling Muses - De Chirico (1917-1919)

The Troubling Muses is a painting (97 × 67 cm, oil on canvas) by the Italian painter Giorgio de Chirico created between 1917 and 1919. At least one copy of the work exists, located at the Pinakothek der Moderne in Munich (94 × 62 cm, gouache on paper). The artwork depicts an open space where two classical statues are prominently positioned: one upright and the other seated on a pedestal. Both figures, which have the head of a tailor’s mannequin, are surrounded by various objects, while in the background stands a third male statue. The perspective is distorted and converges in the background with the representation of the Estense Castle of Ferrara, here flanked by a factory. Although the image is clear, the atmosphere is unrealistically silent and disorienting, aided by the warm colors and the static, intense light.
According to Eugenio Borgna: “In the painting, the climax of anguish and despair certainly arises from the eyeless figures and their desiccated faces: evoking an immediate impression of a astonished and lacerating silence.”
The presence of various symbols within the painting makes its interpretation challenging. Nevertheless, the castle in the background is a reference to Ferrara, the city where metaphysical painting was born (the stage of the crucial meeting with Carlo Carrà as well as a place for fundamental aesthetic reflections), while the upright mannequin in the foreground is presumed to represent Hippodamia, a mythological character who, during the battle of the Centaurs and the Lapiths, awaited the outcome of the clash with unease, a sentiment that inspired the title of the work.
 
Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [03 of 40]

Preview
The Intriguing Muses - De Chirico (1917-1919)

The Intriguing Muses is a painting (97 × 67 cm, oil on canvas) by the Italian painter Giorgio de Chirico created between 1917 and 1919. At least one copy of the work exists, located at the Pinakothek der Moderne in Munich (94 × 62 cm, gouache on paper). The work depicts an open space in which two classical statues are positioned prominently: one standing, and the other seated on a base. Both figures, which have the head of a tailor's mannequin, are surrounded by various objects, while in the background there is a third male statue. The perspective is distorted and converges in the representation of the Estense Castle of Ferrara, which is placed next to a factory. Although the image is sharp, the atmosphere is unrealistically silent and disconcerting, thanks to the warm colors and the static, intense light.
According to Eugenio Borgna: “In the painting, certainly, the climax of anguish and despair is reborn from the eyeless figures and their parched faces: evoking the immediate impression of a stupefying and lacerating silence.”
The presence of various symbols within the painting makes its interpretation challenging. Nevertheless, the castle in the background is a reference to Ferrara, the city where metaphysical painting was born (the stage for the crucial encounter with Carlo Carrà as well as a place for fundamental aesthetic reflections), while the upright mannequin in the foreground is believed to represent Hippodamia, a mythological character who, during the battle of the Centaurs and the Lapiths, awaited the outcome of the clash with unease, a sentiment that inspired the title of the work. [source Wikipedia]
 
Ron Carter - Blues Farm - from Blues Farm #roncarterbassist #bluesfarm

#unochesiannoiavapoco

a semi-serious journey through the discography and collaborations of Billy Cobham in almost chronological order
1973 Ron Carter - Blues Farm
 
 
Ingrandisci questa immagine

@[sergio60] Thanks to my friend Sergio!!!

(But the second record? There must have been a mistake)
 
The Alan Parsons project (Eric Woolfson's Freudiana) - Dora
The final step of the career along with the title track 🚀 a last bright spot in an album that doesn't match the previous ones (like the Go West by Camel from Dust and Dreams)
 
Courteeners - Not Nineteen Forever (TRNSMT 2018)

pull yourself together!!!!

The Courteeners
Album: St.Jude (2008)

#liveisbetter. #2008