Capish

  • 36 membri

Questo è un consesso di menti sottili aduse a spaccare il capello in multipli di quattro e ad apporre tutti i puntini mancanti su qualsivoglia i. E’ un luogo di dialogo e di approfondimento in cui l’inutile riacquista la sua centralità. Tu, sperduto viandante, ti senti pronto ad entrare?

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Aggiungetemi!
asterics
asterics
10 jan 22

DeRank™: 14,92

Well tuned in to #radiocapish

This morning, for “Baroque Mondays: at the court of the Capish King,” we propose listening to the last of the three sonatas for viola da gamba and harpsichord (BWV 1027-1029) by J. S. Bach, in the remarkable interpretation of Anner Bylsma, with Bob van Asperen on the organ (instead of the harpsichord).

Enjoy the listening.

Bach: Sonata in G minor, BWV 1029 (Bylsma / van Asperen)
asterics
asterics
3 jan 22

DeRank™: 14,21

Well tuned in to #radiocapish

This morning, for the first "Baroque Monday: at the court of the Capish King" of the year, we offer you the listening of The Art of Fugue by J. S. Bach (BWV 1080), in the harpsichord interpretation by Robert Hill (the illustration, quite fitting to say the least, is obviously by the unmistakable M. C. Escher).
I would also like to take this opportunity to recommend this vibrant little page on the work in question, written at the time by the good @[Kyrielison]: Kunst Der Fuge - Johann Sebastian Bach - recensione

Happy listening.

Bach: The Art of Fugue, BWV 1080 (Hapsichord: Robert Hill)
asterics
asterics
1 jan 22

DeRank™: 13,81

Well tuned in to #radiocapish

This morning, exceptionally, I present to you a "Baroque New Year: at the (festive) court of the Capish King," with the sweetest music ever played: the suites for solo cello, precisely the first of the six suites (BWV 1007), in the renowned interpretation by the Latvian Mischa Maisky. I would like to suggest, for those few who may have missed it, the remarkable review by @[odradek] (whom I warmly greet on this occasion): Suites Per Violoncello 1-6 - Johann Sebastian Bach - Mischa Maisky - recensione

Best wishes to everyone, and enjoy the listening.

Mischa Maisky plays Bach Cello Suite No.1 in G (full)
lector
lector
22 dec 21

DeRank™: 12,71

Christmas With Satan - James Chance
I hereby declare the Christmas Festivities open in the Kingdom of Capishonia!
lector
lector
22 dec 21

DeRank™: 0,97

Christmas With Satan - James Chance
I hereby declare the Christmas Festivities open in the Kingdom of Capishonia!
asterics
asterics
20 dec 21

DeRank™: 3,28

Well tuned in to #radiocapish

This morning, for "Baroque Mondays: at the court of the Capish King," we listen to some keyboard toccatas composed by Girolamo Frescobaldi (1583 – 1643), performed by Scott Ross.

Enjoy the listening.

Scott Ross, Frescobaldi Toccatas & Dances Ingrandisci questa immagine
asterics
asterics
13 dec 21

DeRank™: 3,28

Stay tuned to #radiocapish

For "Baroque Mondays: at the court of the Capish King," this morning we propose the listening of the debut work by Arcangelo Corelli (1653 – 1713), published in Rome in 1681 under the title "Sonate a tre, doi Violini, e Violone, o Arcileuto, col Basso per l'Organo."

Enjoy listening.

Arcangelo Corelli Sonate da Chiesa Op.1, London Baroque

P.S. In case some oblivious individual missed any, you can find the list of all past “Baroque Mondays” on my personal page: Scopri chi è asterics su DeBaser
asterics
asterics
6 dec 21

DeRank™: 3,91

Tuned in to #radiocapish

This morning, for “Baroque Mondays: at the court of the Capish King,” we offer you the chance to listen to some organ compositions by the Dutch musician Jan Pieterszoon Sweelinck (1562 – 1621), an important innovator of the early Baroque period, closely influenced by Albionese authors such as William Byrd, John Bull, and John Dowland, whose compositions preserved in the Fitzwilliam Virginal Book have already been featured in "Baroque Mondays."

Enjoy the listening.

Jan Pieterszoon Sweelinck - Voyage dans l'Amsterdam du 17è siècle
asterics
asterics
29 nov 21

DeRank™: 3,92

Well tuned in to #radiocapish

For "Baroque Mondays: at the court of the Capish King", we listen to what I believe is a true gem: the music that Henry Purcell (1659 – 1695) composed for the funeral of Queen Mary II Stuart, held on March 5, 1695, in London. A few months later, in November 1695, it accompanied Purcell's own funeral. The march was excellently rearranged by Wendy (Walter) Carlos on the Moog for the soundtrack of A Clockwork Orange in 1971.

Enjoy the listening.

Henry Purcell Funeral of Queen Mary
asterics
asterics
22 nov 21

DeRank™: 11,03

Well tuned in to #radiocapish

We are pleased to announce that “Baroque Mondays: at the court of the Capish King” returns to brighten up your week’s start. Today, we invite you to listen to the three famous suites (HMV 348-350) composed in the second decade of the 1700s by the German-born English composer Georg Friedrich Händel (1685-1759), known as “Water music,” since their first public performance took place, in the presence of King George I, on a barge on the River Thames on July 17, 1717.

Enjoy the listening.

(FULL ALBUM) Handel - Water Music - Consort Of London - Robert Haydon Clark
zotter
zotter
4 oct 21

DeRank™: 0,16

Well tuned in to #radiocapish

This morning, for “Baroque Mondays: at the court of the Capish King,” we propose listening to the Fantasias for viola da gamba by the renowned Georg Philipp Telemann (1681 – 1767) performed by Paolo Pandolfo.

I also remind you that on my personal page you can find the list of all past Baroque Mondays.

Enjoy the listening.

Fantasia in C Minor, TWV 40:26: I. Adagio - Allegro - Adagio - Allegro

Fantasia in C Minor, TWV 40:26: II. Allegro
zotter
zotter
27 sep 21

DeRank™: 3,16

Well tuned into #radiocapish

Today, for "Baroque Mondays: at the court of the Capish King," we offer you the listening of some lute sonatas composed by the great late baroque lutenist Sylvius Leopold Weiss (1687-1750), performed by Robert Barto.

Enjoy the listening.

2006 - Sylvius Leopold Weiss - Sonatas for lute - vol.7 (nº48)
zotter
zotter
20 sep 21

DeRank™: 3,16

Well tuned in to #radiocapish

This morning for “Baroque Mondays: at the court of the Capish King” we listen to the Concerto for Oboe, Strings, and Basso Continuo in D minor (1717) by the Venetian composer Alessandro Marcello (1684-1750), performed by the Ensemble Il Gardellino conducted by Marcel Ponseele (Baroque Oboe).
Enjoy the listening.

A. Marcello - Oboe Concerto in d minor (Marcel Ponseele, baroque oboe / Il Gardellino)
zotter
zotter
13 sep 21

DeRank™: 4,02

Well tuned in to #radiocapish

Tonight, for the column "Baroque Mondays: at the court of the Capish King," we present the Fantasias for the Viols (1680) by the English composer Henry Purcell (1659 - 1695), performed by Jordi Savall & Hespérion XX, published by Alia Vox.

Enjoy listening.

Fantasias for the Viols, 1680. Henry Purcell (1659 - 1695)
Fratellone
Fratellone
9 aug 21

DeRank™: 6,14

Il fantasma di Tom Joad
Cover:
let's start with a Salento singer-songwriter who presents us with a piece unknown to most, translating almost word-for-word from the English language of a semi-unknown Springsteen.
asterisco
asterisco
30 jul 21

DeRank™: 22,73

I'm following the initiative #unlibroperlestate launched by our Sire @[lector]: a book suitable for every occasion.

Ingrandisci questa immagine
lector
lector
29 jul 21

DeRank™: 37,46

I'm starting a quick little column - dear citizens and brothers - (to be concluded before August begins), which I hope will be useful for all of us:
#unlibroperlestate
Ingrandisci questa immagine
I'll start with this book that MUST NOT BE MISSING under the umbrella of any respectable beachgoer!
A copy should be IMMEDIATELY gifted to the good @[algol] (he knows why)!
I'm looking forward to more juicy recommendations!
asterisco
asterisco
28 jun 21

DeRank™: 3,13

Tuned in to #radiocapish

Before shutting down for a good couple of months, this morning we invite you to listen to the first Suite from Pièces de violes avec la basse chiffrée (1728) by François Couperin, for the column “Baroque Mondays: at the court of the Capish King,” featuring the interpretation by Jordi Savall and Ariane Maurette on viola and Ton Koopman on harpsichord, recorded on behalf of Alia Vox.

Enjoy listening,
and see you soon.

François Couperin - Jordi Savall / Ton Koopman / Ariane Maurette – Pièces De Violes - 1728
asterisco
asterisco
23 jun 21

DeRank™: 12,84

#radiocapish

"Wednesday on Saturn: the Afrofuturism of Sun Ra"

(3B) from "Jazz in Silhouette" of 1959.

Hours After (Stereo)

Horoscope

Images (In a Mirror)

Blues at Midnight
asterisco
asterisco
23 jun 21

DeRank™: 12,84

Well tuned in to #radiocapish

For "Wednesdays on Saturn: the Afrofuturism of Sun Ra," today we listen to what I believe is Sun Ra's masterpiece from the 1950s:

(3A) from "Jazz in Silhouette" from 1959.

Enjoy the listening.

Enlightenment (Stereo)

Saturn

Velvet (Stereo)

Ancient Aiethopia (Stereo)
asterisco
asterisco
21 jun 21

DeRank™: 1,02

Tuned in to #radiocapish

For “Baroque Mondays: at the court of the Capish King,” today we listen to the Caprices for solo cello by the late Baroque composer Giuseppe Clemente Dall'Abaco (1709 – 1805), son of the more famous Evaristo Felice Dall’Abaco (1675 – 1742), in the remarkable interpretation by Kristin von der Goltz.

Enjoy listening.

Kristin von der Goltz - Joseph Dall'Abaco: Capricci for violoncello solo 1 to 8 - Baroque Cello
asterisco
asterisco
16 jun 21

DeRank™: 17,11

Well tuned in to #radiocapish

"Wednesday on Saturn: the afrofuturism of Sun Ra"

(2) from "Super-sonic Jazz" of 1957.

Enjoy the listen.

India
Super Blonde