Charlie Parker - Anthropology

Charlie Parker (16 of 30)
"Anthropology" - from: Burnin' Bird
1945 (Savoy Jazz)

#jazzlegends
 
MALVADA - Mais um Gole

Anyway, I still don't understand why we've been keeping that bum @[macaco] in Brazil at our own expense for years if we have to painstakingly dig up these proto-Carioca gems ourselves.

Let's revoke his credentials and leave him on bread and water.

Then we'll see.
 
Rutto in chiesa

Happy Sunday, DeBaserioti.
 
Povia - Cameriere (video ufficiale)

To @[ZiOn] with an exclamation "but damn it"
The song doesn't surprise, but the lovestruck comments on YouTube do.
How is it possible?
 
Frontierer - Glacial Plasma (OFFICIAL VIDEO)

Finally, in 2021, a good old-fashioned POP album is about to be released, the kind I love. I was starting to lose hope.
 
ABC - Ocean Blue
Specials up to Alphabet City with photonic funky bass grooves and divine ballads.
The subsequent Up and Abracadabra are quite infused with that electro house style of Everything but the Girl, definitely pleasant but overly simplifying everything.
 
Brutal Truth - Collateral Damage

It really takes something fresh to combat the unbearable proto-summer heat.
 
Franco Califano - Da solo

Enough with these Bluvertigo from @[Dislocation]
@[sergio60] this is serious music
 
Gnome Enthusiast

#imieiamaticlutch (13)

Each song is a story on its own in this jam... this captivating diversion seems to have come straight out of Houses Of The Holy...
 
Liza Minnelli "Sweet Blindness" on The Ed Sullivan Show

#edsullivanshow

From 1948 to 1971, every Sunday night Ed Sullivan hosted the biggest and most famous artists on his show, aired on CBS. About ten years ago, it was released in 12 DVDs, and an Italian newspaper published the best performances. I'm sharing them with you; there are truly wonderful moments.
 
Roger Federer Top 1000 Best Shots of his Career

Thank you, Roger, I apologize, you.
 
ABC - How To Be A Millionaire
Because we like the wave even when it blends with that electro gloriously delivered by Colourbox and Art of Noise.
 
Gang - Nino
#therootsandthewings (8)
 
Page not found | La Biennale di Venezia

The latest trick from Pagey?!
The final ritual of the Sorcerer?!

Thanks again, Jimmy
 
Let's resume, gentlemen. We were saying the 90s. After Bersani, let's move to the Roman walls. The Roman school undergoing reform, thanks to interesting figures like... Daniele Silvestri. And would we like to see what the good son of art has done in the last 27 years? Amidst remarkable highs and equally remarkable lows, our guy has always managed to stand out by continuously exploring different genres while keeping his own essence intact.
9th: The Fugitive
After 5 years since the success of Salirò and 3 from the live album that includes the unreleased Kunta Kinte, Daniele returns to Sanremo with a song, La Paranza, which, despite having good intentions, proves to be too frivolous, too loud, too confident, too meticulously crafted to replicate a boom. Indeed, it not only placed fourth in the national competition but also became one of the most listened-to tracks that year. This did not bode well for the album, and lo and behold, The Fugitive, to my utmost surprise, is a terribly subdued album. There are great moments, no doubt, the opening track Mi persi is to be counted among our classics, Sulle rive dell'Arrone is a nice reflection on the arrival of middle age, A me ricordi il mare is catchy and evokes typical images of the Italian summer, but the rest struggles quite a bit. Faccia di velluto, Il suo nome, Gino e l'Alfetta, and Love is in the air try to be pieces of life and social criticism but unfortunately fall flat with a lack of depth, leading to themes that are sometimes modest and at times forgettable. And then, what should the lullaby in Roman dialect, Ninnetta nanna, represent for me? If there’s a language in which it’s impossible to feel emotional, it’s definitely Roman dialect. But for the first time in an album, I found a track whose existence I had long denied: Che bella faccia is a song that attempts to be engaged with a carefree marching band vibe but ends up being just 2 minutes and something useless and irritating. This album could have been a grand comeback, but instead, it was Daniele Silvestri's first album to fall into what he had perfectly avoided in previous years, delivering us bland, poorly crafted songs with promises almost never kept. I'm sorry, Daniele, but this time you missed the mark.
Meticulous rating: 4/5
The gem:
Daniele Silvestri - Mi Persi