Lay with me - The Flying Eyes Jim Morrison is back among us!
 
Luomo - Vocalcity (full album)

@[sfascia carrozze]: maybe I prefer him when he does(did) similar things.
 
King Buffalo - "Red Star Pt. 2" [Official Video] They have what it takes to win over my little heart.
 
Listen to 45 In My Pocket by DJ Muggs on #SoundCloud
45 In My Pocket by DJ Muggs


This one surely won’t get famous, and that’s a shame. It feels like it’s from '97, and that’s a compliment.
 
Listen to 45 In My Pocket by DJ Muggs on #SoundCloud
45 In My Pocket by DJ Muggs


This one surely won’t get famous, and that’s a shame. It feels like it’s from '97, and that’s a compliment.
 
Steve Lacy Steve Potts -- Live In Budapest - Clichés

Steve Potts & Steve Lacy - from "Live in Budapest"
1987 (West Wind)

#jazzlegends
 
Billie Holiday - Lady Sings The Blues

[ Oh, I almost forgot...
and my name is Billie,
Billie Holiday ]

Black? Can't you see?
Singer? Listen to me and you'll see
Whore? Yeah, I've done that too
And I drink like four men
You don't scare me, I've played in worse places than this
In cowboy bars down south where they spat on me
In a town where the same day they lynched a black man
In New Orleans where a stylish devil
Gave me drug flowers every night
And in Chicago I fell in love with a syphilitic trumpeter
And outside the club they smashed my mouth
In the rain from one station to another
Lady sings the blues

Black? Yeah, but I'm used to it
Singer? I sing like a cage full of birds
Low and high notes, and the whole repertoire
I can flutter like those beautiful singers in the movies
And then I can plant a ballad in your heart
Want strange fruit? Want midnight train?
I can sing it to you even drunk
Or with a knife in my back
Or full of whiskey and more, because I'm a saint
And my altar is in the smoke of this stage
Where Lady sings the blues

Black? Black and beautiful, my friend
Singer? I don't know how to do anything else
Whore? Well yeah, I've done that too
And I drink like four men
Don't touch me or I'll scratch that pretty white face
Put down the glass, open what little heart you have
Be silent and listen, I'm singing
Like it's the last time
Shut up, bastards, and bow down
Lady sings the blues

And when you get home, say
I heard an angel sing
With marble and satin wings
Smelled of whiskey, she was a black whore and sick
Say my name to everyone, don't forget me
I'm the queen of a kingdom of rags
I'm the voice of the sun on the cotton fields
I'm the black voice full of light
I'm the lady who sings the blues

Oh, I almost forgot...
and my name is Billie
Billie Holiday
 
Patrick Juvet - I love America (1978)

R.I.P. You made us dance!!!
 
Bluebottle kiss Sheffield Brides they are really good, that's it!
 
Ron Carter - ALL BLUES

#unochesiannoiavapoco

a semi-serious journey through the discography and collaborations of Billy Cobham in almost chronological order
1973 Ron Carter - All Blues
 
Ingrandisci questa immagine
Picazzo, the mad painter!
[a.k.a. the man who painted music while listening to paintings] [11 of 40]
 
The Stranglers - Walk On By
Beautiful, beautiful the cover mixed with a sort of light my fire

But the third one I hate, pure niu ueiv
You'll love it like crazy, right @[Farnaby]
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to paintings] [11 of 40]

Preview
A Sunday Afternoon on the Island of La Grande Jatte - Georges Seurat (1884 - 1886)

The subject of Seurat's painting is typically impressionist: the artist depicts various Parisians, from different social backgrounds, spending Sunday on the islet of La Grande Jatte, between Neuilly-sur-Seine and Levallois-Perret, one of the preferred destinations of the time. It is therefore impossible not to think of subjects so dear to Renoir, Caillebotte, or Degas.
However, there is a tangible difference at a formal level, which makes us realize that the impressionist season is waning, giving way to a new movement, Post-Impressionism. In this work, we do not see the feeling of spontaneity that was evident in the impressionist pieces, usually painted en plein air. On the contrary, in A Sunday Afternoon on the Island of La Grande Jatte, the composition is stiff, rigid: it is as if Seurat proudly asserts that his painting, despite its subject, has very little in common with the real world.
The work, in fact, anticipates one of the central ideas of the Avant-Gardes that will characterize the twentieth century: art does not necessarily have to imitate reality; on the contrary. Seurat employs two strategies to express this concept through painting. The first is the abandonment of strict perspective adherence, as Manet had already done in his Luncheon on the Grass. The second is the pointillist technique, which contributes to stiffening the composition, distancing it from the faithful reproduction of reality. The path is laid out: within a few decades, art will definitively cease to serve reality and will limit itself to evoking emotions. [source Frammentirivista]

Associated LP of 1997
 
 
Tubes - Feel It
Funk your AOR!